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The groove of the recordings heard on Like Cozy is what we've come to expect from Ms. Scott, late-night smooth groove that was heavy on ballads, medium bounce standards, and melodic interplay between leader and sidemen -- a trademark specialty of the label. Scott's piano playing is elegant and reminiscent of both Errol Garner's and Billy Taylor's. She has Garner's ornate sense of style, and Taylor's medium touch and sparse phrasing. A listen to the ballads and bounces here offers Scott's dimensions and inventions as a pianist. The rest of the disc, where Scott resumes her organist's duties, is a pretty and restrained affair, with just enough funk to keep the listener in the groove -- and it's all groove: smooth, slow, and slippery. Tracks such as "'Deed I Do" holds the blues firmly in its grasp as Scott extrapolates on the changes with a subtle but defined harmonic invention. There are no stunners here, but there weren't meant to be. These records were designed for the late-night-after-the-club feel, and they work that way. Like Ben Webster's Ballads or With Strings, these recordings are soundtracks for midnight rendezvous or early in the morning trysts with a loved one. [A Fantasy "two-fer" reissue added another LP from 1960, The Shirley Scott Trio, issued as Moodsville 5. It too features the talents of bassist George Duvivier and drummer Arthur Edgehill, plus two cuts with Scott playing piano.]
© Thom Jurek /TiVo
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Clifford R. Burwell, ComposerLyricist - George Duvivier, Upright Bass, AssociatedPerformer - Mitchell Parish, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - George Tucker, Upright Bass, AssociatedPerformer - Shirley Scott, Piano, MainArtist, AssociatedPerformer - Calvin Massey, Composer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Sammy Cahn, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Paul Weston, ComposerLyricist - Shirley Scott, Piano, MainArtist, AssociatedPerformer - Axel Stordahl, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - George Tucker, Upright Bass, AssociatedPerformer - Shirley Scott, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - George Tucker, Upright Bass, AssociatedPerformer - Shirley Scott, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Andy Razaf, Author - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, MainArtist, AssociatedPerformer - Don Redman, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
L.E. Freeman, ComposerLyricist - George Duvivier, Upright Bass, AssociatedPerformer - Sammy Cahn, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, MainArtist, AssociatedPerformer - SAUL CHAPLIN, ComposerLyricist - Mann Holiner, ComposerLyricist - Alberta Nichols, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
Jimmy Davis, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - George Tucker, Upright Bass, AssociatedPerformer - Shirley Scott, Piano, MainArtist, AssociatedPerformer - James Sherman, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Roger J Ramirez, ComposerLyricist - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - David Raskin, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - John H Mercer, ComposerLyricist - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Cole Porter, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - Bud Green, ComposerLyricist - Michael Edwards, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - FRED ROSE, ComposerLyricist - Walter Hirsch, ComposerLyricist - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Vincent Youmans, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Billy Rose, Author - Edward Eliscu, Author - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
George Duvivier, Upright Bass, AssociatedPerformer - Richard Rodgers, Composer - Lorenz Hart, Author - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Hammond Organ, Piano, MainArtist, AssociatedPerformer - Esmond Edwards, Producer, Recording Producer - Arthur Edgehill, Drums, AssociatedPerformer - Kirk Felton, Mastering Engineer, StudioPersonnel
℗ 1960 Prestige Records
Chronique
The groove of the recordings heard on Like Cozy is what we've come to expect from Ms. Scott, late-night smooth groove that was heavy on ballads, medium bounce standards, and melodic interplay between leader and sidemen -- a trademark specialty of the label. Scott's piano playing is elegant and reminiscent of both Errol Garner's and Billy Taylor's. She has Garner's ornate sense of style, and Taylor's medium touch and sparse phrasing. A listen to the ballads and bounces here offers Scott's dimensions and inventions as a pianist. The rest of the disc, where Scott resumes her organist's duties, is a pretty and restrained affair, with just enough funk to keep the listener in the groove -- and it's all groove: smooth, slow, and slippery. Tracks such as "'Deed I Do" holds the blues firmly in its grasp as Scott extrapolates on the changes with a subtle but defined harmonic invention. There are no stunners here, but there weren't meant to be. These records were designed for the late-night-after-the-club feel, and they work that way. Like Ben Webster's Ballads or With Strings, these recordings are soundtracks for midnight rendezvous or early in the morning trysts with a loved one. [A Fantasy "two-fer" reissue added another LP from 1960, The Shirley Scott Trio, issued as Moodsville 5. It too features the talents of bassist George Duvivier and drummer Arthur Edgehill, plus two cuts with Scott playing piano.]
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 16 piste(s)
- Durée totale : 01:12:01
- Artistes principaux : Shirley Scott
- Compositeur : Various Composers
- Label : Prestige
- Genre : Jazz
© 2001 Prestige Records ℗ 1960 Prestige Records
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