Thanks to the hard work carried out in cooperation with recording studios as well as an increasing number of music labels (Plus Loin Music, Bee Jazz, Ambronay Editions, Zig Zag Territoires, ECM, Mirare, Aeolus, Ondine, Winter & Winter, Laborie, etc.), Qobuz now offers a rapidly-growing selection of new releases and back catalogue records in 24-bit HD quality. These albums reproduce exactly the sound from the studio recording, and offer a more comfortable listening experience that exceeds the sound quality of a CD (typically \"reduced\" for mastering at 44.1kHz/16-bit). \"Qobuz HD\" files are DRM-free and are 100% compatible with both Mac and PC. Moving away from the MP3-focused approach that has evolved over recent years at the expense of sound quality, Qobuz provides the sound calibre expected by all music lovers, allowing them to enjoy both the convenience and quality of online music.

Note 24-bit HD albums sold by Qobuz are created by our labels directly. They are not re-encoded using SACD and we guarantee their direct source. In order to continue on this path, we prohibit any tampering with the product.

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Blues - Released December 30, 1957 | Columbia - Legacy

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Blues - Released January 1, 1964 | Geffen*

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Blues - Released August 24, 1970 | Columbia - Legacy

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Blues - Released December 1, 1970 | Geffen

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Completely Well was B.B. King's breakthrough album in 1969, which finally got him the long-deserved acclaim that was no less than his due. It contained his signature number, "The Thrill Is Gone," and eight other tunes, six of them emanating from King's pen, usually in a co-writing situation. Hardliners point to the horn charts and the overdubbed strings as the beginning of the end of King's old style that so identifiably earmarked his early sides for the Bihari Brothers and his later tracks for ABC, but this is truly the album that made the world sit up and take notice of B.B. King. The plus points include loose arrangements and a small combo behind him that never dwarfs the proceedings or gets in the way. King, for his part, sounds like he's having a ball, playing and singing at peak power. This is certainly not the place to start your B.B. King collection, but it's a nice stop along the way before you finish it. ~ Cub Koda
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Blues - Released January 1, 1978 | Paul McCartney Catalog

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Blues - Released June 27, 2000 | Concord Records, Inc. (UMG Account)

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Blues - Released June 27, 2000 | Concord Records, Inc. (UMG Account)

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Blues - Released October 4, 2011 | 21st Century Blues Records

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Blues - Released May 18, 2012 | Masterworks

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Blues - Released August 14, 2012 | Red House Records

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Blues - Released August 21, 2012 | Rhino Atlantic

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Blues - Released January 29, 2013 | Epic - Legacy

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Blues - Released January 29, 2013 | Epic - Legacy

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Blues - Released February 25, 2013 | Dixiefrog

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Blues - Released February 25, 2013 | Dixiefrog

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Blues - Released August 16, 2013 | Masterworks

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Blues - Released September 20, 2013 | in-akustik HD

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Blues - Released January 1, 2013 | Geffen* Records

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Given Hooker's unpredictable timing and piss-poor track record recording with bands, this 1965 one-off session for the jazz label Impulse! would be a recipe for disaster. But with Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar, the result is some of the best John Lee Hooker material with a band that you're likely to come across. The other musicians stay in the pocket, never overplaying or trying to get Hooker to make chord changes he has no intention of making. This record should be played for every artist who records with Hooker nowadays, as it's a textbook example of how exactly to back the old master. The most surreal moment occurs when William Wells blows some totally cool trombone on Hooker's version of Berry Gordy's "Money." If you run across this one in a pile of 500 other John Lee Hooker CDs, grab it; it's one of the good ones. ~ Cub Koda
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Blues - Released January 1, 2014 | Concord Records, Inc.

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Blues - Released March 10, 2014 | Dixiefrog

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