Thanks to the hard work carried out in cooperation with recording studios as well as an increasing number of music labels (Plus Loin Music, Bee Jazz, Ambronay Editions, Zig Zag Territoires, ECM, Mirare, Aeolus, Ondine, Winter & Winter, Laborie, etc.), Qobuz now offers a rapidly-growing selection of new releases and back catalogue records in 24-bit HD quality. These albums reproduce exactly the sound from the studio recording, and offer a more comfortable listening experience that exceeds the sound quality of a CD (typically \"reduced\" for mastering at 44.1kHz/16-bit). \"Qobuz HD\" files are DRM-free and are 100% compatible with both Mac and PC. Moving away from the MP3-focused approach that has evolved over recent years at the expense of sound quality, Qobuz provides the sound calibre expected by all music lovers, allowing them to enjoy both the convenience and quality of online music.

Note 24-bit HD albums sold by Qobuz are created by our labels directly. They are not re-encoded using SACD and we guarantee their direct source. In order to continue on this path, we prohibit any tampering with the product.


R&B/Soul - Released September 21, 2018 | Warner Bros.

Hi-Res Distinctions 4F de Télérama - Pitchfork: Best New Reissue
Two years after his premature death, Prince’s Ali Baba cave has offered up its first treasure. With the aptly named album Piano & A Microphone 1983, it’s with the simplest devices that his art is heard. At only 25 years old, Prince had already released five albums (For You, Prince, Dirty Mind, Controversy and 1999) and was just about to release the album that would turn him into a global star, Purple Rain. The multi-instrumentalist spent his days and nights in the studio and we find him here alone at the piano for a medley of personal compositions and two covers: Joni Mitchell’s A Case Of You and the gospel song Mary Don’t You Weep. The intimate context of this recording only amplifies the intensity of this unpublished work. Just close your eyes and you’ll find yourself alone with Prince… With his elastic voice and skilled playing, the musician from Minneapolis proves to those who doubted him that he was a true artist; both entertainer and composer, showman and improviser. His stripped back version of Purple Rain touches on the sublime and the track Strange Relationship gives an insight into the evolution of his productions, as four years later the track appeared, more muscular this time, on the album Sign o’ the Times. While Piano & A Microphone 1983 may be primarily aimed at Prince fans, novices – if there are any left – will no doubt enjoy discovering this impressive artist. © Marc Zisman/Qobuz

Soul - Released March 30, 2018 | Verve Records

Hi-Res Distinctions 4F de Télérama
A great, revived soul voice. Politically-conscious songs from the Great American Songbook. This project harks back to the 1960s (and beyond), but it finds a strong echo in today's America, divided and rocked by President Trump... By dedicating the whole record to covers of songs by Bob Dylan, Bettye LaVette makes her voice heard, literally and figuratively. Produced by Steve Jordan, Things Have Changed which features, amongst others, Keith Richards and Trombone Shorty, alternates between warm, vintage soul, and funkier bursts of real rock'n'roll. Above all, the 72-year old soul artist from Michigan continues to prove that she has a lot of singing in her yet. LaVette made her definitive comeback as long ago as 2005, with the album I’ve Got My Own Hell To Raise, itself also made up of covers, this time of songs from artists like Sinéad O'Connor, Lucinda Williams, Joan Armatrading, Rosanne Cash, Dolly Parton, Aimee Mann and Fiona Apple. Two years later she confirmed her vocal powers with The Scene Of The Crime which revisited Eddie Hinton, George Jones, Willie Nelson, Ray Charles, John Hiatt and Elton John. Coming, like all good things in spurts of threes, Interpretations: The British Rock Songbook, from 2010, saw her taking on compositions by the Beatles, the Rolling Stones, Traffic, the Animals, Led Zep, George Harrison, Pink Floyd, Ringo Starr, Paul McCartney, the Moody Blues, Derek & The Dominos and the Who… This latest 2018 offering, though, stands head and shoulders above the others, thanks to the hair-raising sincerity that the singer brings to Dylan's repertoire. Great art. © Max Dembo/Qobuz

R&B/Soul - Released March 16, 2018 | Naive

Booklet Distinctions 4F de Télérama
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Throughout his albums, you quickly understand that Meshell Ndegeocello was more than a Prince-ss. It’s easier to just see in this amazing singer, bass player and songwriter the female counterpart of the small genius from Minneapolis… For a quarter of a century, she has created the perfect alchemy between jazz, soul, rock, pop, funk, new wave and hip-hop, a true custard pie that is usually indigestible when tried by her competitors. With her, free as a bird never rang so true. It’s only logical, as this is the meaning of Ndegeocello in Swahili… Her 2018 batch sounds like a return to the groove roots; Meshell entertains herself by revisiting songs from the masters of the genre (Prince, TLC, George Clinton, Tina Turner, Janet Jackson, Sade) and also from some forgotten names (Force MDs, Lisa Lisa & Cult Jam, Surface, Al B. Sure!). Recorded in Los Angeles with her faithful Chris Bruce (guitar), Abraham Rounds (drums) and Jebin Bruni (keyboards), the aptly-named Ventriloquism is much more than a simple “cover album”. Stripped-down of their sometimes dated original sound, her songs are completely restored with care and taste by a Meshell that is as inspired as ever (TLC’s Waterfalls sounds like some Neil Young!) and yet beset by a rather dark personal touch. “The year around the recording of this album was so disorienting and dispiriting for me personally and for so many people I know and spoke to all the time. I looked for a way to make something that was light while things around me were so dark, a musical place to go that reminded me of another, brighter time.” This sensation of plenitude can be redeeming, and also kind of beautiful. All of that exudes from Ventriloquism, the strong work of an upstanding as ever and really unique artist. © Marc Zisman/Qobuz

Soul - Released November 17, 2017 | Anti - Epitaph

Hi-Res Distinctions 4F de Télérama - Indispensable JAZZ NEWS
Ten years after signing with the ANTI label, Mavis Staples pursues her impressive resurrection. Still joined by Jeff Tweedy, the great soul gospel priestess even hands him the wheel in this If All I Was Black, for which the band leader of Wilco has penned all the songs. After We'll Never Turn Back produced in 2007 by Ry Cooder, You Are Not Alone in 2010, One True Vine in 2013 and Livin' On A High Note in 2016 (on which she asked Nick Cave, Ben Harper, Justin Vernon a.k.a. Bon Iver, The Head & The Heart, tUnE-yArds, Neko Case, Aloe Blacc, Son Little, Valerie June and M Ward to participate), Pops Staples’ daughter inhabits each composition and her voice tames the lyrics of songs that couldn’t be more politically motivated. A major figure of the Civil Right Movement, a regular of great causes and militancy in songs, this lady masters these anti-Trump pieces with her usual class, with strong yet subtle criticisms—that are never Manichean nor childish—of an American in full regression. Above all, the blend of gospel inwardness, soul power and rhythm ‘n’ blues groove that she offers perfectly combines with Tweedy’s rustic and 'no added sugars' production. A great soul disc! © MZ/Qobuz

R&B - Released December 2, 2016 | Glassnote Entertainment Group LLC

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R&B/Soul - Released August 21, 2015 | Epic - Legacy

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Pitchfork: Best New Reissue
In a way, the Isley Brothers have been taken for granted. Part of that is the group's unwitting doing because they were exceptionally steady. From 1966 through 1983, the Isleys placed at least one single on the Billboard R&B chart each year. They were always present, frequently at or near the top. For an extended period, they were among the most progressive groups, whether they were mixing gospel, soul, and rock, incorporating synthesizers without sacrificing the funk, covering pop hits and often surpassing them, or epitomizing quiet storm. When they retreated from the fore, they adapted with ease. Another factor in their undervalued status is that their vast discography has been reissued in chunks by various sources across the decades. The RCA Victor & T-Neck Album Masters: 1959-1983, released by the Sony catalog's Legacy division, is a corrective measure in the form of a compact 23-disc box set. It doesn't cover the Isleys' brief '60s stints with Wand, United Artists, and Tamla, but it is remarkably generous with dozens of bonus tracks -- mono versions, single edits, instrumentals, and so forth -- and LP-replica sleeves for each album. As an extra enticement for those who dutifully rounded up those late-'90s Legacy and early-2010s BBR reissues, there's Wild in Woodstock, a previously unreleased recording of the Go All the Way-era band performing at Bearsville Studios. Intended for release with overdubbed crowd noise that was thankfully never applied, the set alternates between blistering and gliding and deserves a separate physical issue outside the box. ~ Andy Kellman

Soul - Released December 15, 2014 | RCA Records Label

Hi-Res Distinctions 4F de Télérama - Pitchfork: Best New Music - Sélection JAZZ NEWS - Grammy Awards