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Lesley Gore|All About Love

All About Love

Lesley Gore

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Lesley Gore Sings All About Love was her first album not to contain a sizable hit, and marked a sharp drop-off in quality from her previous three LPs. Shelby Singleton produced the record, with Nashville musicians like Buddy Harman, Hargus Robbins, and Jerry Kennedy providing the core of the session players. It didn't sound at all country-influenced, though. It sounded kind of confused, with about half of the cuts bearing an obvious Motown influence (the Supremes in particular) and some of the rest filled out with oldies covers and pop standards. Motown is a good influence to have, but the songs in that style weren't too good, and although Gore had some facility with soul-flavored material, she didn't handle these particular tunes with flair or distinction. There were some traces of her more trademark tortured adolescent approach in the three songs she wrote with her brother, Michael Gore, but these weren't up to the level of her numerous previous fine cuts in that tributary.

© Richie Unterberger /TiVo

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All About Love

Lesley Gore

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1
Young Lovers
00:01:53

Shelby Singleton, Producer - Carole Joyner, ComposerLyricist - Lesley Gore, MainArtist - Rick Cartey, ComposerLyricist - Alan Lorber, Recording Arranger, AssociatedPerformer

℗ 1965 Mercury Records a Division of PolyGram Records Inc.

2
I Won't Love You Anymore (Sorry) (Single Version)
00:02:04

Shelby Singleton, Producer - Michael Gore, ComposerLyricist - Lesley Gore, MainArtist, ComposerLyricist - Alan Lorber, Recording Arranger, AssociatedPerformer

℗ 1965 The Island Def Jam Music Group

3
With Any Other Girl
00:02:17

Shelly Coburn, Producer, ComposerLyricist - Lesley Gore, MainArtist - Alan Lorber, Conductor, Recording Arranger, AssociatedPerformer

℗ 1965 The Island Def Jam Music Group

4
Too Young
00:02:24

Sidney Lippman, ComposerLyricist - Sylvia Dee, ComposerLyricist - Shelly Coburn, Producer - Lesley Gore, MainArtist - Alan Lorber, Conductor, Recording Arranger, AssociatedPerformer

℗ 1965 The Island Def Jam Music Group

5
Start The Party Again
00:02:14

KENNY YOUNG, ComposerLyricist - Shelly Coburn, Producer - Arthur Resnick, ComposerLyricist - Lesley Gore, MainArtist - Alan Lorber, Conductor, Recording Arranger, AssociatedPerformer

℗ 1965 The Island Def Jam Music Group

6
That's What I'll Do
00:01:49

Shelby Singleton, Producer - George Motola, ComposerLyricist - Rickie Page, ComposerLyricist - Lesley Gore, MainArtist

℗ 1965 UMG Recordings, Inc.

7
Only Last Night
00:02:34

Shelby Singleton, Producer - Les Reed, ComposerLyricist - Barry Mason, ComposerLyricist - Lesley Gore, MainArtist

℗ 1965 UMG Recordings, Inc.

8
To Know Him Is To Love Him
00:02:28

Shelby Singleton, Producer - PHIL SPECTOR, ComposerLyricist - Lesley Gore, MainArtist

℗ 1965 UMG Recordings, Inc.

9
I Can Tell
00:02:09

Shelby Singleton, Producer - Lesley Gore, MainArtist - Steve Duboff, ComposerLyricist

℗ 1965 UMG Recordings, Inc.

10
We Know We're In Love (Single Version)
00:02:10

Shelby Singleton, Producer - Michael Gore, ComposerLyricist - Lesley Gore, MainArtist, ComposerLyricist - Alan Lorber, Recording Arranger, AssociatedPerformer

℗ 1965 The Island Def Jam Music Group

11
Will You Love Me Tomorrow
00:02:17

Shelby Singleton, Producer - Carole King, ComposerLyricist - Gerry Goffin, ComposerLyricist - Lesley Gore, MainArtist

℗ 1965 UMG Recordings, Inc.

12
I Just Can't Get Enough Of You
00:01:57

Shelby Singleton, Producer - NICKOLAS ASHFORD, ComposerLyricist - Lesley Gore, MainArtist - Jo Armstead, ComposerLyricist

℗ 1965 UMG Recordings, Inc.

Presentación del Álbum

Lesley Gore Sings All About Love was her first album not to contain a sizable hit, and marked a sharp drop-off in quality from her previous three LPs. Shelby Singleton produced the record, with Nashville musicians like Buddy Harman, Hargus Robbins, and Jerry Kennedy providing the core of the session players. It didn't sound at all country-influenced, though. It sounded kind of confused, with about half of the cuts bearing an obvious Motown influence (the Supremes in particular) and some of the rest filled out with oldies covers and pop standards. Motown is a good influence to have, but the songs in that style weren't too good, and although Gore had some facility with soul-flavored material, she didn't handle these particular tunes with flair or distinction. There were some traces of her more trademark tortured adolescent approach in the three songs she wrote with her brother, Michael Gore, but these weren't up to the level of her numerous previous fine cuts in that tributary.

© Richie Unterberger /TiVo

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