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Charlie Rich|Behind Closed Doors

Behind Closed Doors

Charlie Rich

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Charlie Rich had been heading toward full-blown country-pop on his previous Epic records, but Behind Closed Doors is where Billy Sherrill pulled out all of the stops and created a heavily orchestrated, pop-oriented album. It's to Rich's credit that he never sounds like he's drowning amid the grand production and layers of instruments -- in an odd way, he thrives. While Behind Closed Doors doesn't have the casual eclecticism that distinguished all of Rich's past recordings, it is an expertly crafted album -- it's easy to see why it made the Silver Fox a superstar. All of the material, from the hit singles ("Behind Closed Doors," "The Most Beautiful Girl," "I Take It On Home") to the album tracks, are classy songs, designed to appeal to a maturing country audience. Furthermore, the arrangements expertly walk the line between pop and schmaltz -- the sound of Behind Closed Doors is the sound of early-'70s countrypolitan and numerous artists used the record as a template for their own style. Rich made better, grittier records, but the combined collaborative effort of the vocalist and Sherrill resulted in a seamless, influential work -- even if it is one that earned the scorn of hardcore country purists.

© Stephen Thomas Erlewine /TiVo

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Behind Closed Doors

Charlie Rich

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1
Behind Closed Doors
00:02:57

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Billy Sherrill, Producer - The Nashville Edition - Kenny O'Dell, Composer, Lyricist - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 Sony Music Entertainment

2
If You Wouldn't Be My Lady
00:02:55

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Jimmy Holiday, Composer, Lyricist - Eddie Reeves, Composer, Lyricist - The Nashville Edition - Billy Sherrill, Producer - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

3
You Never Really Wanted Me (Album Version)
00:02:28

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Billy Sherrill, Producer - The Nashville Edition - Charles Allan Rich, Jr., Composer, Lyricist - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

4
A Sunday Kind of Woman
00:03:10

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Margaret Ann Rich, Composer, Lyricist - The Jordanaires - Billy Sherrill, Producer - Al Quaglieri - Charlie Bragg, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

5
Peace On You (Album Version)
00:04:01

Charlie Rich, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Billy Sherrill, Producer - The Nashville Edition - Al Quaglieri - LOU BRADLEY, Engineer - Charlie Bragg, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

6
The Most Beautiful Girl
00:02:47

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Norris Wilson, Composer, Lyricist - Rory Michael Bourke, Composer, Lyricist - Billy Sherrill, Composer, Producer - The Nashville Edition - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

7
I Take It On Home (Album Version)
00:02:55

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Billy Sherrill, Producer - The Jordanaires - Kenny O'Dell, Composer, Lyricist - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

8
'Til I Can't Take It Anymore
00:02:33

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Dorian Burton, Composer, Lyricist - Otis Clyde, Composer, Lyricist - The Nashville Edition - Billy Sherrill, Producer - Al Quaglieri - LOU BRADLEY, Engineer - Charlie Bragg, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

9
We Love Each Other
00:03:10

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Buddy Killen, Composer, Lyricist - The Nashville Edition - Billy Sherrill, Producer - Al Quaglieri - LOU BRADLEY, Engineer - Charlie Bragg, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

10
I'm Not Going Hungry (Album Version)
00:02:13

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Billy Sherrill, Producer - The Nashville Edition - Freddie Hart, Composer, Lyricist - Al Quaglieri - LOU BRADLEY, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

11
Nothing In the World (To Do With Me)
00:02:37

Charlie Rich, Associated Performer, Main Artist, Associated Performer - Margaret Rich, Composer, Lyricist - The Nashville Edition - Billy Sherrill, Producer - Al Quaglieri - Charlie Bragg, Engineer - Joseph M. Palmaccio, Mastering Engineer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

Presentación del Álbum

Charlie Rich had been heading toward full-blown country-pop on his previous Epic records, but Behind Closed Doors is where Billy Sherrill pulled out all of the stops and created a heavily orchestrated, pop-oriented album. It's to Rich's credit that he never sounds like he's drowning amid the grand production and layers of instruments -- in an odd way, he thrives. While Behind Closed Doors doesn't have the casual eclecticism that distinguished all of Rich's past recordings, it is an expertly crafted album -- it's easy to see why it made the Silver Fox a superstar. All of the material, from the hit singles ("Behind Closed Doors," "The Most Beautiful Girl," "I Take It On Home") to the album tracks, are classy songs, designed to appeal to a maturing country audience. Furthermore, the arrangements expertly walk the line between pop and schmaltz -- the sound of Behind Closed Doors is the sound of early-'70s countrypolitan and numerous artists used the record as a template for their own style. Rich made better, grittier records, but the combined collaborative effort of the vocalist and Sherrill resulted in a seamless, influential work -- even if it is one that earned the scorn of hardcore country purists.

© Stephen Thomas Erlewine /TiVo

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