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Solo Piano - Released September 11, 2015 | Sony Classical

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. This album was made shortly before the pianist's premature death at age 50, so it is significant for being his last recording; indeed, the opening measures of the Aria are carved on Gould's headstone, in final recognition of the work's importance to him, so these two recordings may be regarded as bookends to the pianist's extraordinary career. Gould's tempos are slower and more measured in the 1981 performance, and the observance of some repeats here also differs from the earlier version. On the whole, the 1981 performance is reflective and carefully considered, in contrast with the technical brilliance and impulsive energy of the first. Gould's background humming is common to both Goldbergs, and even though the technology existed at the time of this recording to remove it, Gould kept it in, for fear of losing the piano's full sound. This eccentricity may be off-putting to some listeners, but there are so many fine points in Gould's playing that it must be overlooked to appreciate the true value of his playing and his understanding of Bach, which is original by any standard. Columbia's reproduction is crisp and clear, in keeping with Gould's wishes.
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Chamber Music - Released August 17, 2018 | Sony Classical

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice
What do you mean, “Six evolutions”? It’s an intriguing title, almost esoteric… The cellist Yo-Yo Ma, who needs no introduction after a worldwide career of some fifty years, pens here his third (and ultimate, according to him) recording of Bach’s Solo Cello Suites. The first, while he was in his twenties, gave rise to enthusiasm, the second—in his forties—gave rise to emotion, so what will this final vision give rise to, now that he is in his late sixties? Serenity and joy, probably, and the completion of a triple discographic evolution. That being said, we still cannot explain the “Six evolutions”, and you will have to dive into a small corner of the accompanying booklet to find an indication, giving little more information, it is true, since it comes with no clarification: 1) Nature is at play, 2) Journey toward the light, 3) Celebration, 4) Construction/Development, 5) The struggle for hope, and 6) Epiphany. Well… Whatever it be, and despite what he said—and the amazing quality of this interpretation—let’s meet in 2038 to find out if he doesn’t decide to give a new interpretation in his eighties! © SM/Qobuz
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Solo Piano - Released August 22, 2014 | Sony Classical

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Record of the Month - 4 étoiles Classica
Russian pianist Igor Levit, trained in Austria and Germany, gained good festival notices and a New Generation Artist nod from the BBC. For his initial recordings he has confidently chosen repertoire that is usually thought to take some life experience to master: first the late Beethoven sonatas, and here Bach's six Partitas for keyboard, BWV 825-830. The partitas receive subjective, frankly pianistic readings less often than they used to, and for Levit the recording is a gutsy move. He relies less on pedal (like the big piano names of the old days) or extreme tempos (like Gould, although a few of his scherzos and finales are unusually quick) than on articulation combined with small variation in speed to define each partita and each movement with a free and distinctive spirit. The slow movements, with feathery trills and plenty of expressive space, are exceptionally beautiful, and the entire concept is thought out in detail; when Levit takes a fixed tempo, that actually stands out and becomes the point of the movement where it occurs. This kind of Bach is clearly not for everybody, but it's both original and executed with steely perfection. Mention must also be made of Sony's tremendous sound from a Berlin radio studio, capturing Levit's work in granular detail and imparting just the right measure of intimate intensity.
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Classical - Released November 15, 2019 | Sony Classical

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Classical - Released November 4, 2016 | Sony Classical

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Classical - Released August 31, 2012 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released July 20, 2010 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released July 16, 2010 | Sony Classical

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Classical - Released January 15, 2016 | Sony Classical

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Classical - Released October 7, 2016 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released September 11, 2015 | Sony Classical

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Classical - Released August 24, 2012 | Sony Classical

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