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Alternative & Indie - Released May 7, 2021 | Warp Records

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Alternative & Indie - Released April 30, 2021 | Warp Records

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Alternative & Indie - Released April 27, 2021 | Warp Records

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Dance - Released April 22, 2021 | Warp Records

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Alternative & Indie - Released April 20, 2021 | Warp Records

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Alternative & Indie - Released March 30, 2021 | Warp Records

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Alternative & Indie - Released March 16, 2021 | Warp Records

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Alternative & Indie - Released January 27, 2021 | Warp Records

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Dance - Released November 24, 2020 | Warp Records

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Alternative & Indie - Released November 20, 2020 | Warp Records

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Alternative & Indie - Released November 13, 2020 | Warp Records

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Alternative & Indie - Released November 13, 2020 | Warp Records

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Dance - Released November 10, 2020 | Warp Records

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Alternative & Indie - Released October 30, 2020 | Warp Records

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After Age Of in 2018 then his remarkable soundtrack to the Netflix film Uncut Gems, New-Yorker Daniel Lopatin aka Oneohtrix Point Never has released a staggered album (three tracks on Drive Time Suite and then five more on Midday Suite before the release of the complete product), a strange approach for such a conceptual work. Magic Oneohtric Point Never (which references the Boston radio which inspired it, Magic 106.7 FM) is a somewhat distorted reflection of the artist’s adolescence. A record which gives its listener the impression of continually changing frequencies on a car radio, a collage of jingles and presenter announcements that are superimposed with twisting violins and sonars. There are also songs on this record, good ones, like ultra-lo-fi pop/folk of Lost But Never Alone, the ballad made up entirely of blips The Whether Channel, the futuristic new wave I Don’t Love Me Anymore and also No Nightmres, an alt-pop ballad featuring the synthesised voice of The Weeknd. Rife with emotion, introspection, abstraction, manifesto and hidden meaning, with Magic, Oneohtrix Point Never has created an entirely surrealist work of art. © Smaël Bouaici/Qobuz
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Electronic - Released October 28, 2020 | Warp Records

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Alternative & Indie - Released October 26, 2020 | Warp Records

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Electronic - Released October 16, 2020 | Warp Records

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It’s always hard to predict where Autechre will go next with their music. After years of releasing music and playing concerts (35 of them since their last quintuple album elseq 1-5 in 2016, not to mention the four NTS Sessions livestream volumes released in 2018), the British duo has finally decided to release a “normal” album. Eleven tracks taken from 750 hours of jams and recordings which were made, as often is the case these days, from a distance. Familiar to conference calls well before lockdown, Sean Booth and Rob Brown moved onto a new level of composition some years ago, using exclusively their own production software to generate sounds in an algorithmic manner. They no longer send each other audio files like all other IT-centred musicians, but units of code which create synth and machine-like sounds. This allows them to simultaneously break away from the electronic music norms which they have challenged since the 90s. Interestingly, the duo have realised that they come up with likeminded ideas even at a distance. This gives the record some dizzying moments like the addictive au14 and some more contemplative ones like the electronic sunset that is Metaz form8. An album that consistently surprises in a way that only Autechre can. © Smaêl Bouaici/Qobuz
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Alternative & Indie - Released October 6, 2020 | Warp Records

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Alternative & Indie - Released September 24, 2020 | Warp Records

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Dance - Released August 4, 2020 | Warp Records

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