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Films d'horreur - La bande originale du cinéma des années 80 et 90

Musique De Film

Film Soundtracks - Released August 29, 2014 | City Sounds Music

Disque D'or

Charles Trenet

French Music - Released January 1, 1992 | Parlophone (France)

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Films d'aventures - La bande originale du cinéma des années 80 et 90

Musique De Film

Film Soundtracks - Released August 22, 2014 | City Sounds Music

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Films d'action - La bande originale du cinéma des années 80 et 90

Musique De Film

Film Soundtracks - Released July 18, 2014 | City Sounds Music

Live au Danforth Music Hall de Toronto, 2014

Johnny Hallyday

French Music - Released November 4, 2022 | Parlophone (France)

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Chansons d'amour pour la saint-valentin (années 80 & 90)

Le meilleur des années 80

Pop - Released February 14, 2021 | Amour Fou Productions

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Stravinsky: L'Oiseau de feu; Feu d'artifice; 4 Etudes

Chicago Symphony Orchestra (CSO)

Classical - Released July 7, 2023 | Deutsche Grammophon (DG)

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50 ans de chansons

Henri Dès

Children - Released October 27, 2014 | PRODUCTIONS MARY JOSEE

Booklet
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Debussy: Images & Préludes, Book 2

Marc-André Hamelin

Classical - Released November 2, 2014 | Hyperion

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Saint-Saëns: Ascanio - Ballet - Andromaque - Les Barbares - La Princesse jaune

Malmö Symphony Orchestra

Classical - Released November 22, 2019 | Naxos

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The Malmö Symphony Orchestra and its conductor Jun Markl uphold a repertoire which is rarely heard live, specifically French music from the turn of the nineteenth and twentieth centuries. After Albéric Magnard (BIS in 1999 and 2000) and Vincent d’Indy (Naxos, 2019), they have published a Camille Saint-Saëns album (once again for Naxos). An untiring globe-trotter, Saint-Saëns peppers his music with effects which create a background of different sounds. As opposed to Louise by Gustave Charpentier or Pelléas by Debussy, Les Barbares by Saint-Saëns (conceived in 1901) is a new example of the purest tradition of of French lyricism. The harmonic richness of the score, its bountiful melodies and the opulence of its orchestration do not break any new ground. Indeed, it seems Saint-Saëns is more inventive when composing within a more classic framework. However, despite the anachronistic nature of this work, which is also identified in Ascanio, La princesse jaune, Jota aragonese, Andromaque and Ouverture d’un opéra-comique inachevé, the listener savours every note. The programme, which combines the orchestral pages of these scores (ballet, opera and other lyrical tragedy), allows the Malmö Symphony Orchestra to show the full range of their musical colour: sumptuous strings, soaring harps and an irresistible harmony make them sound like one lone supermusician. Indeed, Jun Markl sculpts the MSO with uniformity in mind - the sound recording sticks to this approach as well - highlighting the the powerful lyrical dimension of this repertoire. An inspiring and necessary account of the genius of French orchestration. © Elsa Siffert/Qobuz
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Noël sous l'Empire

Quentin Guérillot

Classical - Released December 8, 2023 | Château de Versailles Spectacles

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Stravinsky Ballets

Sir Simon Rattle

Classical - Released March 25, 2022 | LSO Live

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Denied early in his career by Philharmonia Orchestra's management, Sir Simon Rattle realized his dream of programming a concert of these three early Stravinsky ballets in a 2017 festival that launched his time as the music director of the venerable London Symphony Orchestra. It is indeed an interesting concept as the audience is given a chance to hear the harmonic and stylistic changes of Stravinsky's writing in these ballets, which were, incredibly, written within five years. All three of these works were premiered at Paris' Ballets Russes. The Firebird, which premiered in 1910, launched a productive relationship between Stravinsky and Sergei Diaghilev, the company's founder. The music of The Firebird stole the show, prompting the composer to craft his own suites from the score, and it remains among his most popular and enduring works. After the success of The Firebird, Stravinsky began to compose The Rite of Spring, but he set it aside to work on a konzertstück for piano and orchestra with the images of a puppet come to life in mind. This imagery put the story of Petrushka in the eye of Diaghilev. Petrushka is set at an 1830s Shrovetide Fair and follows the exploits of a puppeteer who brings three puppets (Petrushka, the Moor, and the Ballerina) to life with his flute. Stravinsky uses folk songs cleverly throughout and departs from the more Rimsky-Korsakov-influenced writing of The Firebird, including the use of bitonality, which he took even further in The Rite of Spring. The Rite depicts a paganistic sacrifice to usher in spring, and its use of pulsating rhythms and brash harmonies famously created an uproar at its debut (the level of which is still debated). Rattle and the London Symphony perform Stravinsky's later revised versions of Petrushka and The Rite of Spring, and all three powerful and highly emotional works are well executed. © TiVo

On ne change pas (Deluxe Version)

Céline Dion

French Music - Released September 30, 2005 | Epic

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No doubt a companion piece to 1999's All the Way: A Decade of Song, On Ne Change Pas is a two-disc compendium of the other, mildly overlooked phase of Celine Dion's career: her performances sung entirely in her native tongue of Québecois French. While she soared up charts all over the globe with her hits sung in English, she also amassed quite a back catalog of hits ranging from dance-pop-friendly numbers to her familiar ground of passionate, melodramatic ballads. For those unfamiliar with this portion of her career (or for those who don't speak French), getting past the roadblock of not being able to understand the subject material will lead to a greater, more holistic appreciation of the depth and prolific output of her career in such a short span. At two discs, it's also a bit much Dion for anyone to swallow in one sitting, but on the plus side there are also a few new tracks, including her duet with Il Divo, "I Believe in You."© Rob Theakston /TiVo
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Stravinsky: L'Oiseau de feu, Apollon Musagète

Gustavo Gimeno

Classical - Released August 26, 2022 | harmonia mundi

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Post-Romantic dazzle in The Firebird (1910), neo-classical elegance in Apollon musagète (1928): Igor Stravinsky is revealed here in all his diverse genius. Between the shimmering world of Russian folk traditions and the Apollonian cosmos of Greek mythology, he creates two radically different and protean musical universes. For their second recording with harmonia mundi, Gustavo Gimeno and the Orchestre Philharmonique du Luxembourg reveal the splendours of these two major ballets of the early twentieth century. © harmonia mundi
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Le roi et la reine de l'accordéon (Double d'or)

André Verchuren

Accordion - Released April 1, 2016 | Johnny Williams Son

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Indépendance

Jul

Hip-Hop/Rap - Released December 10, 2021 | D'Or et de Platine

Les chansons d'or

Charles Trenet

French Music - Released September 18, 2020 | Parlophone (France)

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On ne change pas

Céline Dion

Pop - Released September 30, 2005 | Epic

Download not available
No doubt a companion piece to 1999's All the Way: A Decade of Song, On Ne Change Pas is a two-disc compendium of the other, mildly overlooked phase of Celine Dion's career: her performances sung entirely in her native tongue of Québecois French. While she soared up charts all over the globe with her hits sung in English, she also amassed quite a back catalog of hits ranging from dance-pop-friendly numbers to her familiar ground of passionate, melodramatic ballads. For those unfamiliar with this portion of her career (or for those who don't speak French), getting past the roadblock of not being able to understand the subject material will lead to a greater, more holistic appreciation of the depth and prolific output of her career in such a short span. At two discs, it's also a bit much Dion for anyone to swallow in one sitting, but on the plus side there are also a few new tracks, including her duet with Il Divo, "I Believe in You."© Rob Theakston /TiVo