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Annotations Of An Autopsy|The Reign of Darkness

The Reign of Darkness

Annotations of an Autopsy

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2010's The Reign of Darkness is only the second full-length release by England's Annotations of an Autopsy (and their first for Nuclear Blast), but it already sees them fighting to break free from their formative deathcore shackles, following in the footsteps of scene leaders like Job for a Cowboy, All Shall Perish, Carnifex, et al, into the brave new world of…death metal? Yes, where popular music trends are concerned, it appears that the future is in the past and vice-versa (or something like that), and so, Annotations of an Autopsy's sophomore outing sees predictable breakdowns (largely) jettisoned, squealing harmonics silenced, and that seemingly endless parade of churning, downtuned sludge-thrashing augmented by foreboding doom passages, frequently adorned by cascading melodic solos. Conversely, the band's previously sex-and-gore-obsessed approach to lyric-writing (a common trait of the earliest death metal bands) has grown up, so to speak, and now deals in no less pessimistic but certainly more mature (and hardcore-like) social/political commentary, often shadowed by dark realms of fantasy. Overall, there are still only a handful of tracks really standing out from the moshing maelstrom -- including the trend-setting opener "In Snakes I Bathe," the furiously apocalyptic "Emptiness," and the sci-fi nightmare scenario of "Cryogenica" -- but at least the seeds of creative flourishing have been sowed. If reaped accordingly, Annotations of an Autopsy may well transcend their original style's rather confining templates (so confining it's gone out of style even faster than most trendy metallic subgenres), in order to make a name for themselves as a more versatile and long-lasting extreme metal concern.

© Eduardo Rivadavia /TiVo

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The Reign of Darkness

Annotations Of An Autopsy

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1
And so It Begins
00:01:09

Steve Regan, Composer - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

2
In Snakes I Bathe
00:03:52

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

3
Born Dead
00:03:32

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

4
Bone Crown
00:03:32

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

5
Emptiness
00:04:12

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

6
Catastrophic Hybridization
00:05:52

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

7
VII: The Horror, the Destruction
00:02:30

Steve Regan, Composer - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

8
Impale the Sun
00:03:55

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

9
Portrait of Souls
00:03:34

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

10
Cryogenica
00:05:10

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

11
Into the Black Slumber
00:08:25

Steve Regan, Composer, Author - Annotations of an Autopsy, Artist, MainArtist - Sean Hynes, Composer - Lyn Jeffs, Composer - Sam Dawkins, Composer - James Sweeney, Composer

2010 Nuclear Blast 2010 Nuclear Blast

Albumbeschreibung

2010's The Reign of Darkness is only the second full-length release by England's Annotations of an Autopsy (and their first for Nuclear Blast), but it already sees them fighting to break free from their formative deathcore shackles, following in the footsteps of scene leaders like Job for a Cowboy, All Shall Perish, Carnifex, et al, into the brave new world of…death metal? Yes, where popular music trends are concerned, it appears that the future is in the past and vice-versa (or something like that), and so, Annotations of an Autopsy's sophomore outing sees predictable breakdowns (largely) jettisoned, squealing harmonics silenced, and that seemingly endless parade of churning, downtuned sludge-thrashing augmented by foreboding doom passages, frequently adorned by cascading melodic solos. Conversely, the band's previously sex-and-gore-obsessed approach to lyric-writing (a common trait of the earliest death metal bands) has grown up, so to speak, and now deals in no less pessimistic but certainly more mature (and hardcore-like) social/political commentary, often shadowed by dark realms of fantasy. Overall, there are still only a handful of tracks really standing out from the moshing maelstrom -- including the trend-setting opener "In Snakes I Bathe," the furiously apocalyptic "Emptiness," and the sci-fi nightmare scenario of "Cryogenica" -- but at least the seeds of creative flourishing have been sowed. If reaped accordingly, Annotations of an Autopsy may well transcend their original style's rather confining templates (so confining it's gone out of style even faster than most trendy metallic subgenres), in order to make a name for themselves as a more versatile and long-lasting extreme metal concern.

© Eduardo Rivadavia /TiVo

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