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Katie Melua|Album No. 8

Album No. 8

Katie Melua

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Britain's Katie Melua returns to her intimate pop sound with 2020's artfully textured Album No. 8. The album is Melua's first proper studio follow-up to 2013s Ketevan and arrives four years after her majestic holiday collaboration with the Gori Women's Choir, In Winter. While a return to her original alternative pop style, Album No. 8 is nonetheless a creative departure from her past work. Produced by Leo Abrahams, it finds Melua in a deeply introspective mood, crafting lightly experimental songs that evince the influence of '70s Krautrock and more-contemporary indie rock influences. Most noticeable in this tonal shift is a change in Melua's vocals. Known for her warm, brightly resonant vocal style, here she eschews her delicate vibrato for a softer, more diffuse-sounding head voice. While the album was recorded in the wake of the end of her six-year marriage, calling Album No. 8 a breakup record feels reductive. Certainly, Melua explicitly addresses the breakup on the Brian Eno-esque "Remind Me to Forget," singing, "You're so good at hiding/But I always seem to be reminded/Love is change." Although similarly melancholy notions arrive elsewhere, as on the dusky "A Love Like That" and the yearning, post-punk-influenced "Joy," the overall sentiment is one of deep self-reflection and judgment-free musical experimentation. Fuzzy synths, skittering electronic beats, and ghostly guitars pop up throughout the album. She delves into early '80s electro-pop on "English Manner" and sinks into sweetly sad-eyed Regina Spektor balladry on "Heading Home," singing of her adolescence, "I wish I could go back and tell my younger self none of this matters, even though it hurts like hell." Album No. 8 is an intensely personal album that feels like Melua made it for herself first and foremost.

© Matt Collar /TiVo

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Album No. 8

Katie Melua

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1
A Love Like That
00:03:07

Sam Dixon, Composer, Bass Guitar, Writer - Leo Abrahams, Producer, String Arranger, Guitar, Programmer, Synthesizer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Nikoloz Rachveli, Conductor, Director - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jack Pinter, Flute - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass - The Georgian Philharmonic Orchestra, Orchestra

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

2
English Manner
00:04:27

Luke Potashnick, Acoustic Guitar - Sam Dixon, Bass Guitar - Tim Harries, Composer, Piano, Writer, Rhodes Piano - Leo Abrahams, Composer, Producer, String Arranger, Electric Guitar, Keyboards, Programmer, Writer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Nikoloz Rachveli, Conductor, Director - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

3
Leaving the Mountain
00:03:36

Sam Dixon, Bass Guitar - Leo Abrahams, Producer, String Arranger, Guitar, Keyboards, Piano, Programmer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Serafina Steer, Harp - Dani Spragg, Recording - Zurab Melua, Composer, Writer - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jack Pinter, Flute, Bass Guitar - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

4
Joy
00:03:35

Luke Potashnick, Composer, Writer - Mark Edwards, Organ - Sam Dixon, Bass Guitar - Tim Harries, Piano - Leo Abrahams, Producer, String Arranger, Guitar, Keyboards - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

5
Voices in the Night
00:04:55

Sam Dixon, Composer, Bass Guitar, Writer - Leo Abrahams, Composer, Producer, String Arranger, Guitar, Keyboards, Programmer, Writer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer, Percussion - Dani Spragg, Recording - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jack Pinter, Flute, Soprano Saxophone - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

6
Maybe I Dreamt It
00:03:19

Leo Abrahams, Producer, String Arranger - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Serafina Steer, Harp - Dani Spragg, Recording - Zurab Melua, Composer, Writer - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

7
Heading Home
00:03:46

Sam Dixon, Bass Guitar - Tim Harries, Composer, Writer - Leo Abrahams, Producer, String Arranger, Guitar, Keyboards - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Teona Tsiramua, Choir Conductor - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass - Ani Edisherashvili, Vocals - Eter Chikhladze, Vocals - Iza Naskidashvili, Vocals - Ketevan Kebadze, Vocals - Lali Narikashvili, Vocals - Lika Abalaki, Vocals - Lizi Ghviniashvili, Vocals - Mariam Marnadze, Vocals - Meri Gelashvili, Vocals - Mtvarisa Berdznishvili, Vocals - Nino Termakozashvili, Vocals - Shorena Guraspashvili, Vocals - Sophio Gogshelidze, Vocals - Sopio Cherkezishvili, Vocals - Tamar Iluridze, Vocals - Tamar Khanishvili, Vocals - Tamar Okropiridze, Vocals - Teona Pavliashvili, Vocals

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

8
Your Longing Is Gone
00:03:25

Sam Dixon, Bass Guitar, Piano - Tim Harries, Bass Guitar - Leo Abrahams, Producer, String Arranger, Guitar, Organ, Programmer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Petter Ericson Stakee, Composer, Writer - Dani Spragg, Recording - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

9
Airtime
00:03:26

Luke Potashnick, Composer, Writer, Synthesizer - Sam Dixon, Bass Guitar - Tim Harries, Composer, Writer, Wurlitzer - Leo Abrahams, Producer, String Arranger, Guitar, Piano, Programmer, Synthesizer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Nikoloz Rachveli, Conductor - Georgian Philharmonic Orchestra, Orchestra - Anastasia Tsereteli, Cello - Bela Bardzimashvili, Viola - Evgeni Inchagov, Cello - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Lamara Gegelia, Cello - Mariam Chikvaidze, Viola - Medea Kheoshvili, Cello - Mikheil Lomidze, Cello - Nana Niniashvili, Viola - Nino Kokrashvili, Viola - Revaz Javakhishvili, Conductor - Sergo Jalaghania, Viola - Tamar Jeladze, Double Bass - Tea Bakhtadze, Viola - Vasil Demetrashvili, Double Bass

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

10
Remind Me to Forget
00:03:36

Luke Potashnick, Composer, Writer - Sam Dixon, Bass Guitar - Tim Harries, Composer, Writer - Leo Abrahams, Producer, String Arranger, Guitar, Programmer, Synthesizer - Cameron Craig, Engineer - Matt Colton, Engineer - Katie Melua, Composer, Writer, MainArtist - Emre Ramazanoglu, Drums, Engineer - Dani Spragg, Recording - Georgiy Imanov, Cello - Jamie Sprosen, Recording - Ilya Chikhladze, Viola

© 2020 BMG Rights Management (UK) Limited ℗ 2020 BMG Rights Management (UK) Limited

Presentación del Álbum

Britain's Katie Melua returns to her intimate pop sound with 2020's artfully textured Album No. 8. The album is Melua's first proper studio follow-up to 2013s Ketevan and arrives four years after her majestic holiday collaboration with the Gori Women's Choir, In Winter. While a return to her original alternative pop style, Album No. 8 is nonetheless a creative departure from her past work. Produced by Leo Abrahams, it finds Melua in a deeply introspective mood, crafting lightly experimental songs that evince the influence of '70s Krautrock and more-contemporary indie rock influences. Most noticeable in this tonal shift is a change in Melua's vocals. Known for her warm, brightly resonant vocal style, here she eschews her delicate vibrato for a softer, more diffuse-sounding head voice. While the album was recorded in the wake of the end of her six-year marriage, calling Album No. 8 a breakup record feels reductive. Certainly, Melua explicitly addresses the breakup on the Brian Eno-esque "Remind Me to Forget," singing, "You're so good at hiding/But I always seem to be reminded/Love is change." Although similarly melancholy notions arrive elsewhere, as on the dusky "A Love Like That" and the yearning, post-punk-influenced "Joy," the overall sentiment is one of deep self-reflection and judgment-free musical experimentation. Fuzzy synths, skittering electronic beats, and ghostly guitars pop up throughout the album. She delves into early '80s electro-pop on "English Manner" and sinks into sweetly sad-eyed Regina Spektor balladry on "Heading Home," singing of her adolescence, "I wish I could go back and tell my younger self none of this matters, even though it hurts like hell." Album No. 8 is an intensely personal album that feels like Melua made it for herself first and foremost.

© Matt Collar /TiVo

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