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Marcy Rosen|Thuille, Tovey & Dohnányi: Cello Sonatas

Thuille, Tovey & Dohnányi: Cello Sonatas

Marcy Rosen

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The cello sonatas heard on this Bridge album by composers Ludwig Thuille, Donald Francis Tovey, and Ernst von Dohnányi all share an unfortunate characteristic: their relative obscurity within the cello repertoire. Both Thuille and Tovey rubbed elbows with significant players in their time, Thuille with the young Richard Strauss and Tovey with Pablo Casals, for whom the Sonata for two cellos was written, but few of these two composers' works are ever performed and both are remembered now more as theoreticians and teachers. Dohnányi, on the other hand, was and still is a highly regarded Hungarian composer, and although his Op. 8 Cello Sonata doesn't find its way to the concert stage very frequently, his chamber music and Concertpiece for cello and orchestra are widely played. Each of the three sonatas was written very much in the late-Romantic German vernacular, with dense, lush melodies and fervent interaction between two instruments. What may be lacking and thus at least partially responsible for their infrequent performance is consistently interesting and well-developed melodic material sufficient to keep a listener's attention. Cellist Marcy Rosen and colleagues, however, do everything they can with the material they're given. Rosen's playing in particular is technically rock solid and musically well informed. Her tone is deep and warm, a perfect choice for these Brahmsian compositions.
© TiVo

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Thuille, Tovey & Dohnányi: Cello Sonatas

Marcy Rosen

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Cello Sonata in D Minor, Op. 22 (Ludwig Thuille)

1
I. Allegro energico, ma non troppo presto
00:09:54

Ludwig Thuille, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

2
II. Adagio
00:11:07

Ludwig Thuille, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

3
III. Finale. Allegro ma non troppo
00:06:53

Ludwig Thuille, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

Duo Cello Sonata in G Major (Donald Francis Tovey)

4
I. Allegro vivace
00:08:13

Frances Rowell, Artist - Marcy Rosen, Artist, MainArtist - Donald Francis Tovey, Composer

(C) 2008 Bridge Records (P) 2008 Bridge Records

5
II. Andante maestoso e sostenuto
00:06:25

Frances Rowell, Artist - Marcy Rosen, Artist, MainArtist - Donald Francis Tovey, Composer

(C) 2008 Bridge Records (P) 2008 Bridge Records

6
III. Presto giocoso
00:06:06

Frances Rowell, Artist - Marcy Rosen, Artist, MainArtist - Donald Francis Tovey, Composer

(C) 2008 Bridge Records (P) 2008 Bridge Records

Cello Sonata in B-Flat Minor, Op. 8 (Ernő Dohnányi)

7
I. Allegro ma non troppo
00:07:59

Ernö Dohnányi, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

8
II. Scherzo. Vivace assai
00:04:54

Ernö Dohnányi, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

9
III. Adagio non troppo
00:03:02

Ernö Dohnányi, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

10
IV. Tema con variazioni. Allegro moderato
00:10:02

Ernö Dohnányi, Composer - Marcy Rosen, Artist, MainArtist - Lydia Artymiw, Artist

(C) 2008 Bridge Records (P) 2008 Bridge Records

Albumbeschreibung

The cello sonatas heard on this Bridge album by composers Ludwig Thuille, Donald Francis Tovey, and Ernst von Dohnányi all share an unfortunate characteristic: their relative obscurity within the cello repertoire. Both Thuille and Tovey rubbed elbows with significant players in their time, Thuille with the young Richard Strauss and Tovey with Pablo Casals, for whom the Sonata for two cellos was written, but few of these two composers' works are ever performed and both are remembered now more as theoreticians and teachers. Dohnányi, on the other hand, was and still is a highly regarded Hungarian composer, and although his Op. 8 Cello Sonata doesn't find its way to the concert stage very frequently, his chamber music and Concertpiece for cello and orchestra are widely played. Each of the three sonatas was written very much in the late-Romantic German vernacular, with dense, lush melodies and fervent interaction between two instruments. What may be lacking and thus at least partially responsible for their infrequent performance is consistently interesting and well-developed melodic material sufficient to keep a listener's attention. Cellist Marcy Rosen and colleagues, however, do everything they can with the material they're given. Rosen's playing in particular is technically rock solid and musically well informed. Her tone is deep and warm, a perfect choice for these Brahmsian compositions.
© TiVo

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