Carlo Tagliabue
A bullish singer of considerable power, Carlo Tagliabue was a leading figure among Italian baritone of the late '30s, the 1940s, and 1950s. Despite the privations brought about by WWII, his career continued at its zenith when he was in his fifties. Many of his recordings were made at that time.
After studies in Milan with Gennai and Guidotti, Tagliabue made his stage debut at Lodi in 1922 as Amonasro. Further engagements with provincial companies in Palermo, Florence, Genoa, Verona, and, subsequently, Lisbon, led to his joining La Scala in 1930. He remained with that company for the next two decades. In 1934, he was entrusted with the role of Basilio in the world premiere of Respighi's La Fiamma. That same year he appeared in Buenos Aires. From 1937 to 1939 he sang at New York's Metropolitan Opera; in 1938, he appeared at San Francisco and in London.
At the Metropolitan, his Iago was found rough in tone, but theatrically vivid. In other roles, such as Rigoletto, Germont, di Luna, and Marcello, he was felt lacking in suavity, but, as Alfio, he was recognized as near ideal. When San Francisco heard him as Alfio, Tagliabue was described by critic Marjory Fisher as "a commanding stage presence and a rugged baritone of excellent quality." Tagliabue's other roles during his only season there were Marcello, Rossini's Figaro, and Don Carlo in La forza del destino. London's Covent Garden heard from him a "good routine Rigoletto" in 1938. When he reappeared in London in 1946, it was with the San Carlo company from Naples and this time critics praised his "fine tone" in Rigoletto and described his Germont as "distinguished." A final London appearance at the Stoll Theatre in 1953 offered to audiences a Don Carlo described as stylish and dramatic. Among his recordings, Tagliabue left a number of impressive arias, now collected on two Preiser discs. He recorded Don Carlo (something of a signature role) twice; first with Marinuzzi and a still-unsurpassed cast in 1941 and again in 1954 under Tullio Serafin. Powerfully incisive in the first recording, he is less firm in the second, but strong nonetheless. Tagliabue retired to teach in 1958.
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Discografia
6 álbum(ns) • Ordenado por Mais vendidos
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Verdi: La forza del destino
Maria Callas, Carlo Tagliabue, Orchestra del Teatro della Scala di Milano, Tullio Serafin
Opera - Lançado por Warner Classics em 1 de jan. de 1955
24-Bit 96.0 kHz - Stereo -
Verdi: Il Trovatore
Carlo Tagliabue, Maria Callas, Gino Penno, Ebe Stignani, Antonino Votto, Orchestra del Teatro della Scala di Milano
Classical - Lançado por NAR International em 17 de set. de 2012
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Forza del Destino (La) (Tagliabue, Caniglia) (1941)
Maria Caniglia, Tancredi Pasero, Carlo Tagliabue, Italian Broadcasting Authority Chorus, Turin, Italian Broadcasting Authority Orchestra, Turin, Gino Marinuzzi
Full Operas - Lançado por Naxos em 1 de jan. de 1977
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Il mito dell'opera: Carlo Tagliabue (Recorded 1928-1951)
Opera - Lançado por Bongiovanni em 1 de mar. de 2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Lebendige Vergangenheit - Carlo Tagliabue (Vol. 2)
Classical - Lançado por Preiser Records em 5 de set. de 2006
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Lebendige Vergangenheit - Carlo Tagliabue
Classical - Lançado por Preiser Records em 25 de out. de 2006
Qualidade de CD de 16 bits 44.1 kHz - Stereo