Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Longtime artistic and romantic partners Alexander Hacke and Danielle de Picciotto describe Keepsakes as their most personal work, focusing on friendship and their own connection rather than universal themes like the fate of mankind. The album was recorded in the Auditorium Novocento in Napoli, one of Europe's first recording studios, and the duo were able to draw from its vast, impressive collection of instruments, including a celesta previously owned by Ennio Morricone. Musically, it expands on the sound of their previous albums, mixing postindustrial rhythms and elements of dark cabaret with cinematic grandeur and captivating poetry. Opener "Troubadour" is a curious waltz with sparkling chimes and dulcimer melodies, sounding like a roomful of living toys dancing to a music box. "Aichach" sets suspenseful violins to surging electronics, as if soundtracking an imaginary chase scene. The horn- and harp-driven noir groove of "Anthem" is de Picciotto's ode to New York City, despite all of its traffic and pollution. "Mastodon," a dark soundscape blending throat singing, droning metal guitars, and sorrowful strings, sounds frightening at first but ends up as one of the album's most powerful moments. "Lovestuff," a nocturnal processional covered in cricket sounds, and the tense, dramatic epic "Song of Gratitude" are two of the album's most thankful expressions, though the duo prefer strange, mysterious tales over traditional love songs. Likewise, the line "You are the one I love my best until my dying day" stands out during "The Blackest Crow," another stirring, poetic song of everlasting affection.
© Paul Simpson /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Traditional, Composer - Alexander Hacke, Composer - Danielle De Picciotto, Composer - hackedepicciotto, Producer, MainArtist
2023 hackedepicciotto 2023 hackedepicciotto
Presentación del Álbum
Longtime artistic and romantic partners Alexander Hacke and Danielle de Picciotto describe Keepsakes as their most personal work, focusing on friendship and their own connection rather than universal themes like the fate of mankind. The album was recorded in the Auditorium Novocento in Napoli, one of Europe's first recording studios, and the duo were able to draw from its vast, impressive collection of instruments, including a celesta previously owned by Ennio Morricone. Musically, it expands on the sound of their previous albums, mixing postindustrial rhythms and elements of dark cabaret with cinematic grandeur and captivating poetry. Opener "Troubadour" is a curious waltz with sparkling chimes and dulcimer melodies, sounding like a roomful of living toys dancing to a music box. "Aichach" sets suspenseful violins to surging electronics, as if soundtracking an imaginary chase scene. The horn- and harp-driven noir groove of "Anthem" is de Picciotto's ode to New York City, despite all of its traffic and pollution. "Mastodon," a dark soundscape blending throat singing, droning metal guitars, and sorrowful strings, sounds frightening at first but ends up as one of the album's most powerful moments. "Lovestuff," a nocturnal processional covered in cricket sounds, and the tense, dramatic epic "Song of Gratitude" are two of the album's most thankful expressions, though the duo prefer strange, mysterious tales over traditional love songs. Likewise, the line "You are the one I love my best until my dying day" stands out during "The Blackest Crow," another stirring, poetic song of everlasting affection.
© Paul Simpson /TiVo
Acerca del álbum
- 1 disco(s) - 9 pista(s)
- Duración total: 00:41:35
- Artistas principales: hackedepicciotto
- Compositor: Various Composers
- Sello: Mute
- Género Pop/Rock Rock Alternativa & Indie
2023 hackedepicciotto 2023 hackedepicciotto
Mejorar la información del álbum