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Phil Vassar|American Child

American Child

Phil Vassar

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Langue disponible : anglais

What makes Phil Vassar a true find in today's Nashville climate is his rock-solid ability to pen a convincing song and then turn around and sing it in an equally convincing manner. His writing has been embraced by everyone from Alan Jackson to Cledus T. Judd to Engelbert Humperdinck. Vassar's sophomore album on Arista Records, American Child, is exactly what he wants it to be: 12 songs that he had a hand in writing and knew he could convey to his audience. That translates into some catchy lines, a few unconventional choruses, and Vassar's fervent belief in every note. The album offers both powerful ballads like "I Thought I Never Would Forget" and "Stand Still" tempered with the humor of "Athens Grease," the story of a Georgia mechanic Vassar dubs the "redneck Picasso of the manual transmission." The title cut is probably some of Vassar's best songwriting, with plenty of good ole' American imagery. On the downside, some of the cuts just don't merit space on this album. That's no slap to Vassar's songwriting; the best of the best can't write top quality every time they pick up the pen. Here, it's more a question of weeding out and replacing tunes such as the generically bland "I'll Be the One" that ends the album or the confusing "Forgettin's So Long." That said, American Child is a solid, enjoyable effort with a few flaws.

© Rick Cohoon /TiVo

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American Child

Phil Vassar

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1
American Child
00:03:13

Byron Gallimore, Producer - Craig Wiseman, Composer - Craig Wiseman, Lyricist - Gene Miller, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal

(P) 2002 BMG Music

2
Forgettin's So Long
00:03:41

Byron Gallimore, Producer - Gene Miller, Background Vocal - Perry Coleman, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Robert Byrne, Composer - Robert Byrne, Lyricist

(P) 2002 BMG Music

3
Time's Wastin'
00:03:53

Byron Gallimore, Producer - Freddy Miles, Composer - Freddy Miles, Lyricist - Gene Miller, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal

(P) 2002 BMG Music

4
I'm Already Gone
00:03:31

Annie Roboff, Composer - Annie Roboff, Lyricist - Byron Gallimore, Producer - Gene Miller, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal

(P) 2002 BMG Music

5
Athens Grease
00:03:59

Byron Gallimore, Producer - Gene Miller, Background Vocal - Jerry Vandiver, Composer - Jerry Vandiver, Lyricist - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal - Steve Mandile, Composer - Steve Mandile, Lyricist

(P) 2002 BMG Music

6
Baby, You're Right
00:03:32

Brett James, Composer - Brett James, Lyricist - Byron Gallimore, Producer - Gene Miller, Background Vocal - Perry Coleman, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer

(P) 2002 BMG Music

7
Ultimate Love
00:03:05

Byron Gallimore, Producer - Julie Vassar, Composer - Julie Vassar, Lyricist - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Rodney Clawson, Composer - Rodney Clawson, Lyricist - Russell Terrell, Background Vocal

(P) 2002 BMG Music

8
Stand Still
00:04:12

Byron Gallimore, Producer - Connie Harrington, Composer - Connie Harrington, Lyricist - Gene Miller, Background Vocal - Julie Vassar, Composer - Julie Vassar, Lyricist - Perry Coleman, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer

(P) 2002 BMG Music

9
Someone You Love
00:03:34

Byron Gallimore, Producer - Gene Miller, Background Vocal - Perry Coleman, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Rob Thomas, Composer - Rob Thomas, Lyricist

(P) 2002 BMG Music

10
Houston
00:03:27

Byron Gallimore, Producer - Gene Miller, Background Vocal - Julie Vassar, Composer - Julie Vassar, Lyricist - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal

(P) 2002 BMG Music

11
I Thought I Never Would Forget
00:04:13

Byron Gallimore, Producer - Gene Miller, Background Vocal - Perry Coleman, Background Vocal - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Tim Nichols, Composer - Tim Nichols, Lyricist

(P) 2002 BMG Music

12
I'll Be The One
00:03:38

Byron Gallimore, Producer - Gene Miller, Background Vocal - Jeff Wood, Composer - Jeff Wood, Lyricist - Julie Vassar, Composer - Julie Vassar, Lyricist - Phil Vassar, Composer - Phil Vassar, Lyricist - Phil Vassar, Performer - Phil Vassar, Producer - Russell Terrell, Background Vocal

(P) 2002 BMG Music

Chronique

What makes Phil Vassar a true find in today's Nashville climate is his rock-solid ability to pen a convincing song and then turn around and sing it in an equally convincing manner. His writing has been embraced by everyone from Alan Jackson to Cledus T. Judd to Engelbert Humperdinck. Vassar's sophomore album on Arista Records, American Child, is exactly what he wants it to be: 12 songs that he had a hand in writing and knew he could convey to his audience. That translates into some catchy lines, a few unconventional choruses, and Vassar's fervent belief in every note. The album offers both powerful ballads like "I Thought I Never Would Forget" and "Stand Still" tempered with the humor of "Athens Grease," the story of a Georgia mechanic Vassar dubs the "redneck Picasso of the manual transmission." The title cut is probably some of Vassar's best songwriting, with plenty of good ole' American imagery. On the downside, some of the cuts just don't merit space on this album. That's no slap to Vassar's songwriting; the best of the best can't write top quality every time they pick up the pen. Here, it's more a question of weeding out and replacing tunes such as the generically bland "I'll Be the One" that ends the album or the confusing "Forgettin's So Long." That said, American Child is a solid, enjoyable effort with a few flaws.

© Rick Cohoon /TiVo

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