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Sagittarius|Blue Marble

Blue Marble

Sagittarius

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The second and final album from Sagittarius was the first for the ambitious Together Records in 1969, but the label folded soon afterward, leaving The Blue Marble virtually unheard for over 30 years. Like its predecessor Present Tense, The Blue Marble is producer Gary Usher's (the Beach Boys, the Byrds) take on the decidedly late-'60s sunshine pop genre, and features members of the Millennium, including the legendary Curt Boettcher. The record opens with an interesting, intermittently discordant version of the Beach Boys' paean to childhood empowerment, "In My Room" (which Usher co-wrote with Brian Wilson). A new plaything, the Moog synthesizer, is employed on many of the numbers, and the results are distracting, leaving this period music even more dated. It's as if Usher used Robert Moog's invention to spruce up the weaker songs, instead of letting the tune carry the track. The country-tinged "Will You Ever See Me" showcases what Sagittarius could do with a strong melody, while the tempo-shifting "Gladys" is an intriguing anomaly of dark psychedelic pop.

© Bart Bealmear /TiVo

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Blue Marble

Sagittarius

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1
In My Room
00:02:10

Sagittarius, Composer, MainArtist - Irving Music, MusicPublisher

2008 Sundazed Music 2008 IRVING MUSIC

2
From You Unto Us
00:01:48

Sagittarius, Composer, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

3
Will You Ever See Me?
00:02:15

Sagittarius, Composer, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

4
Gladys
00:02:48

Sagittarius, Composer, MainArtist - Irving Music, MusicPublisher

2008 Sundazed Music 2008 IRVING MUSIC

5
I Sing My Song
00:02:47

Sagittarius, MainArtist - Sony Atv Acuff Rose, MusicPublisher - Dana Adams, Michelle O'Malley, Composer

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

6
The Blue Marble
00:03:01

Sagittarius, Composer, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

7
Lend Me a Smile
00:03:12

Gary Usher, Composer - Sagittarius, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

8
I Still Can See Your Face
00:02:54

Sagittarius, Composer, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

9
I See You In
00:03:14

Sagittarius, Composer, MainArtist - Sundazed Music, MusicPublisher

2008 Sundazed Music 2008 Sundazed Music

10
Cloud Talk
00:02:28

Sagittarius, Composer, MainArtist - Sundazed Music, MusicPublisher

2008 Sundazed Music 2008 Sundazed Music

11
I Guess the Lord Must Be In New York City
00:02:31

Sagittarius, Composer, MainArtist - Unichappell Music, MusicPublisher

2008 Sundazed Music 2008 UNICHAPPELL MUSIC

12
I Still Can See Your Face
00:02:55

Sagittarius, Composer, MainArtist - Sony Atv Acuff Rose, MusicPublisher

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

13
In My Room
00:02:09

Sagittarius, Composer, MainArtist - Irving Music, MusicPublisher

2008 Sundazed Music 2008 IRVING MUSIC

14
Navajo Girl
00:02:39

Sagittarius, MainArtist - Sony Atv Acuff Rose, MusicPublisher - Henry Salisbury, Gary Usher, Composer

2008 Sundazed Music 2008 SONY ATV ACUFF ROSE

Presentación del Álbum

The second and final album from Sagittarius was the first for the ambitious Together Records in 1969, but the label folded soon afterward, leaving The Blue Marble virtually unheard for over 30 years. Like its predecessor Present Tense, The Blue Marble is producer Gary Usher's (the Beach Boys, the Byrds) take on the decidedly late-'60s sunshine pop genre, and features members of the Millennium, including the legendary Curt Boettcher. The record opens with an interesting, intermittently discordant version of the Beach Boys' paean to childhood empowerment, "In My Room" (which Usher co-wrote with Brian Wilson). A new plaything, the Moog synthesizer, is employed on many of the numbers, and the results are distracting, leaving this period music even more dated. It's as if Usher used Robert Moog's invention to spruce up the weaker songs, instead of letting the tune carry the track. The country-tinged "Will You Ever See Me" showcases what Sagittarius could do with a strong melody, while the tempo-shifting "Gladys" is an intriguing anomaly of dark psychedelic pop.

© Bart Bealmear /TiVo

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