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Paul Bley|Barrage

Barrage

Paul Bley Quintet

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Pianist Paul Bley's early ESP free jazz session combines the influence of the Jazz Composer's Guild with Ornette Coleman. On Barrage, Bley is joined by alto saxophonist Marshall Allen (in one of his few appearances outside of Sun Ra's Arkestra), trumpeter Dewey Johnson (who would go on to play on Coltrane's Ascension the following year), Eddie Gomez on bass, and Milford Graves taking care of percussion. All compositions are by Bley's former wife, Carla Bley, with a definite nod to Coleman's hyperactive stop-start punctuation (Paul Bley had fronted one of the earliest incarnations of the original Coleman quartet). Graves and Allen are especially irrepressible here, making Barrage a lost free jazz classic.
© Al Campbell /TiVo

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Barrage

Paul Bley

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Batterie (Carla Bley)

1
Batterie
Paul Bley Quintet
00:04:17

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

Ictus (Carla Bley)

2
Ictus
Paul Bley Quintet
00:05:22

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

And Now the Queen (Carla Bley)

3
And Now the Queen
Paul Bley Quintet
00:04:19

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

Around Again (Carla Bley)

4
Around Again
Paul Bley Quintet
00:04:14

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

In guilty night (Carla Bley)

5
Walking Woman
Paul Bley Quintet
00:04:17

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

Barrage (Carla Bley)

6
Barrage
Paul Bley Quintet
00:05:32

Paul Bley Quintet, Ensemble - Carla Bley, Composer

2012 ESP-Disk 2012 ESP-Disk

Presentación del Álbum

Pianist Paul Bley's early ESP free jazz session combines the influence of the Jazz Composer's Guild with Ornette Coleman. On Barrage, Bley is joined by alto saxophonist Marshall Allen (in one of his few appearances outside of Sun Ra's Arkestra), trumpeter Dewey Johnson (who would go on to play on Coltrane's Ascension the following year), Eddie Gomez on bass, and Milford Graves taking care of percussion. All compositions are by Bley's former wife, Carla Bley, with a definite nod to Coleman's hyperactive stop-start punctuation (Paul Bley had fronted one of the earliest incarnations of the original Coleman quartet). Graves and Allen are especially irrepressible here, making Barrage a lost free jazz classic.
© Al Campbell /TiVo

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