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Classical - Released April 19, 2013 | Sony Classical

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Classical - Released November 9, 2018 | Sony Classical

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Classical - Released August 24, 2018 | Sony Classical

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Symphonic Music - Released November 14, 1994 | Sony Classical

Distinctions The Qobuz Ideal Discography - Golden Oldies
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Classical - Released November 30, 2012 | Sony Classical

No one would guess from his baby face that Esa-Pekka Salonen is a hard-edged, tough-guy modernist who got his start conducting works by Magnus Lindberg, the enfant terrible of Finnish music. But it is true and his recording career is proof. Nowhere in his discography is there a note of Beethoven or Brahms. Even in so conservative a company as Sony, Salonen has become the resident modernist with discs dedicated to Bartók, Debussy, and Mahler (that's Sony's modernism). He has even amassed an amazing series of Stravinsky recordings since his Sony debut in 1988. Salonen started with Stravinsky's first masterpiece, The Firebird. Rather than use Stravinsky's modest revision of the score, Salonen went back to the original 1910 version with its gargantuan orchestra of quadruple woodwinds, huge brass section plus a seven-piece brass band on-stage, an enormous percussion section that included bells, xylophone, celesta, and piano, plus three harps and 64 strings. Not that all this late-Romantic armament blunts the blade of Salonen's modernism. It only gives him more ammunition to aim at the work's Russian fairy tale heart. Stravinsky later commented on The Firebird that "belongs to the style of its time." This is true as far as it goes. The use of diatonic folk-like melodies for humans and chromaticism for the supernatural does come out of Rimsky-Korsakov's late operas. But those are merely the work's point of origin. Under the right hands -- and Salonen's are the right hands -- numbers like "Fairy Carillon" and especially "Infernal Dance" become threats to musical complacency. Even such pretty little sound toys as the "Round Dances" and the "Lullaby" aren't exercises in late-Russian emotionality; in their own quiet way, they subvert the conventions of Romanticism through Stravinsky's nascent aesthetic of ironic stylization to distance the creator and, thus, the audience, from the creation.
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Classical - Released February 22, 1991 | Sony Classical

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Symphonic Music - Released April 26, 2013 | Sony Classical

Hi-Res Booklet
Leonard Bernstein's 1958 recording of Igor Stravinsky's Le Sacre du printemps with the New York Philharmonic is ranked among the most exciting renditions ever recorded. Indeed, Stravinsky was sufficiently impressed with this recording to exclaim, "Wow!" Additionally, it was one of the best sounding stereo versions available on a major label. Reissued by Sony for the centennial of the ballet's notorious 1913 premiere in Paris, Bernstein's legendary performance has been remastered from the original analog tapes, and though there is occasional background noise and tape hiss in exposed passages, nothing essential seems to have been lost in the transfer to digital. Some things sound better than others: the undulating chords of the Introduction to Part II have rarely sounded this full and rich, the eruptions in Glorification de l'élue are shockingly vivid, and the Danse sacrale is pungent and incisive. However, the percussion is surprisingly thin in spots in Part I, with the timpani often sounding more prominent than the bass drum, and the entire battery is somewhat underwhelming in the Danse de la terre. There are many all-digital CDs and SACDs that offer superior audio, especially in terms of a wider dynamic range and acoustic resonance, and even acknowledging the excellence of this recording for its time, Columbia didn't have the technology to match today's state-of-the-art audio. All the same, Bernstein certainly gets the orchestra to play in top form, and his elastic tempos in the slow sections and driven pacing in the fast ones keep the listener spellbound. There are no perfect recordings of Le Sacre du printemps, but it's easy to see why this one has stood the test of time and become a favorite of many.
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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released October 30, 2015 | Sony Classical

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Classical - Released April 26, 2013 | Sony Classical

Hi-Res Booklet Distinctions 4F de Télérama - Hi-Res Audio
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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released December 1, 2017 | Sony Classical

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Symphonic Music - Released June 19, 2009 | Sony Classical

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Classical - Released April 13, 1992 | Sony Classical

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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released April 1, 2016 | Sony Classical

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Classical - Released April 1, 2016 | Sony Classical

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