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Gottlieb Wallisch|Weinberger: Piano Music

Weinberger: Piano Music

Gottlieb Wallisch

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The international success of Weinberger’s opera Schwanda the Bagpiper in 1927 has obscured a sequence of piano works written when the composer was still in his teens. The Second and Third Piano Sonatas form a commanding pair, both written in 1915 – the former autobiographical, playful and dark – the latter neo-Classical with Francophile elements. Elsewhere one can admire his use of 16th-century dance forms, his melodic gifts in the Valses nobles, and his technical command of preludes and fugues in Gravures. The three arrangements from Schwanda show his imperishable use of Bohemian dance forms. © Grand Piano Records

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Weinberger: Piano Music

Gottlieb Wallisch

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Sarabande for Piano (Jaromir Weinberger)

1
Sarabande for Piano
00:06:35

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Piano Sonata No. 2 in D Minor, Op. 4 (Jaromir Weinberger)

2
I. Allegro passionato
00:07:51

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

3
II. Vivo ironicamente
00:04:25

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

4
III. Introduzione. Moderato - Fuga. Largo
00:07:34

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Piano Sonata No. 3 in G Major "Spinet Sonata" (Jaromir Weinberger)

5
I. Andantino
00:06:37

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

6
II. Menuett. Allegro giusto
00:05:39

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

7
III. Finale. Rondo
00:04:41

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Pavane pour dulcinea de toboso (Jaromir Weinberger)

8
Pavane pour dulcinea de toboso
00:03:46

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Valses nobles for Piano (Jaromir Weinberger)

9
Valses nobles for Piano
00:03:50

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Rytiny (Jaromir Weinberger)

10
No. 1, Prelude & Fugue
00:04:29

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

11
No. 2, Prelude & Fugue
00:03:16

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

12
No. 3, Prelude & Fugue
00:02:18

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

13
No. 4, Prelude & Fugue
00:04:31

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

14
No. 5, Prelude & Fugue
00:03:41

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Mi-La-Do (Jaromir Weinberger)

15
Mi-La-Do
00:00:41

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist

(C) 2022 Grand Piano (P) 2022 Grand Piano

Švanda dudák (Excerpts Arr. G. Blasser for Piano) (Jaromir Weinberger)

16
I. Furiant
00:02:29

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist - Gustav Blasser, Arranger

(C) 2022 Grand Piano (P) 2022 Grand Piano

17
II. Böhmischer Tanz
00:02:14

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist - Gustav Blasser, Arranger

(C) 2022 Grand Piano (P) 2022 Grand Piano

18
III. Polka
00:02:15

Jaromír Weinberger, Composer - Gottlieb Wallisch, Artist, MainArtist - Gustav Blasser, Arranger

(C) 2022 Grand Piano (P) 2022 Grand Piano

Album review

The international success of Weinberger’s opera Schwanda the Bagpiper in 1927 has obscured a sequence of piano works written when the composer was still in his teens. The Second and Third Piano Sonatas form a commanding pair, both written in 1915 – the former autobiographical, playful and dark – the latter neo-Classical with Francophile elements. Elsewhere one can admire his use of 16th-century dance forms, his melodic gifts in the Valses nobles, and his technical command of preludes and fugues in Gravures. The three arrangements from Schwanda show his imperishable use of Bohemian dance forms. © Grand Piano Records

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