Maurizio Bianchi
Maurizio Bianchi has been one of the most difficult artists to follow in the industrial scene, due to the limited pressings of his myriad recordings, as well as his extended absences from making music altogether. Nevertheless, he has been hailed as a pioneer of rhythmic noise and power electronics, creating harsh, disturbing, and fascinating works utilizing primitive drum machine rhythms, harsh distortion, and heavily modified found sounds. Initially releasing music under the name Sacher-Pelz in 1979, Bianchi (sometimes known by his initials, M.B.) has released countless limited-edition tapes, LPs, and live bootlegs, many of which were issued by his own Mectpyo Sounds label. William Bennett of Whitehouse offered Bianchi a recording contract with his Come Organisation in 1981, which Bianchi signed without reading, and Bennett released two albums (Triumph of the Will and Weltanschauung) credited to Leibstandarte SS MB and featuring speeches by Nazi leaders added to the music without Bianchi's knowledge or permission. Coincidentally, Bianchi's first fully consensual vinyl release, the harrowing masterpiece Symphony for a Genocide, released by Nigel Ayers' Sterile Records in 1981, consists of pieces named after concentration camps.
Following the 1983 release of The Plain Truth LP on Broken Flag, Bianchi retired from music, having become a Jehovah's Witness. He eventually returned to music in 1998 when Emanuele Carcano of experimental label Alga Marghen offered Bianchi a label of his own. Titled EEs'T Records, the label has issued new Bianchi recordings as well as re-released material from the first phase of his career, although even these CDs have been nearly impossible to find due to their limited release. Italian label menstrualrecordings has also reissued a significant portion of M.B.'s discography, in addition to new recordings. Bianchi continued to release albums into the next century, working out of his Italian studio in the same mysterious way he always has, and collaborating with numerous experimental artists including Aube, Merzbow, and Francisco López. He retired again in 2009, but the absence didn't last long, as new releases continued on labels including Robert & Leopold, Important Records, Korm Plastics, and Placenta Recordings.
© Bradley Torreano & Paul Simpson /TiVo
-
T.P.T.M.B.T.D.
Punk - New Wave - Editado por Musik Atlach el 18 abr. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Concredrones
Maurizio Bianchi, Sostrah Tinnitus
Rock progresivo - Editado por Korm Plastics el 4 jun. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Foggy Bleeding
Electrónica - Editado por Tibprod. Italy el 18 sep. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
As Strong As Death Is
Electrónica - Editado por Robert & Leopold el 21 jun. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Endometrio
Electrónica - Editado por Dais Records el 5 nov. 1982
16-Bit CD Quality 44.1 kHz - Stereo -
Tridecacofonia
Ambientes - Editado por Raumklang Music el 1 jul. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
-
The House of Mourning
Maurizio Bianchi, Telepherique
Electrónica - Editado por Radiotarab el 21 abr. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Fast and Slow
Electrónica - Editado por X-Energy el 21 nov. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Bitch You Not Me
Hip-Hop/Rap - Editado por 3723950 Records DK el 20 feb. 2024
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
-
-
Who Is M.B.
Hip-Hop/Rap - Editado por 3723950 Records DK el 22 feb. 2022
16-Bit CD Quality 44.1 kHz - Stereo