Bud Shank
Bud Shank began his career pigeonholed as a cool schooler, but those who listened to the altoist progress over the long haul knew that he became one of the hottest, most original players of the immediate post-Parker generation. Lumped in with the limpid-toned West Coast crowd in the '50s, Shank never ceased to evolve; in his later years, he had more in common with Jackie McLean or Phil Woods than with Paul Desmond or Lee Konitz. Shank's keening, blithely melodic, and tonally expressive style was one of the more genuinely distinctive approaches that grew out of the bebop idiom.
Shank attended the University of North Carolina from 1944-1946. Early on, he played a variety of woodwinds, including flute, clarinet, and alto and tenor saxes; he began to concentrate on alto and flute in the late '40s. After college, Shank moved to California, where he studied with trumpeter/composer Shorty Rogers and played in the big bands of Charlie Barnet (1947-1948) and Stan Kenton (1950-1951). Shank made a name for himself in the '50s as a central member of the West Coast jazz scene. In addition to those named above, he played and recorded with bassist Howard Rumsey's Lighthouse All-Stars, tenor saxophonist Bob Cooper, and Brazilian guitarist Laurindo Almeida, among others. Shank made a series of albums as a leader for World Pacific in the late '50s and early '60s.
Shank ensconced himself in the L.A. studios during the '60s, emerging occasionally to record jazz and bossa nova albums with the likes of Chet Baker and Sergio Mendes. Shank's 1966 album with Baker, Michelle, was something of a popular success, reaching number 56 on the charts. Film scores on which Shank can be heard include The Thomas Crown Affair and The Barefoot Adventure. In the '70s, Shank formed the L.A. Four with Almeida, bassist Ray Brown, and, at various times, drummer Chuck Flores, Shelly Manne, or Jeff Hamilton. Shank had been one of the earliest jazz flutists, but in the mid-'80s he dropped the instrument in order to concentrate on alto full-time. During the last two decades of the 20th century, he recorded small-group albums at a modestly steady pace for the Contemporary, Concord, and Candid labels. Shank's 1997 Milestone album, By Request: Bud Shank Meets the Rhythm Section, presented the altoist in top form, burning down the house with a band of relative youngsters who included neo-bopper pianist Cyrus Chestnut. Three years later, Silver Storm was released.
Shank continued performing and recording after the turn of the millennium, undertaking the challenging task of forming the Los Angeles-based Bud Shank Big Band in 2005 and making his recording debut as a big-band leader with Taking the Long Way Home, released the following year by the Jazzed Media label. In 2007 Jazzed Media issued Beyond the Red Door, a duet recording by Shank and pianist Bill Mays. Shank's passion for jazz remained strong to the very last days of his life; he died at his home in Tucson, AZ on April 2, 2009 of a pulmonary embolism shortly after returning from a recording session in San Diego. Shank's doctors had reportedly warned the saxophonist -- who had moved to Tucson for health reasons -- that playing the session could be life-threatening. Bud Shank was 82 years old.
© Chris Kelsey /TiVo
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Nocturno
Jazz - Editado por Memories of Yesterday el 30 dic. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Shank and Three Trombones (Remastered)
Jazz - Editado por Avid Entertainment el 23 jun. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
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The Awakening (A Sound Painting For Quartet, Percussion + Recorded Tape)
Jazz - Editado por Newedition el 1 ene. 1992
16-Bit CD Quality 44.1 kHz - Stereo -
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Bud Shank With Shorty Rogers & Bill Perkins
Jazz - Editado por CoolNote el 1 ene. 1955
16-Bit CD Quality 44.1 kHz - Stereo -
The Bud Shank Quartet
Jazz - Editado por CoolNote el 17 feb. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Theme Music From The James Dean Story
Jazz - Editado por CoolNote el 1 dic. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Bossa Nova Jazz Samba
Jazz - Editado por CoolNote el 1 ene. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
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The Essential Jazz Collection: Brasamba!
Jazz - Editado por Diamond Days el 1 ene. 1963
16-Bit CD Quality 44.1 kHz - Stereo -
The Swing's to Tv (Remastered)
Jazz - Editado por Avid Entertainment el 1 dic. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Magical Mystery
Jazz - Editado por EMI MUSIC JAPAN INC. el 1 ene. 1968
16-Bit CD Quality 44.1 kHz - Stereo -
Rio Rhapsody
Bossa nova - Editado por Sharp Edge Records el 3 jun. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Shank, West Coast Suite 2
Jazz - Editado por Wnts el 14 mar. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
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Live in Trieste 1994 (Live)
Massimo Faraò, Bud Shank, Pierre Boussaguet, Bobby Durham
Jazz - Editado por RACING JAZZ el 20 feb. 2024
16-Bit CD Quality 44.1 kHz - Stereo -
Gostoso
Jazz - Editado por Black & Partner Licenses LLC el 7 may. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Slippery When Wet (Album of 1959, Original Soundtrack 1959)
Pop - Editado por Surfin' Bird el 31 jul. 2020
16-Bit CD Quality 44.1 kHz - Stereo