Richard Strauss
Though the long career of Richard Strauss spanned one of the most chaotic periods in political, social, and cultural history of the world, the composer retained his essentially Romantic aesthetic even into the age of television, jet engines, and atom bombs.
Born in Munich in 1864, Strauss was the son of Franz Joseph Strauss, the principal hornist in the Munich Court Orchestra. Strauss demonstrated musical aptitude at an early age, and extensive training in piano, violin, theory, harmony, and orchestration equipped him to produce music of extraordinary polish and maturity by the time he reached adulthood. His primary teachers had been his father, who was a musical conservative, and Ludwig Thuille, a Munich School composer and family friend. Strauss' Serenade for 13 Winds, Op. 7 (1881), written when he was 17, led conductor Hans von Bülow to pronounce him "by far the most striking personality since Brahms." Bülow was able to give Strauss his first commission and an assistant conductor position. Through new friendships, Strauss learned to admire the writings of Schopenhauer and Nietzsche and the music of Wagner and Liszt. He embarked on a long career of conducting and composing, which took him all over Europe and the U.S.
From the beginning of Strauss' career as a composer, it was evident that the orchestra was his natural medium. With the composition of the "symphonic fantasy" Aus Italien in 1886, Strauss embarked on a series of works that represents both one of the pivotal phases of his career and a body of music of central importance in the late German Romantic repertoire. Though he did not invent the tone poem per se, he brought it to its pinnacle. In such works as Don Juan (1888-1889), Ein Heldenleben (1897-1898), and Also sprach Zarathustra (1895-1896) -- of which first minute or so, thanks to its use in the film 2001: A Space Odyssey, is the composer's most readily recognizable music -- Strauss displayed his abundant gift for exploiting the coloristic possibilities of the orchestra as a dramatic device like few composers ever had (or have since).
With the arrival of the 20th century, after becoming conductor at Berlin's Hofoper, Strauss' interest turned more fully to opera, resulting in a body of unforgettable works that have long been fixtures of the repertoire: Salome (1903-1905), Elektra (1906-1908), and Der Rosenkavalier (1909-1910) are just a few of his best-known efforts for the stage. In 1919, Strauss became co-director of the Vienna Staatsoper, but was forced to resign five years later by his partner, Franz Schalk, who resented being left with many of the operational duties while Strauss was frequently away guest conducting or being feted as a great composer. When the political situation in Europe became malignant in the 1930s, profound political naïveté led to Strauss' confused involvement the Nazi propaganda machine, and the composer eventually alienated both the Nazis and their opponents. With the end of World War II, however, he was permitted to resume his professional life, although it would be a mere echo of his previous fame. He began to have serious health problems, his financial situation had been compromised, and the monuments that embodied great German art for him -- Goethe's Weimar house; the Dresden, Munich, and Vienna opera houses -- had been destroyed. Throughout his last years, works such as the Oboe Concerto (1945) and the expressive Four Last Songs (1948) attest to Strauss' unwavering confidence in his singular musical voice.
© TiVo
Artistas similares
-
Richard Strauss: Horn Concertos Nos. 1 & 2
Clásica - Editado por Arabesque Recordings el 22 ago. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss: Sinfonia Domestica - Furtwängler
Clásica - Editado por Arabesque Recordings el 1 ene. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss · Composer, Conductor, Pianist & Piano Accompanist
Richard Strauss, Staatskapelle Berlin
Clásica - Editado por G.O.P. el 30 nov. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Elektra, Op. 58: XXVII. Ob ich nicht höre? (Single)
Ópera - Editado por Sterling el 17 feb. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss · Composer, Conductor, Pianist & Piano Accompanist
Richard Strauss, Berliner Philharmoniker
Clásica - Editado por G.O.P. el 22 dic. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss and Jean Sibelius: "The Masterpieces" Performed by Vienna Philharmonica and BBC Symphony Orchestra
Vienna Philharmonica, BBC Symphony Orchestra
Clásica - Editado por Sharp Edge Records el 31 oct. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Solano Winds Community Concert Band - SPACE
Solano Winds Community Concert Band
Clásica - Editado por Tresona el 1 ene. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Masters Of Classical Music: Strauss
Clásica - Editado por Cobra Entertainment LLC. el 1 dic. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Las Nuevas Fronteras
Claude Debussy, Richard Strauss
Clásica - Editado por Bomerang Records el 7 ago. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Ormandy In Russia Vol. 4
Clásica - Editado por Pipeline Music el 7 jun. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Strauss - Theme From 2001
Clásica - Editado por Cobra Entertainment LLC. el 29 sep. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss · Composer, Conductor, Pianist & Piano Accompanist
Richard Strauss, Bayerisches Staatsorchester
Clásica - Editado por G.O.P. el 4 dic. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss · Composer, Conductor, Pianist & Piano Accompanist
Richard Strauss, Wiener Philharmonic Orchestra
Clásica - Editado por G.O.P. el 10 dic. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Great Classical Music
Clásica - Editado por Syrinx el 25 oct. 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Strauss: Also Sprach Zarathustra, Op. 30 & Don Juan, Op. 20
Chicago Symphony Orchestra (CSO), Fritz Reiner
Clásica - Editado por Radio Tower Records el 1 oct. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of The Classics Volume 14
Philharmonic Wind Orchestra, Marc Reift
Clásica - Editado por Marcophon el 11 jul. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Strauss: Le bourgeois gentilhomme, Op. 60
Chicago Symphony Orchestra (CSO)
Clásica - Editado por Past Classics el 18 mar. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss - Florilège de la Musique Classique Moderne et Contemporaine - Highlights of Modern and Contemporary Classical Music - Vol. 4
Clásica - Editado por ISIS el 25 mar. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss - Florilège de la Musique Classique Moderne et Contemporaine - Highlights of Modern and Contemporary Classical Music - Vol. 3
Clásica - Editado por ISIS el 25 mar. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Strauss - Florilège de la Musique Classique Moderne et Contemporaine - Highlights of Modern and Contemporary Classical Music - Vol. 2
Clásica - Editado por ISIS el 25 mar. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Classical SoundScapes For Film Vol. 23
Clásica - Editado por James Stewart Music el 10 abr. 2018
16-Bit CD Quality 44.1 kHz - Stereo