Miki Howard
Miki Howard grew up in the church, where both of her parents were gospel singers. Her mother was also a member of the gospel group the Caravans and was acquainted with various entertainers. Howard's mother would take her to the homes of various stars such as Aretha Franklin and Mavis Staples.
While still in elementary school, Howard moved to Los Angeles with her mom. At the age of 15, she performed in a teen pageant. After the show, she met Side Effect member Augie Johnson, who happened to be in the audience and began working with Howard creatively. After a period of time, Howard became a Side Effect member -- upon the departure of Sylvia St. James. Howard's tenure with the group lasted a few years. During this time, she also had two children by Johnson. In addition to singing with Side Effect, she did background vocals for Wayne Henderson, Roy Ayers, Stanley Turrentine, and several other artists.
After leaving Side Effect, Howard signed a deal with Atlantic. Her first hit for the label was the Billboard R&B Top Ten single "Come Share My Love." She followed that with the remake of Glenn Miller's 1940 hit "Imagination." Her success continued with two more Top Ten singles, "Baby Be Mine" and "That's What Love Is." The latter was a duet with Gerald Levert and was the result of the creative union Howard formed with Marc Gordon and Levert. Howard and Levert later became romantically involved, and that romance spawned one of Howard's biggest hits, "Love Under New Management." The song was written during their brief love affair, but was released after their romance had dissolved.
In 1990, Howard signed a deal with Giant, which facilitated the release of her number one smash hit "Ain't Nobody Like You." Howard's lifeline at Giant was cut short due to an altercation her husband had at the label. She also made an appearance as Billie Holiday in a club scene in the Spike Lee movie Malcom X. Howard continued to issue albums throughout the '90s and early 2000s, a few of them heavy on -- or wholly reliant upon -- covers. Her releases during these years included Femme Fatale (1992), Shining Through (1993), Live Plus (1996), Can't Count Me Out (1997), Three Wishes (2001), and Pillow Talk (2006).
© Craig Lytle /TiVo
Discografia
14 álbum(ns) • Ordenado por Mais vendidos
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The Very Best Of Miki Howard (2006 Remaster)
R&B - Lançado por Rhino Atlantic em 3 de jul. de 2001
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Love Confessions
Soul - Lançado por Rhino Atlantic em 17 de fev. de 2009
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Miki Howard
R&B - Lançado por Atlantic Records em 10 de out. de 1989
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Femme Fatale
Soul - Lançado por Rhino - Warner Records em 15 de set. de 1992
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Come Share My Love
Soul - Lançado por Rhino Atlantic em 1 de jan. de 1987
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Pillow Talk
Soul - Lançado por Shanachie em 20 de jun. de 2005
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Miki Sings Billie: A Tribute To Billie Holiday
Soul - Lançado por Rhino - Warner Records em 1 de jan. de 1993
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Live In Concert (Live)
Alternative & Indie - Lançado por Slimstyle em 11 de set. de 1992
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Three Wishes
R&B - Lançado por Peak Records em 27 de mar. de 2001
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
MEHA
Jazz - Lançado por Justice Records em 12 de dez. de 2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Private Collection
Jazz - Lançado por Branicka Records em 1 de jan. de 2008
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
FED UP!
International Pop - Lançado por The Machine Group em 14 de abr. de 2019
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Live In Concert
Alternative & Indie - Lançado por Slimstyle em 11 de set. de 1992
Qualidade de CD de 16 bits 44.1 kHz - Stereo