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Donovan|Sunshine Superman

Sunshine Superman

Donovan

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Paced by the title track, one of Donovan's best singles, 1966's Sunshine Superman heralded the coming psychedelic age with a new world/old world bent: several ambitious psychedelic productions and a raft of wistful folk songs. Producer Mickie Most fashioned a new sound for the Scottish folksinger, a sparse, swinging, bass-heavy style perfectly complementing Donovan's enigmatic lyrics and delightfully skewed, beatnik delivery. The two side-openers, "Sunshine Superman" and "Season of the Witch," are easily the highlights of the album; the first is the quintessential bright summer sing-along, the second a chugging eve-of-destruction tale. The rest of Sunshine Superman is filled with lengthy, abstract, repetitive folk jams, perfect for lazy summer afternoons, but more problematic when close attention is paid. Accompanied by acoustic guitar and a chamber quartet, the second track, "Legend of a Girl Child Linda," plods on for nearly seven minutes, Donovan's hippie-dippie delivery rendering "lace" into "layyyzzz." After that notable low point, he performs much better, tingling a few spines with his enunciation on the ancient-sounding folksongs "Guinevere," "Three King Fishers," and "Ferris Wheel." Elsewhere, he salutes the Jefferson Airplane on "The Fat Angel" and fellow British folkie Bert Jansch on "Bert's Blues." Donovan's songs are quite solid, but Mickie Most's insistence on extroverted productions (it would grow even more pronounced with time) resulted in a collection of songs that sound good on their own but aren't very comfortable in context.

© John Bush /TiVo

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Sunshine Superman

Donovan

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1
Sunshine Superman (2005 Remastered Version) [Mono]
00:03:15

Donovan, Artist, MainArtist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

2
Legend of a Girl Child Linda (2005 Remastered Version) [Mono]
00:06:54

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

3
Three Kingfishers (2005 Remastered Version) [Mono]
00:03:18

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

4
Ferris Wheel (2005 Remastered Version) [Mono]
00:04:14

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

5
Bert's Blues (2005 Remastered Version) [Mono]
00:04:00

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

6
Season of the Witch (2005 Remastered Version) [Mono]
00:04:58

Leitch, Composer, Lyricist - Donovan, Artist, MainArtist - Donovan Leitch, Composer, Lyricist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

7
The Trip (2005 Remastered Version) [Mono]
00:04:37

Donovan, Artist, MainArtist - Donovan Leitch, Composer - D. Leitch, Composer, Lyricist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

8
Guinevere (2005 Remastered Version) [Mono]
00:03:42

Donovan, Artist, MainArtist - Donovan Leitch, Composer - D. Leitch, Composer, Lyricist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

9
The Fat Angel (2005 Remastered Version) [Mono]
00:04:13

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

10
Celeste (2005 Remastered Version) [Mono]
00:04:13

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

11
Breezes of Patchulie (2005 Remastered Version) [Mono]
00:04:36

Donovan, Artist, MainArtist - Donovan Leitch, Composer - D. Leitch, Composer, Lyricist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

12
Museum (First Version) [Mono]
00:02:52

Donovan, Artist, MainArtist - Donovan Leitch, Composer - D. Leitch, Composer, Lyricist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

13
Superlungs My Supergirl (2005 Remastered Version) [Mono]
00:02:41

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

14
The Land of Doesn't Have to Be
00:02:42

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

15
Sunshine Superman (2005 Remastered Version) [Stereo]
00:04:44

Donovan, Artist, MainArtist

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

16
Good Trip (Demo) [Mono]
00:01:37

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

17
House Of Jansch (Demo) [Mono]
00:03:47

Donovan, Artist, MainArtist - Donovan Leitch, Composer

2005 The state51 Conspiracy Ltd 2005 The state51 Conspiracy

Album review

Paced by the title track, one of Donovan's best singles, 1966's Sunshine Superman heralded the coming psychedelic age with a new world/old world bent: several ambitious psychedelic productions and a raft of wistful folk songs. Producer Mickie Most fashioned a new sound for the Scottish folksinger, a sparse, swinging, bass-heavy style perfectly complementing Donovan's enigmatic lyrics and delightfully skewed, beatnik delivery. The two side-openers, "Sunshine Superman" and "Season of the Witch," are easily the highlights of the album; the first is the quintessential bright summer sing-along, the second a chugging eve-of-destruction tale. The rest of Sunshine Superman is filled with lengthy, abstract, repetitive folk jams, perfect for lazy summer afternoons, but more problematic when close attention is paid. Accompanied by acoustic guitar and a chamber quartet, the second track, "Legend of a Girl Child Linda," plods on for nearly seven minutes, Donovan's hippie-dippie delivery rendering "lace" into "layyyzzz." After that notable low point, he performs much better, tingling a few spines with his enunciation on the ancient-sounding folksongs "Guinevere," "Three King Fishers," and "Ferris Wheel." Elsewhere, he salutes the Jefferson Airplane on "The Fat Angel" and fellow British folkie Bert Jansch on "Bert's Blues." Donovan's songs are quite solid, but Mickie Most's insistence on extroverted productions (it would grow even more pronounced with time) resulted in a collection of songs that sound good on their own but aren't very comfortable in context.

© John Bush /TiVo

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