Thanks to the hard work carried out in cooperation with recording studios as well as an increasing number of music labels (Plus Loin Music, Bee Jazz, Ambronay Editions, Zig Zag Territoires, ECM, Mirare, Aeolus, Ondine, Winter & Winter, Laborie, etc.), Qobuz now offers a rapidly-growing selection of new releases and back catalogue records in 24-bit HD quality. These albums reproduce exactly the sound from the studio recording, and offer a more comfortable listening experience that exceeds the sound quality of a CD (typically \"reduced\" for mastering at 44.1kHz/16-bit). \"Qobuz HD\" files are DRM-free and are 100% compatible with both Mac and PC. Moving away from the MP3-focused approach that has evolved over recent years at the expense of sound quality, Qobuz provides the sound calibre expected by all music lovers, allowing them to enjoy both the convenience and quality of online music.

Note 24-bit HD albums sold by Qobuz are created by our labels directly. They are not re-encoded using SACD and we guarantee their direct source. In order to continue on this path, we prohibit any tampering with the product.

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Blues - To be released April 26, 2019 | Provogue Records

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Blues - To be released March 15, 2019 | Provogue Records

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Blues - To be released March 8, 2019 | Easy Eye Sound

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Blues - Released February 1, 2019 | iM Digital (EU)

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Blues - Released February 8, 2019 | Provogue Records

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Eric Gales spent a good portion of his career in the wilderness -- chalk it up to a combination of bad breaks and addiction -- but he came storming back in 2017 with Middle of the Road, his first album for Provogue/Mascot Records. Peaking at four on the Billboard Blues chart, Middle of the Road brought Gales back in a big way, giving him the confidence to push himself on its 2019 sequel Bookends. Working with producer Matt Wallace -- a stalwart of '90s alt-rock who worked with Maroon 5 after spending time with the Replacements and Faith No More -- Gales doesn't reinvent the wheel, but he does place a greater emphasis on singing and song than he has in the past. It's a subtle but notable difference, one that helps Bookends feel fuller and sharper than many of Gales' past albums and one that also accentuates the recovery undercurrents that flow through the album. By the time he teams up with guest vocalist Beth Hart for a slow-burning version of "With a Little Help from My Friends" -- the second notable cameo on the record, following Doyle Bramhall II's appearance on the neo-autobiographical epic "Southpaw Serenade" -- it's clear that Gales has managed to give not only familiar tunes but familiar blues-rock forms an identifiable stamp, born of both passion and precision. ~ Stephen Thomas Erlewine
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Blues - Released January 25, 2019 | Provogue

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Bluesman Walter Trout returns with a record a little different than his usual output. Survivor Blues is comprised exclusively of covers, and he has chosen to record mainly obscure, old blues songs rather than more well-known picks. The album follows 2017's We're All in This Together and features his take on Jimmy Dawkins' "Me, My Guitar and the Blues." ~ Bekki Bemrose
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Blues - Released January 25, 2019 | Blue Note

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Her hoarse, unique voice is gripping from the start. A voice like a descendant of Nina Simone wrapped up in a coat sewn in New Orleans. Following in the footsteps of her illustrious elder, Sarah McCoy is like a fairground attraction. A soul diva with blond mane, inhabited by the most poisonous ghosts of jazz, blues, folk and rock'n' roll. A strong personality burdened by the torments of life. Like a second cousin of Billie Holiday, Amy Winehouse, Tom Waits or Janis Joplin, or even good old Dr. John... After singles and concerts where the intense McCoy revealed her raging side, her album Blood Siren, produced by Chilly Gonzales and Renaud Letang, is contrastingly calm. A calm facade of course. A rage that’s controlled on the outside but still very real on the inside. Sometimes, the American woman's playing has the naivety and sincerity of pieces played on a toy piano. Perhaps a way to highlight the childish despair of her songs. The Death Of A Blackbird, a superb instrumental that testifies to her classical training, reveals a certain solitude. The shamanic Devil's Prospects feels like a New Orleans voodoo tale, with all the stickiness of the night and flavors of gin woven in... Take your time to understand Blood Siren. Soak up its melodies and lyrics. This lady easily could have played her larger than life card. She could have belted down the microphone to attract onlookers. Sarah McCoy proves with this record that her art is deeper and will last longer than an evening spent at the circus... © Marc Zisman/Qobuz
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Blues - Released January 7, 2018 | Cincinati Label Music

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Blues - Released November 30, 2018 | Provogue

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Beth Hart commands the stage with just one click of her fingers! The Californian tigress is still as feisty as ever without getting caught up in the clichés. In this live performance recorded on May 4th 2018 in London’s most prestigious setting, the Royal Albert Hall, she sets up her very own cabaret mixing blues, jazz and vintage soul. A woman who honours Nina Simone, Howlin’ Wolf, Dinah Washington, Buddy Guy and so many other key personalities of rhythm’n’blues, she shows us the full extent of her talent during this two-hour show. With a microphone to hand or sat behind her piano, what impresses us most is Beth Hart’s ability to mix all her musical influences and produce one very personal cocktail. Her secret? Her voice, of course. A kind of unstoppable magnet that pulls every word, every sentence, every chorus and which is made even more powerful by her contact with the audience. © Clotilde Maréchal/Qobuz
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Blues - Released November 23, 2018 | Arte Verum

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For some years now, Barbara Hendricks has had the blues. The great soprano has sung Mozart, Haydn, Schubert and many others onstage in the world’s greatest opera houses. Despite all of this, she still loves coming back to this genre which has its roots in the songs of slaves and reflects their suffering and their hopes. On The Road to Freedom, Hendricks revisits traditional blues, soul and gospel songs that served as the soundtrack for civil rights struggles in America in the fifties and sixties, as well as gems written by Ry Cooder, Curtis Mayfield, J.B. Lenoir, Thomas A. Dorsey and many others. Paired with the soprano’s angelic voice, these classics are presented in a new light whilst all the while maintaining their natural charm. Intense. © Clotilde Maréchal/Qobuz.
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Blues - Released October 12, 2018 | Buziraco Rock

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Blues - Released October 5, 2018 | Provogue

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It took Doyle Bramhall II 15 years to deliver Rich Man, the sequel to 2001's Welcome, but only two to follow that 2016 record with Shades. Appropriately, Shades feels looser than its predecessor and more direct, too. Where Rich Man was dotted with epics, Bramhall keeps things generally concise on Shades, and he also firmly grounds the album in soul. The first sounds on Shades may recall the thick, heavy blues grooves of the Black Keys but by the time Bramhall gets to the chorus of "Love and Pain," he spins the song into classic '60s R&B. He's too restless a musician to stay there -- with the Greyhounds, he kicks up some noise on "Live Forever," the Tedeschi Trucks Band pulls out some deep blues on a cover of Bob Dylan's "Going Going Gone," and he indulges in psychedelia on "Parvanah" -- but he keeps circling back to sounds steeped in Southern soul. It results in a more cohesive album than its predecessor, but it's the lack of fussiness that makes Shades a better record: now that he's just knocking out songs and records, his music feels bracing and immediate. ~ Stephen Thomas Erlewine
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Blues - Released July 20, 2018 | Provogue Records

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The Apocalypse Blues Revue is coming back strong with this second album released by Provogue, The Shape Of Blues To Come. A rather dangerous music! Did the Florida-based American band sell their soul to the devil in exchange for such mastery of electric blues? The question can be raised. Made up of Shannon Larkin (drums), Brian Carpenter (bass), Ray Cerbone (vocals) and Tony Rombola (guitar), the quartet respects the essence of blues while still imposing their own style. Right from the first track, Open Spaces, the suspense is at its peak. A gong, followed by whispers, then a deep, wearisome singing, almost voodoo-esque. In 2016, the band had already taken this path down to the purgatory with their first eponymous album. Two years later, they venture towards hell itself, for a diabolical concert. Between metal and roots music, the Apocalypse Blues Revue is capable of composing around blues as well as moving away from it. With them, boredom is forbidden. Incendiary riffs, an energetic voice swinging on the chorus of Have You Heard?! and carried by Larkin’s rhythmic force… There’s nothing to envy to heaven! There is a Morrison vibe to To Hell With You, but in this case Jim would be dressed in a rather Goth style to announce the apocalypse and the quartet’s takeover. © Anna Coluthe/Qobuz
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Blues - Released July 12, 1998 | Kusz

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Blues - Released June 15, 2018 | Silvertone

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Damn Right ! Who could disagree? Of course Buddy Guy has blues in the blood! The Chicago guitar legend is saying it loud on this album: The Blues Is Alive And Well! At 81 years old, he seems on better form than ever, and has a lot to teach the youth. This is a punkier, rockier bluesman than the present generation, who knows how to bring the blues to a white audience. Old fashioned? The accusation wouldn't offend Buddy Guy, who's just playing his guitar right. Here, the guitarist is discussing the blues with guests who have the stature to hold a conversation with him. Keith Richards and Mick Jagger of the Rolling Stones, Jeff Beck and James Bay feed his talent, and stay in perfect harmony with his genius. And what would be blues without talk of booze and old friends? On Cognac, Buddy Guy seems to shed twenty years when he evokes Muddy Waters. It's too late to sip a brandy with him, but now he's got Keith and others for company. Getting wasted in style, filling up on booze and the blues, dealing out a hand that can't ever end: that's the spirit of the blues. Beyond the music, there is a real discussion that starts between guitar riffs, piano chords and the singer's penetrating voice. Better than a trance, this is a stairway to the underworld opening up. And then there's such a captivating groove on The Blues Is Alive And Well. It's a grand declaration of love for the genre, which, through solitude, poverty and suffering, remains a faithful friend, a life-saver, an intimate journal. Perhaps the album should be seen as a kind of passing-onward of the blues to the generations to come. Blue No More gives a fair account of the idea. It's a duet where Buddy Guy is singing face-to-face with the Pearly Gates. It doesn't dampen his mood at all, through, because he knows that others down below will pick up his baton. And James Bay echoes his master's words back to him: "I won’t be blue no more". © Clara Bismuth/Qobuz
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Blues - Released June 15, 2018 | Silvertone

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Buddy Guy begins his 2018 album, The Blues Is Alive and Well, by singing "a few good years is all I need right now," an acknowledgment that at 81 years old he's closer to the end of his life than he is to the beginning. This isn't the first time he's made such an admission. Eight years earlier, he opened up Living Proof with a boast that he was "74 Years Young," so his advancing years have been on his mind for a while, but The Blues Is Alive and Well is full of songs charged with mortality. The record is bookended by "A Few Good Years" and the mellow boogie "End of the Line," and Guy muses about "Somebody Up There" and wonders what will happen "When My Day Comes," all the while acknowledging he's "Old Fashioned." That's a lot of songs about life and death, but The Blues Is Alive and Well has a lot of songs in general -- a full 15, lasting well over an hour. This excessive length means there's a lot of room for levity, too, including James Bay sitting in for a duet on "Blue No More," Mick Jagger's wailing harp on "You Did the Crime," and, best of all, a showdown with Keith Richards and Jeff Beck on "Cognac." Guy has some good moments on his own, of course -- his guitar stings throughout and he can sell the house rocker "Guilty as Charged" with a vigor that belies his age -- but the emphasis on ruminative tunes feels a bit heavy-handed. Maybe that's why the album ends with "Milking Muther for Ya," a minute-long dirty joke that punctuates the moody vibes of "End of the Line." Its very presence suggests that Buddy Guy would rather live it up while he still has a few good years left. ~ Stephen Thomas Erlewine
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Blues - Released May 14, 2018 | iM Dance

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Blues - Released April 27, 2018 | Dixiefrog

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Blues - Released April 20, 2018 | Anti - Epitaph

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Blues - Released April 6, 2018 | H. P. Johnson Presents

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