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Shirley & Company|Shame Shame Shame

Shame Shame Shame

Shirley & Company

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An eclectic mix of funk, disco, Caribbean, moody R&B, and pop influences, this hidden gem of an album followed the surprising comeback success that Shirley Goodman -- one-half of legendary 1950s duo Shirley & Lee -- enjoyed with the single of the same name. Penned and produced by Vibration founder Sylvia Robinson, "Shame, Shame, Shame" was one of the earliest examples of disco, following in the footsteps of efforts like George McCrae's "Rock Your Baby" and the Hues Corporation's "Rock the Boat," but with a notably soulful grip. The tune's nifty guitar strolls, spirited piano licks, and persistent percussion, combined with the utter enthusiasm of Goodman and male vocalist Jesus Alvarez, make for a hard-to-resist concoction. The album isn't limited to the fiery antics of that song; all of its selections share a common feel-good vibe. Perhaps the most celestial moment is the endearing, easily coaxing "I Gotta Get Next to You"; it's truly rare to find a ballad so simultaneously soulful and relaxed. Additionally, both "Love Is" and "I Guess Things Have to Change" are sprightly, mellow numbers with fluid horn arrangements and vocal lines that showcase Alvarez's impressive writing skills. Goodman co-wrote several tunes as well: the reggae-influenced "Jim Doc Kay" and the sassy "Keep on Rolling On." The two vocalists trade verses on a number of tunes, making for a unique, well-rounded sound. "Cry, Cry, Cry" and "Disco Shirley," two takeoffs on the initial hit, were released as follow-up singles that didn't fare so well. In 1976, Vibration also released a non-album single, "I Like to Dance," featuring Goodman paired with a new male vocalist (surprisingly, Collectables didn't include this on its CD reissue). Perhaps if one of the album's more divergent efforts had been chosen as a single instead, success wouldn't have been as fleeting.

© Justin M. Kantor /TiVo

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Shame Shame Shame

Shirley & Company

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1
Shame, Shame, Shame
00:04:05

Sylvia Robinson, Composer, Lyricist - Shirley Goodman, Vocals - Shirley & Company, MainArtist - Jesús Álvarez, Vocals - Sylva Robinson, Producer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Rhino for North America, Mexico, Caribbean, Sanctuary for Rest of World

2
Shame, Shame, Shame (Instrumental)
00:05:13

Sylvia Robinson, Composer, Lyricist, Producer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

3
Another Tear Will Fall
00:02:43

Sylvia Robinson, Producer - Shirley & Company, MainArtist - Donnie Elbert, Composer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

4
I Guess Things Have to Change
00:03:35

Sylvia Robinson, Producer - Shirley Goodman, Composer - Shirley & Company, MainArtist - Jesús Álvarez, Composer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

5
Disco Shirley
00:03:16

Michael Burton, Composer - Shirley & Company, MainArtist - Jesús Álvarez, Composer, Producer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

6
Jim Doc Kay
00:03:55

Sylvia Robinson, Producer - Shirley Goodman, Composer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

7
Love Is
00:02:34

Sylvia Robinson, Producer - Shirley & Company, MainArtist - Jesús Álvarez, Composer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

8
Cry, Cry, Cry
00:03:07

Sylvia Robinson, Composer, Producer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

9
Cry, Cry, Cry (Instrumental)
00:03:23

Sylvia Robinson, Composer, Producer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

10
I Gotta Get Next to You
00:03:53

Sylvia Robinson, Production - Shirley & Company, MainArtist - Harry Ray, Composer - Walter Morris, Composer - Al Goodman, Composer

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

11
Keep on Rolling On
00:03:38

Sylvia Robinson, Composer, Producer - Shirley Goodman, Composer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

12
Shame, Shame, Shame (Extended Version)
00:04:54

Sylvia Robinson, Composer, Lyricist, Producer - Shirley & Company, MainArtist

© 1975 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

Albumbeschreibung

An eclectic mix of funk, disco, Caribbean, moody R&B, and pop influences, this hidden gem of an album followed the surprising comeback success that Shirley Goodman -- one-half of legendary 1950s duo Shirley & Lee -- enjoyed with the single of the same name. Penned and produced by Vibration founder Sylvia Robinson, "Shame, Shame, Shame" was one of the earliest examples of disco, following in the footsteps of efforts like George McCrae's "Rock Your Baby" and the Hues Corporation's "Rock the Boat," but with a notably soulful grip. The tune's nifty guitar strolls, spirited piano licks, and persistent percussion, combined with the utter enthusiasm of Goodman and male vocalist Jesus Alvarez, make for a hard-to-resist concoction. The album isn't limited to the fiery antics of that song; all of its selections share a common feel-good vibe. Perhaps the most celestial moment is the endearing, easily coaxing "I Gotta Get Next to You"; it's truly rare to find a ballad so simultaneously soulful and relaxed. Additionally, both "Love Is" and "I Guess Things Have to Change" are sprightly, mellow numbers with fluid horn arrangements and vocal lines that showcase Alvarez's impressive writing skills. Goodman co-wrote several tunes as well: the reggae-influenced "Jim Doc Kay" and the sassy "Keep on Rolling On." The two vocalists trade verses on a number of tunes, making for a unique, well-rounded sound. "Cry, Cry, Cry" and "Disco Shirley," two takeoffs on the initial hit, were released as follow-up singles that didn't fare so well. In 1976, Vibration also released a non-album single, "I Like to Dance," featuring Goodman paired with a new male vocalist (surprisingly, Collectables didn't include this on its CD reissue). Perhaps if one of the album's more divergent efforts had been chosen as a single instead, success wouldn't have been as fleeting.

© Justin M. Kantor /TiVo

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