Albums

2010 albums gesorteerd op Date: from newest to oldest en gefilterd op Religieuze vocale muziek
€ 4,04

Religieuze vocale muziek - Verschijnt op 10 december 2017 | First Love Media

€ 10,79

Religieuze vocale muziek - Verschenen op 17 november 2017 | Embark Music

€ 14,39
€ 10,79

Religieuze vocale muziek - Verschenen op 3 november 2017 | MPS Classical

Hi-Res
€ 9,99

Religieuze vocale muziek - Verschenen op 7 juli 2017 | Accent

Booklet Onderscheidingen 5 de Diapason
€ 1,07

Religieuze vocale muziek - Verschenen op 28 juni 2017 | KauppaKumpu.Fi

€ 5,99

Religieuze vocale muziek - Verschenen op 9 juni 2017 | Alpha

Booklet Onderscheidingen 4 étoiles Classica
€ 17,99
€ 11,99

Missen, passies, requiems - Verschenen op 2 juni 2017 | PentaTone

Hi-Res Booklet
€ 1,07

Religieuze vocale muziek - Verschenen op 25 mei 2017 | Engelschall Music

€ 10,79

Religieuze vocale muziek - Verschenen op 14 mei 2017 | Amarcord Studio

€ 14,99
€ 9,99

Religieuze vocale muziek - Verschenen op 5 mei 2017 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or
€ 9,99

Religieuze vocale muziek - Verschenen op 5 mei 2017 | Pan Classics

Booklet Onderscheidingen 5 de Diapason
€ 20,24

Religieuze vocale muziek - Verschenen op 1 mei 2017 | KauppaKumpu.Fi

€ 16,79
€ 11,99

Religieuze cantates - Verschenen op 21 april 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
€ 1,07

Religieuze vocale muziek - Verschenen op 14 april 2017 | Embark Music

€ 21,99
€ 14,99

Religieuze vocale muziek - Verschenen op 14 april 2017 | Glossa

Hi-Res Booklet Onderscheidingen Qobuzism - 5 Sterne Fono Forum Klassik
The Vespers for the Blessed Virgin by Monteverdi – Vespro della Beata Vergine – is, so to speak, a work made up of many works. The composer seems to have put everything he had into this piece, which appeared in Venice in 1610. It is as if he wanted to use it as an immense catalogue of all his skills: his facility with ancient and modern styles; with the strict and the flamboyant; with instrumentals, vocals, choruses, solos, parody masses, the magnificat, psalms... Perhaps he wanted to use the work as a CV in Venice, where he would indeed land a job as choirmaster in 1613? The fact that several passages are written for two choirs would seem to support this idea. Elaborate job application or not, in this work Monteverdi has produced one of his most durable masterpieces, which forms a bridge between the late Renaissance - with passages taken from prima practica, the style developed by Palestrina - and the nascent Baroque style, and its seconda practica which was so dear to Monteverda, and which would free the use of dissonance from its old straitjacket. For this recording, Giuseppe Maletto has brought together the rich talents of La Compagnia del Madrigale and the Cantica Symphonia and La Pifarescha ensembles, because it takes a whole lot of talent to give the Vespers the treatment it deserves.