Red Nichols
Overrated in Europe in the early 1930s when his records (but not those of his Black contemporaries) were widely available and then later underrated and often unfairly called a Bix imitator, Red Nichols was actually one of the finest cornetists to emerge from the '20s. An expert improviser whose emotional depth did not reach as deep as Bix or Louis Armstrong, Nichols was in many ways a hustler, participating in as many recording sessions (often under pseudonyms) as any other horn player of the era, cutting sessions as Red Nichols & His Five Pennies, the Arkansas Travelers, the Red Heads, the Louisiana Rhythm Kings, and the Charleston Chasers, among others, usually with similar personnel. Nichols studied cornet with his father, a college music teacher. After moving from Utah to New York in 1923, Nichols, an excellent sight-reader who could always be relied upon to add a bit of jazz to a dance band recording, quickly became in great demand. His own sessions at first featured trombonist Miff Mole and Jimmy Dorsey on alto and clarinet, playing advanced music that utilized unusual intervals, whole-tone scales, and often the timpani of Vic Berton along with hot ensembles. Later on in the decade his sidemen included such young greats as Benny Goodman, Glenn Miller, Jack Teagarden, Pee Wee Russell, Joe Venuti, Eddie Lang, Adrian Rollini, Gene Krupa, and the wonderful mellophone specialist Dudley Fosdick, among others; their version of "Ida" was a surprise hit.
Although still using the main name of the Five Pennies, Nichols' bands were often quite a bit larger, and by 1929 he was alternating sessions featuring bigger commercial orchestras with small combos. At first Nichols weathered the Depression well with work in shows, but by 1932 his long string of recordings came to an end. He headed a so-so swing band up until 1942, left music for a couple of years, and for a few months in 1944 was with Glen Gray's Casa Loma Orchestra. Later that year he re-formed the Five Pennies as a Dixieland sextet and, particularly after bass saxophonist Joe Rushton became a permanent member, it was one of the finer traditional jazz bands of the next 20 years. Nichols recorded several memorable hot versions of "Battle Hymn of the Republic," the best being in 1959. That same year a highly enjoyable if rather fictional Hollywood movie called The Five Pennies (and featuring Nichols' cornet solos and Danny Kaye's acting) made Red into a national celebrity at the twilight of his long career. Nichols' earlier sessions have been reissued in piecemeal fashion during the digital era, with later albums remaining unavailable.
© Scott Yanow /TiVo
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Complete Jazz Series 1925 - 1927
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Red Nichols 1929-1930
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Red Nichols 1927-1932
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Anthology: The Deluxe Collection (Remastered)
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Complete Jazz Series 1929 - 1930
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Red Nichols 1926-27
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Red Nichols-Featuring Jimmy Dorsey, P. W. Russell Vol 1
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Complete Jazz Series 1928 - 1929
Jazz - Lançado por Complete Jazz Series em 27 de abr. de 2009
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Complete Jazz Series 1930 - 1931
Jazz - Lançado por Complete Jazz Series em 27 de abr. de 2009
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Red Hot Jazz
Jazz - Lançado por Music Today Records em 11 de fev. de 2015
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The Ultimate Jazz Archive 3 (4 Of 4)
Jazz - Lançado por Carinco AG em 16 de fev. de 2007
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Red Nichols: A Tribute to His Music
Jazz - Lançado por Van Up Records em 1 de nov. de 2011
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Dixieland - That's All
Firehouse Five Plus Two, Red Nichols
Jazz - Lançado por CoolNote em 1 de jan. de 2000
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Parade Of The Pennies
Jazz - Lançado por CoolNote em 1 de jan. de 2000
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Hot Pennies
Jazz - Lançado por CoolNote em 1 de jan. de 2000
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Complete Jazz Series 1929
Jazz - Lançado por Complete Jazz Series em 27 de abr. de 2009
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The Ultimate Jazz Collection (1927-1949)
Dixieland - Lançado por Master Classics Records em 1 de mar. de 2011
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Meet The Five Pennies
Jazz - Lançado por Red Nichols em 29 de set. de 2022
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Collection 1926-32
Jazz - Lançado por ACROBAT em 7 de mai. de 2021
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