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Steve Miller|Born 2B Blue

Born 2B Blue

STEVE MILLER

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Disregard the fact that the "space" in Steve Miller's "space blues" was a large part of why he had his own distinctive musical identity, because if you're going into 1988's Born 2B Blue looking for a return to his trademark space blues, or even a revitalization of his roots, you'll be sorely disappointed. In fact, this isn't even a blues album -- it's a jazz album, pitched halfway between soul-jazz and smooth jazz. He's able to draft such heavy-hitters as Phil Woods and Milt Jackson for guest spots, and his taste in material is quite nice, balancing the overly familiar ("Willow Weep for Me," "God Bless the Child") with relatively obscure R&B cuts ("Ya Ya," "Mary Ann") and selections that demonstrate that he's a genuine fan, such as Horace Silver's "Filthy McNasty." Now, does all this make Born 2B Blue a worthwhile genre exercise? Well, in a sense, it does, since Miller is passionate as he can be, turning in charmingly laid-back performances that may not be noteworthy, but are pleasant as can be. So, it winds up being something that's modestly impressive and enjoyable as it's playing, but no matter what its virtues are, it's more noteworthy for what it is than what it gives.

© Stephen Thomas Erlewine /TiVo

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1
Zip-A-Dee-Doo-Dah
00:04:13

STEVE MILLER, Producer, MainArtist - RAY GILBERT, ComposerLyricist - Allie Wrubel, ComposerLyricist - Ben Sidran, Producer - RICKY PETERSON, Programmer - Steve Faison, Percussion, AssociatedPerformer

℗ 1988 Sailor Records

2
Ya Ya
00:03:37

Morris Levy, ComposerLyricist - Clarence Lewis, ComposerLyricist - STEVE MILLER, Producer, MainArtist - Ben Sidran, Producer - RICKY PETERSON, Synthesizer Programming, AssociatedPerformer - Lee Dorsey, ComposerLyricist

℗ 1988 Sailor Records

3
God Bless The Child
00:05:00

Arthur Herzog, Composer - STEVE MILLER, Producer, MainArtist - Bruce Paulson, Trombone, AssociatedPerformer - Billie Holiday, Composer - Ben Sidran, Producer - Bobby Malach, Tenor Saxophone, AssociatedPerformer

℗ 1988 Sailor Records

4
Filthy McNasty
00:02:50

STEVE MILLER, Producer, MainArtist - Horace Silver, Composer - Ben Sidran, Producer - Bobby Malach, Tenor Saxophone, AssociatedPerformer

℗ 1988 Sailor Records

5
Born To Be Blue
00:05:24

STEVE MILLER, Producer, MainArtist - Mel TORME, ComposerLyricist - Robert Wells, ComposerLyricist - Milt Jackson, Vibraphone, AssociatedPerformer - Billy Peterson, AssociatedPerformer, Bass (Vocal) - Ben Sidran, Producer - Gordy Knudtson, Drums, AssociatedPerformer

℗ 1988 Sailor Records

6
Mary Ann
00:04:49

Ray Charles, ComposerLyricist - STEVE MILLER, Producer, MainArtist - Ben Sidran, Producer - Bobby Malach, Tenor Saxophone, AssociatedPerformer

℗ 1988 Sailor Records

7
Just A Little Bit
00:04:04

STEVE MILLER, Producer, MainArtist - Ben Sidran, Producer - RICKY PETERSON, Synthesizer Programming, AssociatedPerformer - Rosco Gordon, ComposerLyricist - Bobby Malach, Tenor Saxophone, AssociatedPerformer

℗ 1988 Sailor Records

8
When Sunny Gets Blue
00:04:36

STEVE MILLER, Producer, MainArtist - Phil Woods, Alto Saxophone, AssociatedPerformer - Ben Sidran, Producer - JACK SEGAL, ComposerLyricist - MARVIN FISHER, ComposerLyricist

℗ 1988 Sailor Records

9
Willow Weep For Me
00:05:12

STEVE MILLER, Producer, MainArtist - Ann Ronell, ComposerLyricist - Ben Sidran, Producer

℗ 1988 Sailor Records

10
Red Top
00:02:32

STEVE MILLER, Producer, MainArtist - Lionel Hampton, ComposerLyricist - Phil Woods, Alto Saxophone, AssociatedPerformer - Ben Sidran, Producer - Ben Kynard, ComposerLyricist

℗ 1988 Sailor Records

Presentación del Álbum

Disregard the fact that the "space" in Steve Miller's "space blues" was a large part of why he had his own distinctive musical identity, because if you're going into 1988's Born 2B Blue looking for a return to his trademark space blues, or even a revitalization of his roots, you'll be sorely disappointed. In fact, this isn't even a blues album -- it's a jazz album, pitched halfway between soul-jazz and smooth jazz. He's able to draft such heavy-hitters as Phil Woods and Milt Jackson for guest spots, and his taste in material is quite nice, balancing the overly familiar ("Willow Weep for Me," "God Bless the Child") with relatively obscure R&B cuts ("Ya Ya," "Mary Ann") and selections that demonstrate that he's a genuine fan, such as Horace Silver's "Filthy McNasty." Now, does all this make Born 2B Blue a worthwhile genre exercise? Well, in a sense, it does, since Miller is passionate as he can be, turning in charmingly laid-back performances that may not be noteworthy, but are pleasant as can be. So, it winds up being something that's modestly impressive and enjoyable as it's playing, but no matter what its virtues are, it's more noteworthy for what it is than what it gives.

© Stephen Thomas Erlewine /TiVo

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