José Van Dam
José van Dam has recorded nearly 150 roles, appeared in multiple world premieres, received most of the awards given to singers, is one of the most respected musicians of his generation -- and almost nobody outside the world of classical music has even heard his name. His presence is rather austere, and his singing is notable for subtlety and attention to detail. His bass-baritone voice is rich, and his phrasing is impeccable in nearly every musical style, from Baroque to contemporary. He is an intense though introverted actor, and even starred in Le Maitre de Musique, a film about a reclusive singer who retires from the operatic stage to teach. While his somewhat limited bottom range makes the lowest notes of the bass roles problematic, his musicianship and sense of drama more than suffice to win him critical acclaim as Philip II and as Boris.
Unusually for an opera singer, his family was not a musical one. When he was 11, a family friend encouraged him to join the church choir. He began to study sight-singing and piano, and at 13 he became the pupil of Frederic Anspach of the Brussels Conservatory. He entered the Conservatory at the age of 17; won the first prize of the Conservatory the next year; at 20 won first prizes at the Liege and Toulouse competitions; and was engaged by the Paris Opera in 1962, where he made his operatic debut in Berlioz's Les Troyens, as Priam and the Voice of Mercury. In 1964 he sang the role of Escamillo for the first time, appearing in this role countless times in the future and recording it no fewer than four times. In 1965, he joined the Geneva Opera, where he sang the role of Maitre Fal in the world premiere of Milhaud's La mère coupable. Lorin Maazel engaged him to sing in his recording of Ravel's L'heure Espagnol on Deutsche Grammophon and invited him to become a member of the Deutsche Oper. He made his La Scala and Covent Garden debuts in 1973; in 1974, was named a Berliner Kammersänger and won the German Music Critics' Prize; and in 1975, made his Metropolitan Opera debut.
During the 1970s and 1980s, he continued to add new roles to his repertoire and began his long-standing partnership with Herbert von Karajan and with the Salzburg Festival. As he and his voice matured, he dropped certain roles, such as Escamillo and Figaro, and added roles such as Philip II, the Flying Dutchman, and Simon Boccanegra. In 1983, he sang the title role in the world premiere of Messiaen's Saint-François d'Assise. He also continued to perform and record oratorio repertoire and became a noted interpreter of German lieder and French song, particularly the music of Henri Duparc. In the mid-'90s, he began again to explore new operatic repertoire, portraying Scarpia for the first time in 1995. He fared well in the inevitable comparisons to Gobbi. Both took a similar approach to roles -- studying the historical and literary sources for the character, but regarding them as supplementary to what the composer and librettist created.
He recorded widely for many labels. His aria recital CD on Forlane displays his versatility as an opera singer and his dramatic power. In the Wagner repertoire, his Amfortas in Karajan's recording on DG is a vivid depiction of that tormented king. In French opera, his Don Quichotte (EMI) under Plasson, brings out the humor, nobility, and pathos of the title role. He also was an admirable Leporello in the Losey film of Don Giovanni.
© TiVo
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Gounod: Faust
Cheryl Studer, Richard leech, José Van Dam, Thomas Hampson, Michel Plasson, Orchestre Du Capitole De Toulouse
Ópera - Editado por Warner Classics el 28 feb. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart : Requiem - "Coronation Mass"
Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan
Clásica - Editado por Deutsche Grammophon (DG) el 1 ene. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Delibes: Lakmé
Natalie Dessay, Gregory Kunde, José Van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse
Ópera - Editado por Warner Classics el 20 oct. 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Puccini : Il trittico
Angela Gheorghiu, Roberto Alagna, José Van Dam, Antonio Pappano
Ópera - Editado por Warner Classics el 1 feb. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Alberic Magnard : Guercœur
Hildegard Behrens, José Van Dam, Orchestre Du Capitole De Toulouse, Michel Plasson
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José Van Dam : Le chant d'un maître
Clásica - Editado por Forlane el 28 ene. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: The Marriage of Figaro
José Van Dam, Mirella Freni, Frederica von Stade
Ópera - Editado por Opera d'Oro el 1 ene. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Bizet: Carmen
Agnes Baltsa, José Carreras, José Van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan
Clásica - Editado por Deutsche Grammophon (DG) el 1 ene. 1964
16-Bit CD Quality 44.1 kHz - Stereo -
Massenet: Don Quichotte
Teresa Berganza, José Van Dam, Orchestre Du Capitole De Toulouse, Michel Plasson
Clásica - Editado por Warner Classics el 1 ene. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Die Meistersinger von Nürnberg
Clásica - Editado por Decca Music Group Ltd. el 1 ene. 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Mélodies
Teresa Berganza, Felicity Lott, Mady Mesplé, Jessye Norman, Gabriel Bacquier, José Van Dam
Clásica - Editado por Warner Classics el 1 ene. 1984
16-Bit CD Quality 44.1 kHz - Stereo -
Chansons d'automnes
Chanson francesa - Editado por Classique Radio France el 9 feb. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
José Van Dam et la mélodie française
José Van Dam, Marciej Pikulski
Clásica - Editado por Forlane el 7 mar. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Opera Arias
Pavol Breslik, Münchner Rundfunkorchester, José Van Dam, Patrick Lange
Ópera - Editado por Orfeo el 9 sep. 2016
24-Bit 44.1 kHz - Stereo -
Mélodies françaises, vol. 2: Saint-Saëns, Massenet & Gounod
Jean-Philippe Collard, José Van Dam
Clásica - Editado por Warner Classics el 19 nov. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Le Nozze di Figaro - Highlights
Clásica - Editado por Decca Music Group Ltd. el 1 ene. 1979
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner : Parsifal [Highlights]
Fragmentos de ópera - Editado por Warner Classics International el 1 ago. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Massenet : Manon
Antonio Pappano, Roberto Alagna, Angela Gheorghiu, José Van Dam, Orchestre Symphonique de la Monnaie
Clásica - Editado por Warner Classics el 7 ago. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Hahn: Ciboulette
Cyril Diederich, Mady Mesplé, José Van Dam, Orchestre Philharmonique de Monté-Carlo
Clásica - Editado por Warner Classics el 1 ene. 1983
16-Bit CD Quality 44.1 kHz - Stereo -
José van Dam : 30 Years At la Monnaie
José Van Dam, La Monnaie / De Munt Orchestra, La Monnaie / De Munt Choir
Clásica - Editado por Cypres el 4 may. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
L'homme de la Mancha - Adaptation Jacques Brel (Live)
Orchestre de L'Opera Royal de Wallonie, José Van Dam, Georges Gautier, Alexise Yerna, Patrick Baton
Ópera - Editado por Forlane el 1 ene. 1998
16-Bit CD Quality 44.1 kHz - Stereo