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Freddie Hubbard|The Black Angel

The Black Angel

Freddie Hubbard

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Freddie Hubbard released The Black Angel in the same year as the landmark Miles Davis album Bitches Brew. Its obvious Hubbard wanted to appeal to the emerging crossover rock/jazz crowd of the era. The presence of bop, however, still permeated Hubbard's playing, unlike Miles who had long since dropped the form. The opening Hubbard composition "Spacetrack" contains fiery avant garde interplay between Hubbard, James Spaulding on alto and Kenny Barron's electric piano. Thanks to Spaulding and bassist Reggie Workman, much of the playing here maintains intensity. The other Hubbard penned originals, "Gittin Down" is an urgent hard swinging boogaloo and the ballad "Eclipse" features Spaulding on flute and Barron on piano. "Coral Keys" written by Walter Bishop, Jr. and Barron's "Black Angel have a Latin tinge highlighted by Spaulding's soaring flute and the congas of Carlos "Patato" Valdes. An enjoyable session leaving the impression Hubbard was preparing to take a different musical direction.

© Al Campbell /TiVo

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The Black Angel

Freddie Hubbard

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1
Spacetrack (LP Version)
00:16:58

Freddie Hubbard, Arranger, Trumpet, Writer, MainArtist - Andree Buchler, Contributor - CLAUDE NOBS, Contributor - Thierry Amsallem, Contributor - Kenny Barron, Electric Piano - Louis Hayes, Drums - Bob Liftin, RecordingEngineer - Carlos <<Patato>> Valdes, Percussion - Jimmy Spaulding, Flute, Alto Saxophone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Eclipse (LP Version)
00:08:19

Freddie Hubbard, Arranger, Trumpet, MainArtist - Charles Mingus, Writer - Andree Buchler, Contributor - CLAUDE NOBS, Contributor - Thierry Amsallem, Contributor - Kenny Barron, Electric Piano - Louis Hayes, Drums - Bob Liftin, RecordingEngineer - Carlos <<Patato>> Valdes, Percussion - Jimmy Spaulding, Flute, Alto Saxophone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
The Black Angel (LP Version)
00:08:20

Freddie Hubbard, Arranger, Trumpet, MainArtist - Andree Buchler, Contributor - CLAUDE NOBS, Contributor - Thierry Amsallem, Contributor - Kenny Barron, Electric Piano, Writer - Louis Hayes, Drums - Bob Liftin, RecordingEngineer - Carlos <<Patato>> Valdes, Percussion - Jimmy Spaulding, Flute, Alto Saxophone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Gittin' Down (LP Version)
00:06:41

Unknown, Writer - Freddie Hubbard, Arranger, Trumpet, MainArtist - Andree Buchler, Contributor - CLAUDE NOBS, Contributor - Thierry Amsallem, Contributor - Kenny Barron, Electric Piano - Louis Hayes, Drums - Bob Liftin, RecordingEngineer - Carlos <<Patato>> Valdes, Percussion - Jimmy Spaulding, Flute, Alto Saxophone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
Coral Keys (LP Version)
00:05:20

Bishop, Writer - Freddie Hubbard, Arranger, Trumpet, MainArtist - Andree Buchler, Contributor - CLAUDE NOBS, Contributor - Thierry Amsallem, Contributor - Kenny Barron, Electric Piano - Louis Hayes, Drums - Bob Liftin, RecordingEngineer - Carlos <<Patato>> Valdes, Percussion - Jimmy Spaulding, Flute, Alto Saxophone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

Freddie Hubbard released The Black Angel in the same year as the landmark Miles Davis album Bitches Brew. Its obvious Hubbard wanted to appeal to the emerging crossover rock/jazz crowd of the era. The presence of bop, however, still permeated Hubbard's playing, unlike Miles who had long since dropped the form. The opening Hubbard composition "Spacetrack" contains fiery avant garde interplay between Hubbard, James Spaulding on alto and Kenny Barron's electric piano. Thanks to Spaulding and bassist Reggie Workman, much of the playing here maintains intensity. The other Hubbard penned originals, "Gittin Down" is an urgent hard swinging boogaloo and the ballad "Eclipse" features Spaulding on flute and Barron on piano. "Coral Keys" written by Walter Bishop, Jr. and Barron's "Black Angel have a Latin tinge highlighted by Spaulding's soaring flute and the congas of Carlos "Patato" Valdes. An enjoyable session leaving the impression Hubbard was preparing to take a different musical direction.

© Al Campbell /TiVo

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