Hans Hopf
For many of the record-buying public, their impression of German dramatic tenor Hans Hopf was formed upon viewing the wretched photograph that was displayed on the cover of his 1960 EMI recording of Tannhäuser. Appearing bloated and dim-witted, the tenor was sorely misrepresented by a portrait that should never have been released. While his voice had by that time grown beefier and less pliant, Hopf was too serious an artist to have been exposed to such a public relations disaster. For a truer picture, physically and aurally, turn to his Walter in EMI's live recording of Bayreuth's 1951 Die Meistersinger with Schwarzkopf, Edelmann, and Karajan. Here, before the strain of too many heroic roles took their toll, his singing was strong and highly agreeable, accomplished if somewhat short of poetic. Hopf studied with bass Paul Bender in Munich before making his debut in 1936 singing Pinkerton with the Bavarian Regional Opera. Affiliations with Augsburg, Dresden, Oslo, and Berlin preceded his extended membership at the Bavarian Staatsoper beginning in 1949. In addition to his Bayreuth debut, the 1950 -- 1951 season held a first appearance at Covent Garden, where Hopf sang his German-language Radames in an otherwise English-language Aida. He was also heard as Walter, pleasing the critics and audiences more for his sturdy singing than for his subtlety. Hopf remained with the Royal Opera through the 1952 -- 1953 season, offering his Walter all three years. At Bayreuth, Hopf worked his way to Parsifal, Tannhäuser, and Siegfried by the 1960s. In 1952, he made his Metropolitan Opera debut as Walter. He continued to appear for five more years, eventually amassing a total of 34 performances in the Wagnerian repertory. At Salzburg in 1954, Hopf made his debut as Max in Weber's Der Freischütz. Although most of his career was spent in Europe, Hopf made two further appearances in American opera houses singing Herodes in both Chicago (1968) and San Francisco (1974) and both times with Astrid Varnay as his consort. Although the latter production caught him rather late in the day, he was still an arresting Herod, dissolute and clearly not quite stable. In Germany, Hopf had achieved a considerable reputation as Verdi's Otello.
© TiVo
Discografía
9 álbum(es) • Ordenado por Mejores ventas
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R. Strauss Die Frau ohne Schatten (La Femme sans ombre)
Hans Hopf, Leonie Rysanek, Wiener Philharmonic Orchestra, Karl Böhm
Clásica - Editado por Decca Music Group Ltd. el 1 ene. 1956
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Fidelio
Birgit Nilsson, Hans Hopf, Gottlob Frick
Ópera - Editado por Urania el 1 ene. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Carl maria von weber · der freischütz
Hans Hopf, Elisabeth Grümmer, Erich Kleiber, Kölner Rundfunk Sinfonie Orchester
Clásica - Editado por G.O.P. el 31 jul. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Great Tenors sing Wagner · Die Meistersinger von Nürnberg
Ópera - Editado por G.O.P. el 31 oct. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Strauss: Salome, Op. 54 TrV 215
Ópera - Editado por Orfeo el 1 ene. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Andrea Chenier (Sung in German) (1956)
Clásica - Editado por Walhall Eternity Series el 1 sep. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Hans Hopf
Clásica - Editado por Preiser Records el 11 sep. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Ludwig Van Beethoven : Symphony No. 9 (Live At Bayreuth Festival July 1951)
Bayreuth Festival Orchestra, Wilhelm Furtwängler, Otto Edelmann, Hans Hopf, Elisabeth Höngen, Elisabeth Schwartzkopf
Clásica - Editado por OperaPrima-Carillon el 1 ene. 1984
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of Ludwig van Beethoven #3
Clásica - Editado por Ermitage Records el 19 jul. 2023
16-Bit CD Quality 44.1 kHz - Stereo