Categorías:
Carrito 0

Servicio no disponible por el momento

M. Craft|Blood Moon

Blood Moon

M. Craft

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

On his third solo album and first in eight years, singer/songwriter M. Craft makes a strong case for the designations singer/composer and wilderness-conjurer. The Australia native relocated to Los Angeles from a decade-long stay in London, England to begin work on the record, eventually retreating to a desert cabin in Joshua Tree. Once there, he sculpted atmospheric, orchestral song from longer piano compositions conceived in L.A. Described as a "cosmic piano odyssey," Blood Moon's title was inspired by Craft's witnessing two such lunar events during his stay. Barren landscapes, starry skies, and solitude seep through the full melancholy set of these borderline tone poems -- three of the ten tracks are instrumentals. Alternately expansive and sparse, the title track drifts through passages of layered strings, guitar, sustained piano chords, percussion, what sounds like pan flute, and harmonized male and wailing female vocals, at times exposing Craft's scene-setting verse ("All the mountains we climb/And the valleys of time/Waiting for a moon"), and persistently underscored by a repeated note on piano. The more shimmering "Me and My Shadow" has overlapping, disparate rhythms delivered by twinkling piano and various stringed and percussion instruments, blended to be indistinguishable from one another, like spattering rain. The song's key is established by more prominent, harmonized strings and another wistful vocal line. Eventually, tempos and a sense of center are garbled as additional vocal and instrumental tracks interrupt and merge into the proceedings ("Searching forever for where we belong/Me and my shadow"). Panoramic and transportive throughout, each track takes time to observe and consider, ultimately finding comfort among desolation. The closing track, "Love Is All," decides on companionship: "In the light of the morning, it all comes so clear/Either I should be there or you should be here." With its emphasis on exploring atmosphere over the artful, structured pop of his prior releases, Blood Moon stands alone in Craft's discography to date. Recommended for late-night introspection whether under shelter or, even better, lying out under the stars.

© Marcy Donelson /TiVo

Más información

Blood Moon

M. Craft

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 16.190,00/mes

1
New Horizons
00:03:35

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

2
Blood Moon
00:05:35

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

3
Chemical Trails
00:04:07

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

4
Afterglow
00:03:37

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

5
Midnight
00:02:42

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

6
Love Is the Devil
00:03:50

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

7
Me and My Shadow
00:04:06

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

8
Morphic Fields
00:04:03

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

9
Where Go the Dreams
00:03:56

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

10
Love Is All
00:06:44

M. Craft, Composer, MainArtist

2016 Heavenly Recordings under exclusive licence to [PIAS] 2016 Heavenly Recordings under exclusive licence to [PIAS]

Presentación del Álbum

On his third solo album and first in eight years, singer/songwriter M. Craft makes a strong case for the designations singer/composer and wilderness-conjurer. The Australia native relocated to Los Angeles from a decade-long stay in London, England to begin work on the record, eventually retreating to a desert cabin in Joshua Tree. Once there, he sculpted atmospheric, orchestral song from longer piano compositions conceived in L.A. Described as a "cosmic piano odyssey," Blood Moon's title was inspired by Craft's witnessing two such lunar events during his stay. Barren landscapes, starry skies, and solitude seep through the full melancholy set of these borderline tone poems -- three of the ten tracks are instrumentals. Alternately expansive and sparse, the title track drifts through passages of layered strings, guitar, sustained piano chords, percussion, what sounds like pan flute, and harmonized male and wailing female vocals, at times exposing Craft's scene-setting verse ("All the mountains we climb/And the valleys of time/Waiting for a moon"), and persistently underscored by a repeated note on piano. The more shimmering "Me and My Shadow" has overlapping, disparate rhythms delivered by twinkling piano and various stringed and percussion instruments, blended to be indistinguishable from one another, like spattering rain. The song's key is established by more prominent, harmonized strings and another wistful vocal line. Eventually, tempos and a sense of center are garbled as additional vocal and instrumental tracks interrupt and merge into the proceedings ("Searching forever for where we belong/Me and my shadow"). Panoramic and transportive throughout, each track takes time to observe and consider, ultimately finding comfort among desolation. The closing track, "Love Is All," decides on companionship: "In the light of the morning, it all comes so clear/Either I should be there or you should be here." With its emphasis on exploring atmosphere over the artful, structured pop of his prior releases, Blood Moon stands alone in Craft's discography to date. Recommended for late-night introspection whether under shelter or, even better, lying out under the stars.

© Marcy Donelson /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por M. Craft

I Can See It All Tonight

M. Craft

Blood Moon Deconstructed

M. Craft

Silver And Fire

M. Craft

Silver And Fire M. Craft

Adorn Me

M. Craft

Adorn Me M. Craft

Great Wolf

M. Craft

Great Wolf M. Craft
Quizás también le guste...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

First Two Pages of Frankenstein

The National

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

Ohio Players

The Black Keys

Ohio Players The Black Keys

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish