Ezio Pinza
Ezio Pinza (Fortunato Pinza) was one of the most popular and important basses of the twentieth century. Born in Rome in 1892, he originally wanted to make a career in sports, or perhaps engineering, but after discovering his voice he began studies at Ravenna and Bologna. He made his debut in the town of Spezia as Oroveso in Bellini's Norma in 1914, but his career was soon delayed by service in the Italian Army during World War I.
After the war, he sang at the Teatro Verdi in Florence in 1919 and then the Teatro Costanzi in Rome where he sang leading roles in La Forza del Destino, La Gioconda, Il barbière di Siviglia, and Aida. He made his Teatro alla Scala debut in 1921 as Pogner in Die Meistersinger. This and other German roles in Tristan und Isolde and Salome were sung in Italian translations. He sang Tagellino in the premiere of Boito's Nerone in 1924. During this time, he also sang in Naples, Turin, and other Italian opera houses.
His Metropolitan Opera debut came in 1926 as Pontifex Maximus in Spontini's La Vestale. He sang there for the next 22 years, and was greatly admired for his interpretations of leading Verdi roles in La Forza del Destino, Simon Boccanegra, Aida, and Rigoletto. Even more important was his participation in the revivals of Mozart's Don Giovanni and Le nozze di Figaro; his importance to the success of these productions cannot be overestimated, with his good looks having as much to do with his fame as his superb vocal abilities. Pinza was equally popular in several French operas including Gounod's Faust, Delibes' Lakme, and Bizet's Carmen. His Russian roles included King Didon in Rimsky-Korsakov's Le Coq d'Or (in French) and Boris Godunov (in Italian). Other important roles at the Metropolian Opera were Raimondo in Lucia di Lammermoor, Basilio in Il barbière di Siviglia and the Father in Louise.
Pinza also appeared regularly in Europe at Covent Garden, the Paris Opera, Salzburg Festival, Florence, and Vienna State Opera. He appeared every season at the Teatro Colon in Buenos Aires from 1925 until 1932. In the United States, he also sang in Chicago and San Francisco. Late in his career, he appeared with his daughter Claudia Pinza, who had a minor career singing leading soprano roles. After his retirement from the opera stage, he made a successful Broadway debut in South Pacific and later in Fanny. He also appeared in several motion pictures.
The voice of Ezio Pinza was a rich basso cantante. He had an easy elegance of phrasing, which is exhibited in nearly all of his recordings. He was at a disadvantage from some of his colleagues because he could not read music, but this meant that he was more willing to follow the concept of the conductor and, indeed, he was a favorite of Arturo Toscanini, Tullio Serafin, and Bruno Walter. He was able to sing the baritone role of Escamillo in Carmen as easily as most baritones. Although he had the lower notes of a bass, they did not have the presence usually associated with the true bass voice, which meant that his Sarastro (The Magic Flute) was not as effective as his Figaro or Don Giovanni. He willingly undertook smaller roles such as Ferrando in Il Trovatore and Colline in La Bohème.
© TiVo
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Discografía
18 álbum(es) • Ordenado por Mejores ventas
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PINZA, Ezio: Some Enchanted Evening (1949-1954)
Clásica - Editado por Naxos el 3 ene. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Operatic Arias
Clásica - Editado por Sony Classical el 18 oct. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Ezio Pinza (Vol.5)
Clásica - Editado por Preiser Records el 20 mar. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Ezio Pinza (Vol. 2)
Clásica - Editado por Preiser Records el 7 sep. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Tonight We Sing (O.S.T - 1953)
Roberta Peters, Ezio Pinza, Jan Peerce
Bandas sonoras de cine - Editado por Vintage Music el 23 nov. 1951
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Ezio Pinza
Clásica - Editado por Preiser Records el 12 oct. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Don Giovanni
Ezio Pinza, Elisabeth Rethberg, Dino Borgioli
Clásica - Editado por Urania el 1 ene. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Four Famous Basses of the Past
Clásica - Editado por Preiser Records el 12 sep. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Ezio Pinza
Clásica - Editado por Preiser Records el 17 ago. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Don Giovanni by Wolfgang Amadeus Mozart
Ezio Pinza, Salvatore Baccaloni
Clásica - Editado por OperaPrima-Carillon el 23 abr. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Ezio Pinza (Vol. 4)
Clásica - Editado por Preiser Records el 13 sep. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
20th Century Voices, Vol. 3
Alexander Kipnis, Sesto Bruscantini, Ezio Pinza
Clásica - Editado por Editions Audiovisuel Beulah el 5 abr. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Opernsänger einmal anders
Clásica - Editado por Preiser Records el 19 sep. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
MUSSORGSKY: Boris Godunov (Pinza / Thorborg / Warren)
Ezio Pinza, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Ettore Panizza
Ópera - Editado por Naxos el 1 mar. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Fanny, The Musical
Bandas sonoras de cine - Editado por Bringins Music el 12 dic. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
The Remarkable Ezio Pinza
Pop - Editado por Tenth Right Records el 13 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Arturo Toscanini Conducts Beethoven (1938)
Arturo Toscanini Philharmonic Orchestra, Vina Bovy, Arturo Toscanini, Kerstin Thorborg, Jan Peerce, Ezio Pinza
Clásica - Editado por Music and Arts Programs of America el 2 may. 2012
16-Bit CD Quality 44.1 kHz - Stereo -