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Gil Melle|Patterns In  Jazz (Remastered 1998)

Patterns In Jazz (Remastered 1998)

Gil Mellé

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Like the modern art that stormed the art world in the '50s, Patterns in Jazz is filled with bright, bold colors and identifiable patterns that camouflage how adventurous the work actually is. On the surface, the music is cool and laid-back, but close listening reveals the invention in Melle's compositions and arrangements of the standards "Moonlight in Vermont" and "Long Ago and Far Away." Part of the charm of Patterns in Jazz is the unusual instrumental balance of Melle's bari sax, Eddie Bert's trombone, Joe Cinderella's guitar, and Oscar Pettiford's bass. These low, throaty instruments sound surprisingly light and swinging. Compared to the two standards, Melle's original compositions are a little short on melody, but they give the musicians room to improvise, resulting in some dynamic music. Ultimately, Patterns in Jazz is cerebral music that swings -- it's entertaining, but stimulating.

© Stephen Thomas Erlewine /TiVo

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Patterns In Jazz (Remastered 1998)

Gil Melle

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1
The Set Break (Remastered 1998)
00:04:51

Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Composer, Baritone Saxophone, MainArtist, AssociatedPerformer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

2
Weird Valley (Remastered 1998)
00:05:16

Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Baritone Saxophone, MainArtist, AssociatedPerformer - Gilbert John Melle, Composer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

3
The Arab Barber Blues (Remastered 1998)
00:09:06

Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Baritone Saxophone, MainArtist, AssociatedPerformer - Gilbert John Melle, Composer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

4
Nice Questions (Remastered 1998)
00:08:19

Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Baritone Saxophone, MainArtist, AssociatedPerformer - Gilbert John Melle, Composer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

5
Moonlight In Vermont (Remastered 1998)
00:04:55

Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Karl Suessdorf, ComposerLyricist - John Blackburn, ComposerLyricist - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Baritone Saxophone, MainArtist, AssociatedPerformer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

6
Long Ago And Far Away (Remastered 1998)
00:04:33

Ira Gershwin, Composer - Jerome Kern, Composer - Oscar Pettiford, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ed Thigpen, Drums, AssociatedPerformer - Eddie Bert, Trombone, AssociatedPerformer - Gil Mellé, Baritone Saxophone, MainArtist, AssociatedPerformer - Joe Cinderella, Guitar, AssociatedPerformer

℗ 1998 Capitol Records, LLC

Album review

Like the modern art that stormed the art world in the '50s, Patterns in Jazz is filled with bright, bold colors and identifiable patterns that camouflage how adventurous the work actually is. On the surface, the music is cool and laid-back, but close listening reveals the invention in Melle's compositions and arrangements of the standards "Moonlight in Vermont" and "Long Ago and Far Away." Part of the charm of Patterns in Jazz is the unusual instrumental balance of Melle's bari sax, Eddie Bert's trombone, Joe Cinderella's guitar, and Oscar Pettiford's bass. These low, throaty instruments sound surprisingly light and swinging. Compared to the two standards, Melle's original compositions are a little short on melody, but they give the musicians room to improvise, resulting in some dynamic music. Ultimately, Patterns in Jazz is cerebral music that swings -- it's entertaining, but stimulating.

© Stephen Thomas Erlewine /TiVo

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