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The Sadies|Pure Diamond Gold

Pure Diamond Gold

The Sadies

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Few bands approach the sheer versatility of the Sadies, live or on disc. On Pure Diamond Gold (the follow-up to their stellar debut, Precious Moments), the band lurches from Johnny Cash-inspired storytelling country ("It's Nothing to Me," "I Tried Not To") to Shadowy Men on a Shadowy Planet influenced-surf instrumentals ("Rat Creek," "Venison Creek), while veering off into Nuggets-era garage rock ("Talkin' Down," "Walking Boss") and hillbilly rock and gospel ("16 Mile Creek," "16 Mile Creek Breakdown," "Higher Power"). Pure Diamond Gold consists of songs recorded on two separate occasions -- one a 24-track session with Steve Albini, the second an eight-track session (dubbed the "seven o'clock chicken" session) with Don Pyle (of Shadowy Men on a Shadowy Planet) -- however, despite the differences, the songs hang together well as a whole. In addition to the slew of strong tracks already mentioned, the Sadies best moments here come in the form of the haunting "Eastwinds" (with vocals provided by Catherine Irwin of Freakwater), the surrealistic plane crash narrative of "With a Splash," and the slow-building instrumental "Cloud Rider" (complete with "howling" provided by the family dog). For fans of country-tinged, twangy rock, it doesn't get much better than this.
© Robert Kaups /TiVo

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Pure Diamond Gold

The Sadies

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1
16 Mile Creek
00:00:26

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

2
Rat Creek
00:01:18

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

3
It's Nothing To Me
00:03:00

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

4
Medicine Ball
00:01:55

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

5
Higher Power
00:03:07

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

6
Only Good One
00:01:04

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

7
Starling Auto
00:01:11

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

8
I Tried Not To
00:01:36

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

9
Reward Of Gold
00:01:28

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

10
Talkin' Down
00:01:54

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

11
Friendly Devil
00:02:17

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

12
Spark Catcher
00:01:21

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

13
Eastwinds
00:03:39

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

14
Stinking Creek
00:00:50

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

15
Venison Creek
00:01:34

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

16
Walking Boss
00:02:13

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

17
Locust Eater
00:01:50

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

18
With A Splash
00:04:04

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

19
Cloud Rider
00:03:04

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

20
16 Mile Creek Breakdown
00:02:55

The Sadies, MainArtist

1999 Bloodshot Records 1999 Bloodshot Records

Album review

Few bands approach the sheer versatility of the Sadies, live or on disc. On Pure Diamond Gold (the follow-up to their stellar debut, Precious Moments), the band lurches from Johnny Cash-inspired storytelling country ("It's Nothing to Me," "I Tried Not To") to Shadowy Men on a Shadowy Planet influenced-surf instrumentals ("Rat Creek," "Venison Creek), while veering off into Nuggets-era garage rock ("Talkin' Down," "Walking Boss") and hillbilly rock and gospel ("16 Mile Creek," "16 Mile Creek Breakdown," "Higher Power"). Pure Diamond Gold consists of songs recorded on two separate occasions -- one a 24-track session with Steve Albini, the second an eight-track session (dubbed the "seven o'clock chicken" session) with Don Pyle (of Shadowy Men on a Shadowy Planet) -- however, despite the differences, the songs hang together well as a whole. In addition to the slew of strong tracks already mentioned, the Sadies best moments here come in the form of the haunting "Eastwinds" (with vocals provided by Catherine Irwin of Freakwater), the surrealistic plane crash narrative of "With a Splash," and the slow-building instrumental "Cloud Rider" (complete with "howling" provided by the family dog). For fans of country-tinged, twangy rock, it doesn't get much better than this.
© Robert Kaups /TiVo

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