Crass
The brittlest and most hard-line radical of the first wave of British punk bands, Crass issued a blitz of records that were ruthless in both their unrelenting sociopolitical screeds and their amelodic crash of noise. The horrors of war, the arbitrary nature of legal justice, sexism, media imagery, organized religion, the flaws of the punk movement itself -- all were subjected to harsh critique. Like few other rock bands before or since, Crass took rock-as-agent-of-social-and-political-change seriously, and not just in their music. In addition to putting out their own fiercely independent records (though the majors were certainly not knocking at their door), they also formed an anarchist commune that worked with other artists and labels, and on the behalf of various political causes. But they were also afflicted by considerable tension between the medium and its message -- not more than a few thousand people were exposed to Crass' very broad social concerns, and their musical inflexibility guaranteed that the band would be preaching to the converted almost exclusively.
In keeping with early punk ethos, Crass assumed obviously fake stage names. The membership changed a bit over the years, but the group's mainstays were vocalists Steve Ignorant, Eve Libertine, and Joy de Vivre. Drummer Penny Rimbaud and G. Sus, who did tape collages and provided the distinctively bleak black and white artwork on the fold-out posters that usually enclosed their LPs, were also important contributors. Their late-'70s recordings may sound like just so much hardcore punk decades later. But at the time they were indeed shocking assaults of noisy guitars and relentless drumming, backed by throaty, angry rants that were made incomprehensible to many ears by the heavy British accents and the sheer speed of delivery.
They were the definitive uncompromising punk band, which guaranteed them a cult following of very disaffected youth, and also ensured that they would never come remotely close to mainstream exposure, or even to many new wave playlists. An undiluted lyrical message was far more important to Crass than commercial considerations, and until 1984 they cranked out anarchist-leaning recordings without much variation in their attack. Occasional experimental cuts were promising variations on their format, particularly when they branched into tape collage, or spoken poetry. Those were largely the exception rather than the rule, though Crass weren't without the occasional moment of humor.
Crass always intended to disband in 1984, and true to their ideals as always, they did exactly that when that year came around. Even for those with no taste for the band's brand of confrontational punk, they deserve recognition as one of the relatively few acts in the music who attempted to live their values, and not just sing about them.
© Richie Unterberger /TiVo
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The Feeding of the Five Thousand (The Second Sitting)
Punk / New Wave - Released by One Little Independent on Jan 1, 1979
16-Bit CD Quality 44.1 kHz - Stereo -
Penis Envy
Punk / New Wave - Released by One Little Independent on Jan 1, 1981
16-Bit CD Quality 44.1 kHz - Stereo -
Stations of the Crass
Punk / New Wave - Released by One Little Independent on Aug 11, 1979
16-Bit CD Quality 44.1 kHz - Stereo -
Stations of the Crass (Crassical Collection)
Punk / New Wave - Released by One Little Independent on Oct 2, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Normal Never Was – Revelations (The Remix Compilation)
Punk / New Wave - Released by One Little Independent on Jan 21, 2022
24-Bit 44.1 kHz - Stereo -
Best Before 1984
Punk / New Wave - Released by One Little Independent on Apr 27, 1986
16-Bit CD Quality 44.1 kHz - Stereo -
Banned From The Roxy (Steve Aoki’s Basement Tapes Remix)
Drum & Bass - Released by Dim Mak Records on Dec 18, 2020
24-Bit 48.0 kHz - Stereo -
Penis Envy (Crassical Collection)
Punk / New Wave - Released by One Little Independent on Oct 2, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Feeding of the Five Thousand (Crassical Collection)
Punk / New Wave - Released by One Little Independent on Oct 2, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Best Before 1984 (Crassical Collection)
Punk / New Wave - Released by One Little Independent on Oct 2, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
What a Shame (Jack Matthew Tyson Remix)
Punk / New Wave - Released by One Little Independent on Nov 18, 2021
24-Bit 44.1 kHz - Stereo -
Yes Sir I Will (Crassical Collection)
Punk / New Wave - Released by One Little Independent on Oct 2, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Bomb (rLr Remix)
Electronic - Released by One Little Independent on May 29, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Banned from the Roxy (The Bloody Beetroots Remix)
Punk / New Wave - Released by One Little Independent on Jun 30, 2021
24-Bit 44.1 kHz - Stereo -
Women (65daysofstatic Remix)
Punk / New Wave - Released by One Little Independent on Jan 19, 2022
24-Bit 44.1 kHz - Stereo -
Living Asylum (Youth Remix)
Punk / New Wave - Released by One Little Independent on Oct 20, 2021
24-Bit 44.1 kHz - Stereo -
Normal Never Was VI
Punk / New Wave - Released by One Little Independent on Nov 26, 2021
24-Bit 44.1 kHz - Stereo -
Normal Never Was V
Punk / New Wave - Released by One Little Independent on Aug 6, 2021
24-Bit 44.1 kHz - Stereo -
Normal Never Was II
Electronic - Released by One Little Independent on Jul 31, 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Normal Never Was IV
Punk / New Wave - Released by One Little Independent on Feb 12, 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Yes Sir, I Will
Punk / New Wave - Released by One Little Independent on Jan 1, 1983
16-Bit CD Quality 44.1 kHz - Stereo