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National Youth Jazz Orchestra|Jazz in Film

Jazz in Film

National Youth Jazz Orchestra

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Producer Rick Clark surveyed more than 40 years of filmmaking in his search for worthy big band jazz music from movie scores to be played by Great Britain's National Youth Jazz Orchestra. Of course, there is plenty of such music to be found in films of the 1950s, '60s, and '70s, since many of the movie composers of those decades came out of the swing era. (Although this collection technically spans 1955 to 1997; in fact, the 1997 title, the sole one from the '90s, is a ringer, since Quincy Jones' "Soul Bossa Nova," adapted by George S. Clinton for the Austin Powers movies, was actually composed in 1962.) Clark makes some obvious choices, such as clearly jazz-influenced writers Jones, Lalo Schifrin ("Suite from Bullitt," "Dirty Harry Suite"), and Henry Mancini ("Touch of Evil"). But he also finds jazzy music from what would have seemed less likely contributors, such as John Williams ("Cinderella Liberty") and David Shire ("The Taking of Pelham 1, 2, 3"). And as a British project, the album naturally boasts some native talent in John Dankworth ("Modesty Blaise") and Dudley Moore, who, though best known as a comic actor, did do some of his own scores, notably Bedazzled and 30 Is a Dangerous Age, Cynthia, included as a medley with other material in "Dudley Moore Tribute." Whatever the source, however, the music has been arranged by members of the orchestra, who turn it into convincing big band jazz with swinging rhythms, strong horn charts, and a lot of soloing. Much of this music sounds very different from the way it does underscoring the quite varied sorts of films it accompanied (a lot of thrillers and crime pictures, plus the animated comedy Who Framed Roger Rabbit? and the spy spoofs Modesty Blaise and Austin Powers). But it works cohesively as an album, which is to say that the orchestra has imposed its style on the material.

© William Ruhlmann /TiVo

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Jazz in Film

National Youth Jazz Orchestra

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1
Suite (From "Modesty Blaise")
National Youth Jazz Orchestra
00:03:26

Bob Dowell, Trombone, AssociatedPerformer - John Dankworth, Composer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2006 Universal Music Operations Limited

2
Suite (From "Bullitt")
National Youth Jazz Orchestra
00:10:00

Lalo Schifrin, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer

℗ 2004 Universal Music Operations Limited

3
Main Theme (From "Touch of Evil")
National Youth Jazz Orchestra
00:05:56

Henry Mancini, Composer - James Fitzpatrick, Producer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2008 Universal Music Operations Limited

4
Nice to Be Around (From "Cinderella Liberty")
National Youth Jazz Orchestra
00:04:01

John Williams, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer

℗ 2012 Universal Music Operations Limited

5
Tribute to Dudley Moore (30 Is a Dangerous Age, Cynthia / Field Day for Shirley / Bedazzled)
National Youth Jazz Orchestra
00:08:10

Bob Dowell, Trombone, AssociatedPerformer - Dudley Moore, Composer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2004 Universal Music Operations Limited

6
Main Theme (From "The Gauntlet")
National Youth Jazz Orchestra
00:06:35

Jerry Fielding, Composer - National Youth Jazz Orchestra, MainArtist

℗ 2004 Universal Music Operations Limited

7
Main Theme (From "The Taking of Pelham 123")
National Youth Jazz Orchestra
00:07:03

David Shire, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2004 Universal Music Operations Limited

8
Eddie's Theme (From "Eddie's Theme")
Alan Silvestri
00:05:03

The National Youth Jazz Orchestra, Chamber Orchestra, AssociatedPerformer - Alan Silvestri, Composer, MainArtist - Bob Dowell, Trombone, AssociatedPerformer - DENNIS SANDS, Engineer, StudioPersonnel - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Robson, Flugelhorn, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2008 Universal Music Operations Limited

9
Main Theme (From "The Man with the Golden Arm")
National Youth Jazz Orchestra
00:05:24

Elmer Bernstein, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2006 Universal Music Operations Limited

10
Main Theme (From "Walk on the Wild Side")
National Youth Jazz Orchestra
00:04:30

Elmer Bernstein, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2005 Universal Music Operations Limited

11
Dirty Harry / Scorpio / Magnum Force / Sudden Impact (From "Dirty Harry")
National Youth Jazz Orchestra
00:07:35

Lalo Schifrin, Composer - Bob Dowell, Trombone, AssociatedPerformer - National Youth Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Joe Auckland, Trumpet, AssociatedPerformer - Joseph Auckland, Trumpet, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2004 Universal Music Operations Limited

12
Soul Bossa Nova (From "Austin Powers")
N.Y. Jazz Orchestra
00:04:29

Quincy Jones, Composer - Bob Dowell, Trombone, AssociatedPerformer - N.Y. Jazz Orchestra, MainArtist - Mark Hanslip, Tenor Saxophone, AssociatedPerformer - Joe Auckland, Trumpet, AssociatedPerformer - Joseph Auckland, Trumpet, AssociatedPerformer - Robert Dowell, Trombone, AssociatedPerformer - William Michael Allingham Ashton, Conductor

℗ 2013 Universal Music Operations Limited

Album review

Producer Rick Clark surveyed more than 40 years of filmmaking in his search for worthy big band jazz music from movie scores to be played by Great Britain's National Youth Jazz Orchestra. Of course, there is plenty of such music to be found in films of the 1950s, '60s, and '70s, since many of the movie composers of those decades came out of the swing era. (Although this collection technically spans 1955 to 1997; in fact, the 1997 title, the sole one from the '90s, is a ringer, since Quincy Jones' "Soul Bossa Nova," adapted by George S. Clinton for the Austin Powers movies, was actually composed in 1962.) Clark makes some obvious choices, such as clearly jazz-influenced writers Jones, Lalo Schifrin ("Suite from Bullitt," "Dirty Harry Suite"), and Henry Mancini ("Touch of Evil"). But he also finds jazzy music from what would have seemed less likely contributors, such as John Williams ("Cinderella Liberty") and David Shire ("The Taking of Pelham 1, 2, 3"). And as a British project, the album naturally boasts some native talent in John Dankworth ("Modesty Blaise") and Dudley Moore, who, though best known as a comic actor, did do some of his own scores, notably Bedazzled and 30 Is a Dangerous Age, Cynthia, included as a medley with other material in "Dudley Moore Tribute." Whatever the source, however, the music has been arranged by members of the orchestra, who turn it into convincing big band jazz with swinging rhythms, strong horn charts, and a lot of soloing. Much of this music sounds very different from the way it does underscoring the quite varied sorts of films it accompanied (a lot of thrillers and crime pictures, plus the animated comedy Who Framed Roger Rabbit? and the spy spoofs Modesty Blaise and Austin Powers). But it works cohesively as an album, which is to say that the orchestra has imposed its style on the material.

© William Ruhlmann /TiVo

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