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Luke|Changin' The Game

Changin' The Game

Luke

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Langue disponible : anglais

Believe it or not, Changin' the Game is a title filled with meaning -- it signals that Luke, a rapper obsessed with the juvenile (particularly sex), is making a change and becoming mature. Of course, mature is a relative term. For some, it means cool, relaxed jazz or gentle folk songs. For others, it may mean soothing new age soundscapes or highly polished blue-eyed soul. For Luke, mature means he's not singing about asses all the time. That, and his new obsession with proving his material worth, are the primary differences on Changin' the Game. Musically, he hasn't changed at all, but you wouldn't want him any other way. Luke without Miami bass music is unthinkable, and he doesn't disappoint here. Working with producers Tony Galvin, Aaron Hall, and So So Def's Lil Jon, Luke has created his best album in years, a collection of deep bass grooves that are funky, freaky, and infectious. Lyrically, Changin' the Game is another matter -- there are fewer sex rhymes, but he's as profane and inane as ever -- but those who want a Luke record aren't going to care about that in the first place. They'll care about the beats and the bass, which Changin' the Game delivers in excess.

© Stephen Thomas Erlewine /TiVo

Plus d'informations

Changin' The Game

Luke

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1
Intro (Luke/Changin' The Game)
00:01:05

Tony Galvin, Producer - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

2
Freak
00:05:27

Aaron Hall, FeaturedArtist, ComposerLyricist - Tony Galvin, Producer - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

3
Wanda Smith (Interlude #1)
00:00:24

Unknown, ComposerLyricist - Luke, MainArtist

℗ 1997 UMG Recordings, Inc.

4
Baby Girl
00:04:09

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist - No Good But So Good, FeaturedArtist - Darren "DJ Spin" Rudnick, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

5
Sheryl Underwood (Interlude #2)
00:00:16

Unknown, ComposerLyricist - Luke, MainArtist

℗ 1997 UMG Recordings, Inc.

6
Like This, Like That
00:03:50

Jonathan "Lil Jon" Smith, Producer, ComposerLyricist - Tony Butler, ComposerLyricist - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Mixer, StudioPersonnel, ComposerLyricist - Jiggie, FeaturedArtist

℗ 1997 UMG Recordings, Inc.

7
Sommore #2 (Interlude #3)
00:00:37

Unknown, ComposerLyricist - Luke, MainArtist

℗ 1997 UMG Recordings, Inc.

8
Luke's Sheila (Album Version)
00:04:30

Rick Rubin, ComposerLyricist - Jonathan "Lil Jon" Smith, Producer - Carlos Santos, Mixer, StudioPersonnel - LL Cool J, ComposerLyricist - Luke, MainArtist - Gerald Valentine, ComposerLyricist - Gordon Strozier, ComposerLyricist - Melvin Riley, FeaturedArtist, ComposerLyricist - Luke Skyywalker, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

9
Sommore #1 (Interlude #4)
00:00:35

Unknown, ComposerLyricist - Luke, MainArtist

℗ 1997 UMG Recordings, Inc.

10
Live At Freaknik (Incl. Sample Of: "Dance To The Drummer's Beat")
00:03:34

Jonathan "Lil Jon" Smith, Producer, ComposerLyricist - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Herman Kelly, ComposerLyricist - Luke Skyywalker, Mixer, StudioPersonnel, ComposerLyricist - Danny "D" Spohn, Producer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

11
Raise The Roof
00:03:29

John Barry, ComposerLyricist - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist - No Good But So Good, FeaturedArtist - Darren "DJ Spin" Rudnick, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

12
Marvin Dixon (Interlude #5)
00:00:47

Unknown, ComposerLyricist - Luke, MainArtist

℗ 1997 UMG Recordings, Inc.

13
Squirrel
00:03:31

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

14
Let's Ride
00:03:28

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist - Jiggie, FeaturedArtist - No Good But So Good, FeaturedArtist

℗ 1997 UMG Recordings, Inc.

15
Guest List
00:03:07

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Mixer, StudioPersonnel, ComposerLyricist - Louis "Ugly" Howard, Producer - Derrick Hill, Producer

℗ 1997 UMG Recordings, Inc.

16
Megamix
00:05:49

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, ComposerLyricist - Rod Xl, Producer

℗ 1997 UMG Recordings, Inc.

17
Shoutouts
00:04:53

Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Gusto, Producer - Luke Skyywalker, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

18
Outro (Luke/Changin' The Game)
00:01:08

Tony Galvin, Producer - Ray Seay, Mixer, StudioPersonnel - Luke, MainArtist - Luke Skyywalker, Producer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

19
Luke's Sheila (Frank Delour Remix)
00:04:00

Rick Rubin, ComposerLyricist - Simone Johnson, ComposerLyricist - Mark James, ComposerLyricist - LL Cool J, ComposerLyricist - Frank Delour, Mixer, StudioPersonnel - ANTHONY PEAKS, ComposerLyricist - Luke, MainArtist - Gerald Valentine, ComposerLyricist - Gordon Strozier, ComposerLyricist - Melvin Riley, ComposerLyricist - Luke Skyywalker, ComposerLyricist - Choclatt, FeaturedArtist - Dana E. Owens, ComposerLyricist - Shane Harbin Faber, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

Chronique

Believe it or not, Changin' the Game is a title filled with meaning -- it signals that Luke, a rapper obsessed with the juvenile (particularly sex), is making a change and becoming mature. Of course, mature is a relative term. For some, it means cool, relaxed jazz or gentle folk songs. For others, it may mean soothing new age soundscapes or highly polished blue-eyed soul. For Luke, mature means he's not singing about asses all the time. That, and his new obsession with proving his material worth, are the primary differences on Changin' the Game. Musically, he hasn't changed at all, but you wouldn't want him any other way. Luke without Miami bass music is unthinkable, and he doesn't disappoint here. Working with producers Tony Galvin, Aaron Hall, and So So Def's Lil Jon, Luke has created his best album in years, a collection of deep bass grooves that are funky, freaky, and infectious. Lyrically, Changin' the Game is another matter -- there are fewer sex rhymes, but he's as profane and inane as ever -- but those who want a Luke record aren't going to care about that in the first place. They'll care about the beats and the bass, which Changin' the Game delivers in excess.

© Stephen Thomas Erlewine /TiVo

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