Bud Shank
Bud Shank began his career pigeonholed as a cool schooler, but those who listened to the altoist progress over the long haul knew that he became one of the hottest, most original players of the immediate post-Parker generation. Lumped in with the limpid-toned West Coast crowd in the '50s, Shank never ceased to evolve; in his later years, he had more in common with Jackie McLean or Phil Woods than with Paul Desmond or Lee Konitz. Shank's keening, blithely melodic, and tonally expressive style was one of the more genuinely distinctive approaches that grew out of the bebop idiom.
Shank attended the University of North Carolina from 1944-1946. Early on, he played a variety of woodwinds, including flute, clarinet, and alto and tenor saxes; he began to concentrate on alto and flute in the late '40s. After college, Shank moved to California, where he studied with trumpeter/composer Shorty Rogers and played in the big bands of Charlie Barnet (1947-1948) and Stan Kenton (1950-1951). Shank made a name for himself in the '50s as a central member of the West Coast jazz scene. In addition to those named above, he played and recorded with bassist Howard Rumsey's Lighthouse All-Stars, tenor saxophonist Bob Cooper, and Brazilian guitarist Laurindo Almeida, among others. Shank made a series of albums as a leader for World Pacific in the late '50s and early '60s.
Shank ensconced himself in the L.A. studios during the '60s, emerging occasionally to record jazz and bossa nova albums with the likes of Chet Baker and Sergio Mendes. Shank's 1966 album with Baker, Michelle, was something of a popular success, reaching number 56 on the charts. Film scores on which Shank can be heard include The Thomas Crown Affair and The Barefoot Adventure. In the '70s, Shank formed the L.A. Four with Almeida, bassist Ray Brown, and, at various times, drummer Chuck Flores, Shelly Manne, or Jeff Hamilton. Shank had been one of the earliest jazz flutists, but in the mid-'80s he dropped the instrument in order to concentrate on alto full-time. During the last two decades of the 20th century, he recorded small-group albums at a modestly steady pace for the Contemporary, Concord, and Candid labels. Shank's 1997 Milestone album, By Request: Bud Shank Meets the Rhythm Section, presented the altoist in top form, burning down the house with a band of relative youngsters who included neo-bopper pianist Cyrus Chestnut. Three years later, Silver Storm was released.
Shank continued performing and recording after the turn of the millennium, undertaking the challenging task of forming the Los Angeles-based Bud Shank Big Band in 2005 and making his recording debut as a big-band leader with Taking the Long Way Home, released the following year by the Jazzed Media label. In 2007 Jazzed Media issued Beyond the Red Door, a duet recording by Shank and pianist Bill Mays. Shank's passion for jazz remained strong to the very last days of his life; he died at his home in Tucson, AZ on April 2, 2009 of a pulmonary embolism shortly after returning from a recording session in San Diego. Shank's doctors had reportedly warned the saxophonist -- who had moved to Tucson for health reasons -- that playing the session could be life-threatening. Bud Shank was 82 years old.
© Chris Kelsey /TiVo
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Theme Music from the James Dean Story (Original Album Plus Bonus Tracks 1957)
Jazz - Erschienen bei Jazz Classics am 01.01.1958
16-Bit CD Quality 44.1 kHz - Stereo -
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Royal Garden Blues
Jazz - Erschienen bei Nerja Productions am 04.03.2014
16-Bit CD Quality 44.1 kHz - Stereo -
The Search
Jazz - Erschienen bei Beyond Recognition am 17.01.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Old Devil Moon
Jazz - Erschienen bei Marvelous Sounds am 17.12.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Chet Baker - Bud Shank, Indian Summer
Jazz - Erschienen bei Firefly Entertainment am 01.10.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Milano Sessions
Jazz - Erschienen bei Black Sheep Music am 27.11.2013
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European Tour '57
Jazz - Erschienen bei Lone Hill Jazz am 28.06.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Shank Plays
Jazz - Erschienen bei Capri Records am 18.09.1990
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Shank - Vintage Sounds
Jazz - Erschienen bei Retro Music Box am 15.10.2021
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Brazilliance! (Complete Sessions) (Remastered)
Bossa Nova - Erschienen bei RevOla am 06.03.2009
24-Bit 96.0 kHz - Stereo -
The Essential Jazz Collection: Bossa Nova Jazz Samba
Jazz - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Figures / Bud Shank (1953)
Jazz - Erschienen bei Collector Records Greece am 02.01.2007
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European Tour '57
Jazz - Erschienen bei Ascension Records am 28.06.2022
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Tropical Jazz Beat
Jazz - Erschienen bei Music Today Records am 22.04.2015
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Brazilian Afro-Jazz
Pop - Erschienen bei Sonoria Records am 25.06.2014
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Studio 15 (Live Munich '57) (Live)
Alternativ und Indie - Erschienen bei Wolf Tree am 29.03.2023
16-Bit CD Quality 44.1 kHz - Stereo