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Various Artists|The Boy Friend

The Boy Friend

Various Artists

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Langue disponible : anglais

The Boy Friend, Sandy Wilson's 1950s musical that pretended to be a 1920s musical, pretty much succeeded at that pretense, enjoying a five-year run in London and nearly 500 performances on Broadway the first time around, leading to other international productions and frequent revivals. The first Broadway revival occurred on April 14, 1970, and proved disappointing, with a run of only 111 performances. The top-lined star was Judy Carne, a comedienne known for her tenure on the popular TV series Rowan & Martin's Laugh-In and her tag line, "Sock it to me!" Second-billed was Sandy Duncan, who actually went on to a more prominent stage career in periodic revivals of Peter Pan. The production was closer to the British original than the first Broadway version, adding back the song "It's Nicer in Nice," which had been cut for the previous New York run. That helped make this cast recording longer than either the London one (originally released as a 10" LP) or the original Broadway one. Nevertheless, that earlier Broadway recording gets the nod over this one for a simple reason: it features a young Julie Andrews in her New York debut, and there's no way Carne can top her. Still, this is an efficient reading of the pastiche score, which was at first intended to send up the sound and style of the 1920s, although by 1970 even the real thing would have seemed campy (and did in the Broadway revival of an actual '20s show, No, No, Nanette, that appeared the following season).

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The Boy Friend

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1
Overture (NYC/Reissue Of The Original 1970 Cast Recording)
Jerry Goldberg
00:03:30

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

2
Perfect Young Ladies (NYC/Reissue Of The Original 1970 Cast Recording)
Barbara Andres
00:01:18

Barbara Andres, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Female Ensemble, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

3
The Boy Friend (NYC/Reissue Of The Original 1970 Cast Recording)
Judy Carne
00:02:45

Ensemble, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Judy Carne, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

4
Won't You Charleston With Me? (From "The Boyfriend")
Various Interprets
00:03:35

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Sandy Duncan, MainArtist - Harvey Evans, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 1970 Geffen Records

5
Fancy Forgetting (NYC/Reissue Of The Original 1970 Cast Recording)
Jerry Goldberg
00:02:27

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Jeanne Beauvais, MainArtist - Leon Shaw, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

6
I Could Be Happy With You (NYC/Reissue Of The Original 1970 Cast Recording)
Judy Carne
00:03:27

Milt Gabler, Producer, Recording Producer - Ronald Young, MainArtist - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Judy Carne, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

7
Sur La Plage (On The Beach) (NYC/Reissue Of The Original 1970 Cast Recording)
Sandy Duncan
00:01:50

Ensemble, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Sandy Duncan, MainArtist - Harvey Evans, MainArtist - Jerry Goldberg, Conductor, Artist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

8
A Room In Bloomsbury (NYC/Reissue Of The Original 1970 Cast Recording)
Jerry Goldberg
00:02:43

Milt Gabler, Producer, Recording Producer - Ronald Young, MainArtist - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Judy Carne, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

9
It's Nicer In Nice (NYC/Reissue Of The Original 1970 Cast Recording)
Barbara Andres
00:02:13

Ensemble, MainArtist - Barbara Andres, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

10
You Don't Want To Play With Me Blues (NYC/Reissue Of The Original 1970 Cast Recording)
Jeanne Beauvais
00:02:40

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Jeanne Beauvais, MainArtist - Leon Shaw, MainArtist - Female Ensemble, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

11
Safety In Numbers (NYC/Reissue Of The Original 1970 Cast Recording)
Sandy Duncan
00:02:57

Male Ensemble, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Sandy Duncan, MainArtist - Jerry Goldberg, Conductor, Artist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

12
I Could Be Happy With You (Finale Act 2) (NYC/Reissue Of The Original 1970 Cast Recording)
Judy Carne
00:01:19

Milt Gabler, Producer, Recording Producer - Company, MainArtist - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Judy Carne, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

13
The Riviera (NYC/Reissue Of The Original 1970 Cast Recording)
Sandy Duncan
00:03:12

Ensemble, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Sandy Duncan, MainArtist - Harvey Evans, MainArtist - Jerry Goldberg, Conductor, Artist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

14
It's Never Too Late To Fall In Love (NYC/Reissue Of The Original 1970 Cast Recording)
David Vaughan
00:03:26

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - David Vaughan, MainArtist - Simon McQueen, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

15
Carnival Tango (NYC/Reissue Of The Original 1970 Cast Recording)
Jerry Goldberg
00:02:09

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

16
Poor Little Pierrette (NYC/Reissue Of The Original 1970 Cast Recording)
Jeanne Beauvais
00:03:48

Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Judy Carne, MainArtist - Jeanne Beauvais, MainArtist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

17
Finale: The Boy Friend; I Could Be Happy With You (NYC/Reissue Of The Original 1970 Cast Recording)
Jerry Goldberg
00:02:30

Various Artists, MainArtist - Milt Gabler, Producer, Recording Producer - Sandy Wilson, ComposerLyricist - Jerry Goldberg, Conductor, Artist - Don Casale, Recording Engineer, StudioPersonnel - Elvin Campbell, Recording Engineer, StudioPersonnel

℗ 2005 Universal Classics Group, a Division of UMG Recordings Inc.

Chronique

The Boy Friend, Sandy Wilson's 1950s musical that pretended to be a 1920s musical, pretty much succeeded at that pretense, enjoying a five-year run in London and nearly 500 performances on Broadway the first time around, leading to other international productions and frequent revivals. The first Broadway revival occurred on April 14, 1970, and proved disappointing, with a run of only 111 performances. The top-lined star was Judy Carne, a comedienne known for her tenure on the popular TV series Rowan & Martin's Laugh-In and her tag line, "Sock it to me!" Second-billed was Sandy Duncan, who actually went on to a more prominent stage career in periodic revivals of Peter Pan. The production was closer to the British original than the first Broadway version, adding back the song "It's Nicer in Nice," which had been cut for the previous New York run. That helped make this cast recording longer than either the London one (originally released as a 10" LP) or the original Broadway one. Nevertheless, that earlier Broadway recording gets the nod over this one for a simple reason: it features a young Julie Andrews in her New York debut, and there's no way Carne can top her. Still, this is an efficient reading of the pastiche score, which was at first intended to send up the sound and style of the 1920s, although by 1970 even the real thing would have seemed campy (and did in the Broadway revival of an actual '20s show, No, No, Nanette, that appeared the following season).

© TiVo

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