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Francesco Corti|J.S. Bach: Harpsichord Concertos BWV 1052, 1053, 1055 & 1058

J.S. Bach: Harpsichord Concertos BWV 1052, 1053, 1055 & 1058

Francesco Corti, il pomo d'oro

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For all the talk of Bach as an essentially conservative composer, the seven concertos for harpsichord and orchestra (plus an eighth fragment) were progressive works, among the first concertos for keyboard instrument and orchestra. Bach arranged at least some of them from concertos for other instruments, now mostly lost. They pose problems of balance for the performers, problems that Bach himself seems to have struggled with, and recordings of the concertos are not abundant. There are several by big-name harpsichordists, but this one by Francesco Corti, conducting the historical-performance group Il Pomo d'Oro, is well worth the listener's time. In the outer movements, Corti differentiates the harpsichord from the small orchestra with sharp, punchy attacks that bring a fresh flavor to the most familiar of the pieces from this set, the first movement of the Harpsichord Concerto No. 2 in E major, BWV 1053. In the slow movements, Corti is lyrical and romantic, not quite to a Glenn Gould degree, but with a sensuousness deriving from the highly dramatic contemporary Italian school of Baroque performance. Even in the Harpsichord Concerto No. 7 in G minor, BWV 1058, transcribed from a violin concerto and troublesome in terms of making the solo part stand out, Corti separates the strands nicely. His differentiation of the music's surface is aided by unobtrusive variations in repeated sections. Pentatone's sound, from the too-large and over resonant Gustav Mahler Hall in Toblach, Italy, is uncharacteristically harsh, but Corti's modern Andrea Restelli harpsichord, a copy of an instrument by Christian Vater, is attractive and in tune with his aims.

© TiVo

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J.S. Bach: Harpsichord Concertos BWV 1052, 1053, 1055 & 1058

Francesco Corti

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1
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
00:07:12

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

2
Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio
00:06:38

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

3
Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro
00:07:22

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

4
Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro
00:07:54

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

5
Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
00:03:53

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

6
Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
00:06:10

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

7
Harpsichord Concerto No. 7 in G Minor, BWV 1058: I. Allegro
00:03:24

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

8
Harpsichord Concerto No. 7 in G Minor, BWV 1058: II. Andante
00:04:50

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

9
Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai
00:03:48

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

10
Harpsichord Concerto No. 4 in A Major, BWV 1055: I. Allegro
00:04:04

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

11
Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
00:04:42

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

12
Harpsichord Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
00:04:04

Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist

2020 Pentatone Music B.V. 2020 Lido Productions Ltd

Approfondimenti

For all the talk of Bach as an essentially conservative composer, the seven concertos for harpsichord and orchestra (plus an eighth fragment) were progressive works, among the first concertos for keyboard instrument and orchestra. Bach arranged at least some of them from concertos for other instruments, now mostly lost. They pose problems of balance for the performers, problems that Bach himself seems to have struggled with, and recordings of the concertos are not abundant. There are several by big-name harpsichordists, but this one by Francesco Corti, conducting the historical-performance group Il Pomo d'Oro, is well worth the listener's time. In the outer movements, Corti differentiates the harpsichord from the small orchestra with sharp, punchy attacks that bring a fresh flavor to the most familiar of the pieces from this set, the first movement of the Harpsichord Concerto No. 2 in E major, BWV 1053. In the slow movements, Corti is lyrical and romantic, not quite to a Glenn Gould degree, but with a sensuousness deriving from the highly dramatic contemporary Italian school of Baroque performance. Even in the Harpsichord Concerto No. 7 in G minor, BWV 1058, transcribed from a violin concerto and troublesome in terms of making the solo part stand out, Corti separates the strands nicely. His differentiation of the music's surface is aided by unobtrusive variations in repeated sections. Pentatone's sound, from the too-large and over resonant Gustav Mahler Hall in Toblach, Italy, is uncharacteristically harsh, but Corti's modern Andrea Restelli harpsichord, a copy of an instrument by Christian Vater, is attractive and in tune with his aims.

© TiVo

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