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Jac van Steen|Kurt Weill: Symphony No. 2 & Violin Concerto, Op.12

Kurt Weill: Symphony No. 2 & Violin Concerto, Op.12

Tamás Kocsis, Ulster Orchestra, Jac van Steen

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Although Weill found fame in theatre-focused collaborations with Bertolt Brecht that produced the era-defining The Threepenny Opera, the onetime pupil of Ferruccio Busoni straddled the worlds of music-theatre, jazz, and the concert hall with music of daring aplomb and dazzling achievement.

Dedicated to Joseph Szigeti, his five-movement Violin Concerto of 1924 also pays tribute to the ailing Busoni and sports discernible allusions to Stravinsky, Mahler and the potent popular music of Weimar Berlin’s cabaret clubs. A unique blend, as Robert Matthew-Walker comments in his authoritative booklet notes: "No comparable work had appeared before from any composer".

Composed a decade later, the Second Symphony was premiered by Bruno Walter and the Concertgebouw Orchestra in Amsterdam. In three movements, “Weill’s contrapuntal mastery and his equally unselfconscious command of instrumentation present us with genuinely symphonic music, such as a 20th-century Haydn would have appreciated and enjoyed”. © SOMM Recordings

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Kurt Weill: Symphony No. 2 & Violin Concerto, Op.12

Jac van Steen

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Symphony No. 2 (Kurt Weill)

1
I. Sostenuto - Allegro molto
Ulster Orchestra
00:09:54

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

2
II. Largo
Ulster Orchestra
00:11:51

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

3
III. Allegro vivace
Ulster Orchestra
00:06:42

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

Violin Concerto, Op. 12 (Kurt Weill)

4
I. Andante con moto
Tamás Kocsis
00:10:52

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist - Tamás Kocsis, Artist, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

5
IIa. Notturno. Allegro un poco tenuto
Tamás Kocsis
00:03:41

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist - Tamás Kocsis, Artist, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

Violin Concerto, Op.12 (Kurt Weill)

6
IIb. Cadenza. Moderato
Tamás Kocsis
00:03:29

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist - Tamás Kocsis, Artist, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

7
IIc. Serenata. Allegretto
Tamás Kocsis
00:03:32

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist - Tamás Kocsis, Artist, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

8
III. Allegro molto, un poco agitato
Tamás Kocsis
00:07:19

Kurt Weill, Composer - Ulster Orchestra, Orchestra, MainArtist - Jac van Steen, Conductor, MainArtist - Tamás Kocsis, Artist, MainArtist

(C) 2022 SOMM Recordings (P) 2022 SOMM Recordings

Album review

Although Weill found fame in theatre-focused collaborations with Bertolt Brecht that produced the era-defining The Threepenny Opera, the onetime pupil of Ferruccio Busoni straddled the worlds of music-theatre, jazz, and the concert hall with music of daring aplomb and dazzling achievement.

Dedicated to Joseph Szigeti, his five-movement Violin Concerto of 1924 also pays tribute to the ailing Busoni and sports discernible allusions to Stravinsky, Mahler and the potent popular music of Weimar Berlin’s cabaret clubs. A unique blend, as Robert Matthew-Walker comments in his authoritative booklet notes: "No comparable work had appeared before from any composer".

Composed a decade later, the Second Symphony was premiered by Bruno Walter and the Concertgebouw Orchestra in Amsterdam. In three movements, “Weill’s contrapuntal mastery and his equally unselfconscious command of instrumentation present us with genuinely symphonic music, such as a 20th-century Haydn would have appreciated and enjoyed”. © SOMM Recordings

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