Ernestine Anderson
Positioned squarely in the mainstream, at home in the worlds of jazz and pop standards as well as the blues, comfortable with small groups and big bands, Ernestine Anderson regularly received a lot of airplay on traditional jazz radio stations. She fit those demographics well with her tasteful, slightly gritty, moderately swinging contralto; she rarely probed too deeply into emotional quagmires (and thus didn't disturb the dispositions of those who use the radio as background) but always gave listeners an honest musical account.
Anderson's career actually got rolling in the embryonic R&B field at first; as a teenager, she sang with Russell Jacquet's band in 1943, and she moved on to the Johnny Otis band from 1947 to 1949, making her first recording with Shifty Henry's orchestra in 1947 for the Black & White label. In the '50s, however, she converted over to the jazz side, working with Lionel Hampton in 1952-1953 and recording with a band featuring Jacquet, Milt Jackson, and Quincy Jones in 1953, and with Gigi Gryce in 1955. Upon hearing the latter record, Rolf Ericson booked Anderson on a three-month Scandinavian tour; while in Sweden, she made a recording called Hot Cargo that, ironically, established her reputation in America. Once back in the U.S., she signed with Mercury and made a number of albums for that label until the early '60s.
She moved to England in 1965 and remained largely invisible on the American radar until 1975, when Ray Brown heard her sing at the Turnwater Festival in Canada. Brown became her manager, and got her to appear at the 1976 Concord Jazz Festival, which led to a Concord contract that immediately bore fruit with the albums Live from Concord to London and Hello Like Before. These and other comeback albums made her a top-flight jazz attraction in the U.S. again -- this time for the long haul -- and in the '80s, she was recording with the Hank Jones Trio, George Shearing, Benny Carter, the Capp-Pierce Juggernaut, the Clayton-Hamilton Jazz Orchestra, and her own quartet. By 1992, she had attracted major-label attention once again, signing with Quincy Jones' Qwest outfit. For Koch, Anderson issued Isn't It Romantic in 1998. The live album I Love Being Here with You appeared in 2002, while 2003’s Love Makes the Changes found her signed to Highnote. The label released her album A Song for You in 2009. Anderson remained with the label for 2011's Nightlife, a live album that featured the singer in a number of small-group settings, with a guest appearance by labelmate Houston Person. Anderson passed away from natural causes on March 10, 2016 at the age of 87.
© Richard S. Ginell /TiVo
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Love Makes the Changes
Vocal Jazz - Lançado por HighNote Records em 7 de out. de 2003
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ernestine Anderson Swings the Penthouse (Recorded Live in 1962)
Vocal Jazz - Lançado por HighNote Records em 17 de fev. de 2015
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
A Song for You
Bebop - Lançado por HighNote Records em 27 de jan. de 2009
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
My Kinda Swing
Vocal Jazz - Lançado por Mercury Records em 1 de mai. de 2017
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Nightlife (Live at Dizzy's Club Coca-Cola)
Vocal Jazz - Lançado por HighNote Records em 14 de jan. de 2011
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Azure Te (Paris Blues) / Limehouse Blues
Ernestine Anderson, Dick Marx Quintet
Vocal Jazz - Lançado por OMEGA Records em 5 de mai. de 1965
24-Bit 96.0 kHz - Stereo -
Never Make Your Move Too Soon
Jazz - Lançado por Concord Records em 1 de ago. de 1980
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
When The Sun Goes Down
Jazz - Lançado por Concord Records em 1 de ago. de 1984
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
I Love Being Here With You (Live At Kan'i Hoken Hall, Tokyo, Japan / November, 1987 & The Alley Cat Bistro, Culver City, California / June, 1987 & The Concord Pavilion, Concord, California / August 18, 1990)
Jazz - Lançado por Concord Jazz em 25 de jun. de 2002
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
It's Time For Ernestine
Soul - Lançado por WM Sweden em 1 de jan. de 1956
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Live in New Orleans
Jazz - Lançado por Leisure Music Group em 11 de jan. de 2016
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Boogie Down
Jazz - Lançado por Concord Jazz em 1 de set. de 1989
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Big City
Jazz - Lançado por Concord Jazz em 1 de fev. de 1983
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Blues, Dues And Love News (Live Version)
Soul - Lançado por Rhino - Warner Records em 25 de jun. de 1996
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Isn't It Romantic
Ernestine Anderson, Metropole Orkest
Jazz - Lançado por TMD jazz em 7 de ago. de 1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Live At The 1990 Concord Jazz Festival Third Set (Live At The Concord Pavilion, Concord, CA / August 18, 1990)
Jazz - Lançado por Concord Jazz em 18 de ago. de 1990
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Hello Like Before
Jazz - Lançado por Concord Jazz em 1 de jan. de 1976
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Sunshine
Jazz - Lançado por Concord Jazz em 1 de ago. de 1979
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Live From Concord To London (Live At The Concord Summer Festival, Concord, CA / August 1, 1976 & Live At Ronnie Scott's, London, England / October 11, 1977)
Jazz - Lançado por Concord Jazz em 1 de jan. de 1978
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ernestine Anderson
Jazz - Lançado por Verve Reissues em 1 de jan. de 1958
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
A Perfect Match
George Shearing, Ernestine Anderson
Jazz - Lançado por Concord Jazz em 1 de mai. de 1988
Qualidade de CD de 16 bits 44.1 kHz - Stereo