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Excepter|Alternation

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Excepter

  • Publicado el 25/07/06 por 5RC
  • Artistas principales: Excepter
  • Género Pop
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Idioma disponible: inglés

Excepter's second full-length CD is more beat-driven than their work would become on later releases, but the drifting, psychedelic, layered abstraction that marks all their music is strongly present. Some tracks offer sounds close to conventional hooks ("Ice Cream Van" features a post-punky guitar figure), while others are swirls of seeming nonsense lyrics from multiple vocalists both male and female, vintage synthesizers chirping and humming, and simple hypnotic drum machine beats. "Lypse" and "Knock Knock" are more sinister, with primary vocalist John Fell Ryan either muttering beneath creepy horror movie synth melodies or wailing semi-coherently. Some track titles, like "The Pipes," "Knock Knock," and "Apt. Living," seem to explicitly reference the band's existence in New York, while others ("The ‘Rock' Stepper") are harder to parse. Excepter resist easy pigeonholing in all aspects of their artistic existence. They're not a noise group, they adopt strategies from dance music without being remotely danceable in a traditional nightclub way, and their version of psychedelia is unsettling and grimy. This album lays the groundwork for later work more than it succeeds on its own, but there are definitely moments that are captivating in ways more traditionally structured and melodic music can't match.

© Phil Freeman /TiVo

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Alternation

Excepter

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1
Ice Cream Van
00:06:02

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

2
Lypse
00:05:20

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

3
The Rock Stepper
00:06:45

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

4
The Ladder
00:01:58

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

5
If I Were You (Live)
00:07:17

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

6
Whirl Winds
00:05:00

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

7
(The Pipes)
00:01:40

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

8
Knock Knock
00:06:31

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

9
Apt. Living
00:06:12

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

10
Op Pop
00:08:56

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

11
Back Me Up (Show)
00:09:53

Excepter, Composer, MainArtist - Kill Rock Stars, MusicPublisher

2006 Kill Rock Stars 2006 Kill Rock Stars

Presentación del Álbum

Excepter's second full-length CD is more beat-driven than their work would become on later releases, but the drifting, psychedelic, layered abstraction that marks all their music is strongly present. Some tracks offer sounds close to conventional hooks ("Ice Cream Van" features a post-punky guitar figure), while others are swirls of seeming nonsense lyrics from multiple vocalists both male and female, vintage synthesizers chirping and humming, and simple hypnotic drum machine beats. "Lypse" and "Knock Knock" are more sinister, with primary vocalist John Fell Ryan either muttering beneath creepy horror movie synth melodies or wailing semi-coherently. Some track titles, like "The Pipes," "Knock Knock," and "Apt. Living," seem to explicitly reference the band's existence in New York, while others ("The ‘Rock' Stepper") are harder to parse. Excepter resist easy pigeonholing in all aspects of their artistic existence. They're not a noise group, they adopt strategies from dance music without being remotely danceable in a traditional nightclub way, and their version of psychedelia is unsettling and grimy. This album lays the groundwork for later work more than it succeeds on its own, but there are definitely moments that are captivating in ways more traditionally structured and melodic music can't match.

© Phil Freeman /TiVo

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