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The Ray Bryant Trio|Ray Bryant Trio

Ray Bryant Trio

Ray Bryant Trio

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Pianist Ray Bryant solidified his reputation with this outstanding 1957 trio release. It displayed his facility with the blues, speed, gospel influence, and interpretive abilities on such songs as John Lewis' "Django" and Clifford Brown's "Daahoud." It also contained Bryant's funky originals "Splittin" and "Blues Changes," and was punctuated by Ike Isaacs' careful bass work and Specs Wright's loose, in the groove drumming. This set has recently been reissued by Fantasy, and the remastering provides a fine sonic framework for Bryant's heady, unpredictable, and often exciting playing.

© Ron Wynn /TiVo

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Ray Bryant Trio

The Ray Bryant Trio

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1
Golden Earrings (Instrumental)
00:04:50

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Jay Livingston, ComposerLyricist - Victor Young, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - RAYMOND B. EVANS, ComposerLyricist - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

2
Angel Eyes (Instrumental)
00:03:19

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Matt Dennis, ComposerLyricist - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - Earl K. Brent, ComposerLyricist - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

3
Blues Changes
00:04:59

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ray Bryant, Composer, Piano, AssociatedPerformer - Bob Weinstock, Producer - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

4
Splittin' (Instrumental)
00:04:34

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ray Bryant, Piano, AssociatedPerformer, ComposerLyricist - Bob Weinstock, Producer - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

5
Django (Instrumental)
00:05:01

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - John Lewis, Composer - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

6
The Thrill Is Gone (Instrumental)
00:04:52

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Ray Henderson, ComposerLyricist - Lew Brown, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

7
Daahoud (Instrumental)
00:04:00

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Clifford Brown, ComposerLyricist - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

8
Sonar (Instrumental)
00:03:22

Ray Bryant Trio, MainArtist - Ike Isaacs, Double Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Kenny Clarke, ComposerLyricist - Ray Bryant, Piano, AssociatedPerformer - Bob Weinstock, Producer - Gerald Wiggins, ComposerLyricist - Specs Wright, Drums, AssociatedPerformer

℗ 1957 Prestige Records, Inc.

Album review

Pianist Ray Bryant solidified his reputation with this outstanding 1957 trio release. It displayed his facility with the blues, speed, gospel influence, and interpretive abilities on such songs as John Lewis' "Django" and Clifford Brown's "Daahoud." It also contained Bryant's funky originals "Splittin" and "Blues Changes," and was punctuated by Ike Isaacs' careful bass work and Specs Wright's loose, in the groove drumming. This set has recently been reissued by Fantasy, and the remastering provides a fine sonic framework for Bryant's heady, unpredictable, and often exciting playing.

© Ron Wynn /TiVo

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