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Federica Bianchi|Aquila altera

Aquila altera

Federica Bianchi

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With this recording, Federica Bianchi explores the development of music for keyboard instruments from the beginning of the 15th century to the dawn of the Baroque period. The earliest works originate from the famous Codex Faenza (c. 1400-1420), a manuscript of secular songs arranged for keyboard instrument by composers such as Jacopo da Bologna and Guillaume de Machaut. The earliest printed collection (1517), devoted exclusively to music for keyboard instruments, marks another milestone in this development. Later works on this album include arrangements of Renaissance hits such as Ancor che col partire.

Federica Bianchi’s exploration of this repertoire takes her to the toccatas of the late 16th and early 17th centuries. Federica Bianchi plays this repertoire on three instruments built after historical models: a clavicymbalum after a design from the first half of the 15th century and two harpsichords after Italian models from the 16th and 17th centuries. © Passacaille

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Aquila altera

Federica Bianchi

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1
Codex Faenza: No. 49. Non na el so amante (Intabulación basada en una obra vocal de acopo Joseph da Bologna)
00:02:43

Fabio Framba, Producer - Jacopo Da Bologna, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

2
Frottole intabulate da sonare organi, libro primo: No. 16. Per dolor mi bagno el viso (After the Bartolomeo Tromboncino's Frottola)
00:03:53

Fabio Framba, Producer - Andrea Antico, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

3
Toccata
00:02:06

Fabio Framba, Producer - Federica Bianchi, MainArtist - Francesco Lambardi, Composer

(C) 2021 Passacaille (P) 2021 Passacaille

4
Codex Faenza: No. 69. Ave maris stella (Intabulación)
00:01:36

Anonymous, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

5
Intavolatura cioè recercari, canzoni, himni, magnificat: X. Ave maris stella
00:02:05

Girolamo Cavazzoni, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

6
Intavolatura de cimbalo: No. 4. Chi la dirra disminuita (After Adrian Willaert)
00:02:09

Antonio VALENTE, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

7
Codex Faenza: No. 45. O ciecho mondo (Intabulación basada en una obra vocal de acopo Joseph da Bologna)
00:02:39

Fabio Framba, Producer - Jacopo Da Bologna, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

8
Frottole intabulate da sonare organi, libro primo: No. 9. Occhi miei lassi (After the Bartolomeo Tromboncino's Frottola)
00:03:37

Fabio Framba, Producer - Andrea Antico, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

9
Il Transilvano, Pt. 1 - Venezia, 1597: IX. Toccata dell'ottavo tono
00:02:32

Paolo Quagliati, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

10
Codex Faenza: No. 46. Aquila altera (Intabulación basada en una obra vocal de acopo Joseph da Bologna)
00:02:13

Fabio Framba, Producer - Jacopo Da Bologna, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

11
Frottole intabulate da sonare organi, libro primo: No. 11. Animoso mio desire (After the Bartolomeo Tromboncino's Frottola)
00:02:02

Fabio Framba, Producer - Andrea Antico, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

12
Ricercari, Libro 3: No. 8. Ricercar "Anchor che co'l partire" (after Cipriano de Rore)
00:03:22

Andrea Gabrieli, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

13
Codex Faenza: No. 51. Che pena è questa al cor (Intabulación basada en una obra vocal de acopo Francesco Landini)
00:03:19

Francesco Landini, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

14
Frottole intabulate da sonare organi, libro primo: No. 19. Le non vuol esser più mia (After the Bartolomeo Tromboncino's Frottola)
00:01:09

Fabio Framba, Producer - Andrea Antico, Composer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

15
Diminuzioni sopra il madrigale "Ancor che col partire" (After the Cipriano de Rore's Madrigal)
00:04:26

Ercole Pasquini, Composer - Fabio Framba, Producer - Federica Bianchi, MainArtist

(C) 2021 Passacaille (P) 2021 Passacaille

Presentación del Álbum

With this recording, Federica Bianchi explores the development of music for keyboard instruments from the beginning of the 15th century to the dawn of the Baroque period. The earliest works originate from the famous Codex Faenza (c. 1400-1420), a manuscript of secular songs arranged for keyboard instrument by composers such as Jacopo da Bologna and Guillaume de Machaut. The earliest printed collection (1517), devoted exclusively to music for keyboard instruments, marks another milestone in this development. Later works on this album include arrangements of Renaissance hits such as Ancor che col partire.

Federica Bianchi’s exploration of this repertoire takes her to the toccatas of the late 16th and early 17th centuries. Federica Bianchi plays this repertoire on three instruments built after historical models: a clavicymbalum after a design from the first half of the 15th century and two harpsichords after Italian models from the 16th and 17th centuries. © Passacaille

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(C) 2021 Passacaille (P) 2021 Passacaille

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