Orchestre de la Société des Concerts du Conservatoire
During the 140 years of its existence, the Société des Concerts du Conservatoire de Paris was the most stable and the best orchestra in the city of Paris.
Shortly before the Revolution, the composer Gossec and others founded the Ecole Royale de Chant (Royal Singing School) with fifteen students in 1784. The National Directory established a country-wide system of musical education with a Conservatoire Superior (the Paris Conservatoire) as the head institution. It took over the staff of the former Ecole Royale de Chant and opened in October, 1796, with 115 professors and 351 pupils.
In its very first season, the Conservatoire initiated its practice of giving an annual concert featuring its prizewinning students. In 1800, it initiated a series of concerts, from five to twelve each year, using an orchestra of about 60 players, mostly pupils but with some of the teachers as well, that became well known because of the high quality of its playing. The conductor F.-A. Habaneck led these concerts from 1806. The Conservatoire was briefly closed after the fall of Napoleon, but the restored Bourbon monarchy reopened it in 1816. Under the leadership of Luigi Cherubini after 1822, it became the world's leading institute of higher musical education outside the field of musicology, which remained a specialty of the Sorbonne.
The post-Restoration period saw a decline in the pupils' orchestra concerts due to lack of financial support, and they ended altogether in 1824. But after Habaneck was appointed Inspector General of the Conservatoire, he launched a new organization with the support of the Minister of Arts. It was called the Société des Concerts du Conservatoire and its orchestra was made up of 81 present and former students of the Conservatoire. It remained the leading concert organization of Paris for many years as several private concert organizations rose and fell. Richard Wagner wrote that this orchestra was "the only thing in Paris worthy of the attention of a musician." He said they had "correct execution" and the "secret of good interpretation."
In 1859, Pasdeloup founded the Société des Jeune Artistes du Conservatoire, an orchestra of the most superior instrumental players (about 60 of them) and choral singers (around 40) of the Conservatoire, a de facto revival of the old pupils' concerts. This series lasted until the war of 1870, but the main Conservatoire concerts continued despite occasional setbacks for the rest of the century and two-thirds of the next, and became the primary example of the French sound in orchestral playing. Its leading conductors after Habeneck included Hainl, Garcin, Taffanel, and Messager and, after World War I, such leaders as Paray, Wolff, Monteux, and Münch.
The Conservatoire Concerts faced a potent rival after 1937, when the French Radio organization founded its own Orchestra National de la RTF (which has become the French National Orchestra). Charles Munch became conductor of the Conservatoire Orchestra from 1938 to 1948, succeeded by André Cluytens. In 1967, Minister of Culture André Malraux disbanded the Société des concerts du Conservatoire. Many of its players became members of the organization Malraux established in its place, l'Orchestre de Paris.
© TiVo
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Saint-Saëns: La danse macabre & Le rouet d'Omphale (Mono Version)
Jean Martinon, Orchestre de la Société des Concerts du Conservatoire
Divers - Paru chez BNF Collection le 1 janv. 1961
24-Bit 96.0 kHz - Stereo -
Mussorgsky: Une nuit sur le mont Chauve (Mono Version)
André Cluytens, Orchestre de la Société des Concerts du Conservatoire
Divers - Paru chez BNF Collection le 1 janv. 1956
24-Bit 96.0 kHz - Stereo -
Bécaud: L'opéra d'Aran (Stereo version)
Agnes Disney, Peter Gottlieb, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Divers - Paru chez BNF Collection le 1 janv. 1962
24-Bit 96.0 kHz - Stereo -
Stravinsky: L'oiseau de feu, suite (1919 Version, Mono Version)
Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
Divers - Paru chez BNF Collection le 1 janv. 1960
24-Bit 96.0 kHz - Stereo -
Beethoven: Symphony No. 5, Op. 67 (Mono Version)
Orchestre de la Société des Concerts du Conservatoire, Carl Schuricht
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
Prokofiev: Concerto pour piano No. 3, Op. 26 & Visions fugitives, Op. 22 & Toccata, Op. 11 (Mono Version)
Samson François, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Divers - Paru chez BNF Collection le 1 janv. 1953
24-Bit 96.0 kHz - Stereo -
Glazunov: The Seasons, Op. 67 (Album of 1957)
Orchestre de la Société des Concerts du Conservatoire, Albert Wolff
Classique - Paru chez GazzaLadra le 21 mars 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Orchestre de la Société des Concerts du Conservatoire de Paris / Ernest Ansermet spielen: Michail Glinka: Ruslan und Ludmilla Ouverture
Orchestre de la Société des Concerts du Conservatoire
Musique concertante - Paru chez Classico Ivano le 2 janv. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
R. Strauss: Don Juan; Tod und Verklärung (Hans Knappertsbusch - The Orchestral Edition: Volume 9)
Orchestre de la Société des Concerts du Conservatoire, Hans Knappertsbusch
Classique - Paru chez Universal Music Australia Pty. Ltd. le 1 janv. 1956
16-Bit CD Quality 44.1 kHz - Stereo -
Invitation To The Dance
Orchestre de la Société des Concerts du Conservatoire, Albert Wolff
Classique - Paru chez Decca Music Group Ltd. le 19 nov. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Rachmaninoff: Concerto pour piano No. 2, Op. 18 (Stereo Version)
Gabriel Tacchino, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Divers - Paru chez BNF Collection le 1 janv. 1960
24-Bit 96.0 kHz - Stereo -
Debussy: La damoiselle élue - Chabrier: À la musique & extraits du Roi malgré lui (Mono Version)
Janine Micheau, Orchestre de la Société des Concerts du Conservatoire, Jean Fournet
Divers - Paru chez BNF Collection le 1 janv. 1950
24-Bit 96.0 kHz - Stereo -
Falla: L'amour sorcier (Mono Version)
Ana María Iriarte, Orchestre de la Société des Concerts du Conservatoire, Ataulfo Argenta
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
Mozart: Concertos pour piano Nos. 25 & 27 (Mono Version)
Eric Heidsieck, Andre Vandernoot, Orchestre de la Société des Concerts du Conservatoire
Divers - Paru chez BNF Collection le 1 janv. 1962
24-Bit 96.0 kHz - Stereo -
Prokofiev: Symphonie No. 7, Op. 131 & Ouverture russe, Op. 72 (Mono Version)
Orchestre de la Société des Concerts du Conservatoire, Jean Martinon
Divers - Paru chez BNF Collection le 1 janv. 1959
24-Bit 96.0 kHz - Stereo -
Beethoven: Symphonie No. 6, Op. 68 "Pastorale" (Mono Version)
Orchestre de la Société des Concerts du Conservatoire, Carl Schuricht
Divers - Paru chez BNF Collection le 1 janv. 1959
24-Bit 96.0 kHz - Stereo -
Mozart: Concertos pour violon Nos. 4 & 5 (Stereo Version)
Christian Ferras, Orchestre de la Société des Concerts du Conservatoire, Andre Vandernoot
Divers - Paru chez BNF Collection le 1 janv. 1961
24-Bit 96.0 kHz - Stereo -
Cluytens conducts Wagner, Mussorgsky, Ravel
André Cluytens, Orchestre Du Théâtre National De I'Opéra De Paris, ORF Orchestra, Orchestre de la Société des Concerts du Conservatoire
Classique - Paru chez Urania Records le 1 mai 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Borodin: In the Steppes of Central Asia (Mono Version)
André Cluytens, Orchestre de la Société des Concerts du Conservatoire
Divers - Paru chez BNF Collection le 1 janv. 1956
24-Bit 96.0 kHz - Stereo -
Ravel: Ma mère l'Oye, suite de ballet & Valses nobles et sentimentales (Stereo Version)
André Cluytens, Orchestre de la Société des Concerts du Conservatoire
Divers - Paru chez BNF Collection le 1 janv. 1962
24-Bit 96.0 kHz - Stereo -
Gounod: Mireille, extraits (Mono Version)
Janette Vivalda, Nicolai Gedda, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo