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Iona|Open Sky

Open Sky

Iona

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Iona's seventh album brings more of their patented progressive layered instrumentals and ambient respites, both seasoned by uilleann pipes, whistles, and other folk instruments. Unlike previous albums, however, Open Sky's instrumental passages possess more drive and body than before. It wasn't uncommon for such segments to continue vapidly for five or ten minutes before finally fading to an unsatisfying conclusion. Guitarist Dave Bainbridge makes much better use of his talents and available time (73 minutes) as he incorporates less of the innocuous and more of the inspired playing, akin to Steve Hackett as heard on The Lamb Lies Down on Broadway and Trick of the Tail. In fact the technique employed by drummer Frank Van Essen resembles that of Genesis drummer Phil Collins from that same period. That's not to infer that Iona has abandoned their ambient and noodling proclivities; they've just found a way of making them more tuneful and relevant. The addition of violin (also played by Van Essen) to their lineup has made a difference in that regard. While Joanne Hogg's voice is prominent on several songs, Iona has always had the visage of an all-instrumental band. Her supple voice radiates from and melts into the music in much the same manner as a woodwind or electric keyboard. It's used more for textured than expressive purposes but is, nevertheless, a key identifying feature of this band. This is probably the most focused and well-conceived effort, thus far, by Iona.

© Dave Sleger /TiVo

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Open Sky

Iona

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1
Woven Cord
00:09:28

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

2
Wave After Wave
00:06:15

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

3
Open Sky
00:05:41

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

4
Castlerigg
00:09:27

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

5
A Million Stars
00:03:20

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

6
Light Reflected
00:05:11

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

7
Hinba
00:04:58

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

8
Songs of Ascent, Pt. 1
00:07:58

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

9
Songs of Ascent, Pt. 2
00:09:06

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

10
Songs of Ascent, Pt. 3
00:04:54

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

11
Friendship's Door
00:07:14

Dave Bainbridge, Composer - Iona, MainArtist

(C) 2008 Open Sky (P) 2008 Open Sky

Albumbeschreibung

Iona's seventh album brings more of their patented progressive layered instrumentals and ambient respites, both seasoned by uilleann pipes, whistles, and other folk instruments. Unlike previous albums, however, Open Sky's instrumental passages possess more drive and body than before. It wasn't uncommon for such segments to continue vapidly for five or ten minutes before finally fading to an unsatisfying conclusion. Guitarist Dave Bainbridge makes much better use of his talents and available time (73 minutes) as he incorporates less of the innocuous and more of the inspired playing, akin to Steve Hackett as heard on The Lamb Lies Down on Broadway and Trick of the Tail. In fact the technique employed by drummer Frank Van Essen resembles that of Genesis drummer Phil Collins from that same period. That's not to infer that Iona has abandoned their ambient and noodling proclivities; they've just found a way of making them more tuneful and relevant. The addition of violin (also played by Van Essen) to their lineup has made a difference in that regard. While Joanne Hogg's voice is prominent on several songs, Iona has always had the visage of an all-instrumental band. Her supple voice radiates from and melts into the music in much the same manner as a woodwind or electric keyboard. It's used more for textured than expressive purposes but is, nevertheless, a key identifying feature of this band. This is probably the most focused and well-conceived effort, thus far, by Iona.

© Dave Sleger /TiVo

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