Hugo Montenegro
Hugo Montenegro was a composer, arranger, and conductor who is primarily known for his movie work in the '60s, as well as his adaptations of film scores like The Good, the Bad and the Ugly. Montenegro began his musical career in the U.S. Navy, where he arranged scores for various military bands. After he left the Navy, he completed school at Manhattan College, then he began a professional music career.
Initially, Montenegro was the staff manager to André Kostelanetz at Columbia Records in New York, which eventually led to a job as a conductor/arranger for several of the label's artists, most notably Harry Belafonte. By the mid-'50s, Montenegro was making his own albums of easy listening orchestral music.
Montenegro moved to California in the mid-'60s and began to write film scores, starting with Otto Preminger's Hurry Sundown in 1967. That same year, he recorded a version of the theme to The Good, the Bad and the Ugly, which was written by Ennio Morricone. Featuring an arrangement that relied on a chorus, electric instruments, and special effects, the single was a major hit, reaching number one in the U.K. and number two in the U.S.; internationally, it sold over a million copies. An album titled Music from "The Good, the Bad and the Ugly" & "A Fistful of Dollars" & "For a Few Dollars More" appeared shortly after the single's release, and it reached the Top Ten in the spring 1968. Later in the year, Montenegro released a single of the theme from Hang 'Em High, which was a lesser hit, as was the album of the same name.
Montenegro began to branch out after the Hang 'Em High album, recording a diverse array of albums, ranging from show tunes to electronic experiments. Throughout the late '60s and '70s, he continued to score films, including Lady in Cement, The Undefeated, The Wrecking Crew, Tomorrow, and The Ambushers, among many others. He continued composing and recording until his death in 1981.
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Overture, American Musical Theatre, Vol. 3 (1946 - 1952)
Bandas sonoras de cine - Editado por Time Records el 1 mar. 1961
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Viva Max! (Original Motion Picture Soundtrack)
Bandas sonoras de cine - Editado por RCA - Legacy el 1 ene. 1970
24-Bit 192.0 kHz - Stereo -
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Boogie Woogie & Bongos
Jazz - Editado por TIME Records el 22 sep. 1960
16-Bit CD Quality 44.1 kHz - Stereo -
Black Velvet
World music - Editado por TIME Records el 26 sep. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Country And Western
Jazz - Editado por Good Time Records el 10 ene. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Musica Bullfight
Pop - Editado por Alpha Center Digital el 31 mar. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
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Arriba: Original Release, Vol. 1
World music - Editado por TIME Records el 24 abr. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Great Songs from Motion Pictures vol.3
World music - Editado por TP4 Music el 6 ene. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Crazy Arms
Pop - Editado por Jukebox Entertainment el 12 may. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Les grands chefs d'orchestre de variété : Hugo Montenegro, Vol. 1
Pop - Editado por Mpm el 22 dic. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Great Songs From Motion Pictures, Vol. 1
Varios - Editado por TIME Records el 7 ago. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Hugo Montenegro: Country And Western Lounge
World music - Editado por TIME Records el 4 dic. 1962
16-Bit CD Quality 44.1 kHz - Stereo -
Montenegro In Italy
World music - Editado por TIME Records el 22 nov. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Selection of Cha Cha Cha (Instrumental)
América latina - Editado por MCM el 7 abr. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Hugo Montenegro En España
Jazz - Editado por Alpha Center Digital el 31 mar. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
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Overture, American Musical Theatre, Vol. 1 (1924 - 1935)
Bandas sonoras de cine - Editado por Time Records el 28 feb. 1961
24-Bit 44.1 kHz - Stereo -
American Musical Theatre, Vol. 4
Varios - Editado por TIME Records el 31 ene. 1961
16-Bit CD Quality 44.1 kHz - Stereo