Dick Dale
Dick Dale wasn't nicknamed "King of the Surf Guitar" for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale's pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such "exotic" scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivaled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren't the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals. And, if all that weren't enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards -- he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did).
Dick Dale was born Richard Monsour in Boston in 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song. He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California.
At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and he began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, "Ooh-Whee Marie," for the local Del-Fi label, which was later released as a single on his father's new Deltone imprint and distributed locally. During the late '50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing thousands of fans to every performance. In September 1961, Deltone released Dale's single "Let's Go Trippin'," which is generally acknowledged to be the very first recorded surf instrumental.
"Let's Go Trippin'" was a huge local hit, and even charted nationally. Dale released a few more local singles, including "Jungle Fever," "Miserlou," and "Surf Beat," and in 1962 issued his (and surf music's) first album, the groundbreaking Surfer's Choice, on Deltone. Surfer's Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for the album. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party. He also released the follow-up LP King of the Surf Guitar and went on to issue three more albums on Capitol through 1965. During that time, he developed a close working relationship with Leo Fender, who kept engineering bigger and better sound systems in response to Dale's appetite for louder, more maniacally energetic live performances.
Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale. But in 1964, the British Invasion stole much of surf's thunder, and Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in 1966 he was diagnosed with rectal cancer, which forced him to temporarily retire from music. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents' dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dale soon added environmental activist to his resumé. In addition to all of that, he performed occasionally around Southern California throughout the '70s and '80s.
In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center's burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach movie send-up Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on the Chantays' surf staple "Pipeline," which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records.
The album Tribal Thunder was released in 1993, but Dale's comeback didn't get into full swing until "Miserlou" was chosen as the opening theme to Quentin Tarantino's blockbuster 1994 film Pulp Fiction. "Miserlou" became synonymous with Pulp Fiction's ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Dale tracks). As a result, Tribal Thunder and its 1994 follow-up, Unknown Territory, attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour.
Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001, Spacial Disorientation, issued on the small Sin-Drome label. Dale stepped away from his recording career after that release, but he continued to play out frequently, even as he struggled with myriad health problems, including diabetes, rectal cancer, and heart and kidney disease. Dale still had a busy schedule of concert dates on his schedule when he died on March 16, 2019, at the age of 81.
© Steve Huey /TiVo
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Discografia
20 álbum(ns) • Ordenado por Mais vendidos
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Tribal Thunder
Rock - Lançado por HighTone Records em 1 de mai. de 1993
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Wanna Surf?
Ambient/New Age - Lançado por Universal Digital Enterprises em 10 de dez. de 1960
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Wild Hot Rod Wails
Dick Dale, Bo Troy And His Hot Rods
Rock - Lançado por Compose Records em 29 de jan. de 2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
King Of Surf Guitar Live! (Live (Remastered))
Rock - Lançado por Delta Music em 30 de mar. de 2022
24-Bit 44.1 kHz - Stereo -
Calling Up Spirits
Alternative & Indie - Lançado por Beggars Banquet em 1 de mai. de 1996
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Unknown Territory
Rock - Lançado por HighTone Records em 1 de jan. de 1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Surfer's Choice
Rock - Lançado por Fidelity Masters em 1 de jan. de 1962
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Guitar Magic
Rock - Lançado por Shami Media Group 3 em 5 de fev. de 2016
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Surfers' Choice (Remastered)
Rock - Lançado por Academia Royal em 1 de jan. de 1962
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Surf Guitar
Rock - Lançado por Monogram em 16 de mai. de 1967
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
King of the Surf Guitar
Rock - Lançado por Ling Music Group em 1 de jan. de 1963
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Greatest Hits
Pop - Lançado por Vintage Jukebox em 8 de jun. de 2018
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Greatest Surf Guitar
Rock - Lançado por Master Classics em 13 de jun. de 2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Les légendes de la guitare : Dick Dale, Vol. 1
Pop - Lançado por Mpm em 20 de ago. de 2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Surfers' Choice
Rock - Lançado por G Point Entertainment System em 1 de jan. de 1962
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Birth of The Surf Era
Rock - Lançado por El Toro Records em 31 de mai. de 2012
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Dick Dale & His Del Tones - The Rock Legends
Rock - Lançado por Golden Arrow em 1 de jun. de 2015
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bandito (From "Django Unchained")
Film Soundtracks - Lançado por M.Z.Records em 6 de set. de 2018
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Best Of Dick Dale & His Del Tones (Surf Beat Collection)
Rock - Lançado por Ultimate Oldies Records em 25 de nov. de 2016
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bandito (From "Django Unchained")
Film Soundtracks - Lançado por M.Z.Records em 6 de set. de 2018
Qualidade de CD de 16 bits 44.1 kHz - Stereo